Montparnasse (French:[mɔ̃paʁnas]ⓘ) is an area in the south of Paris, France, on the left bank of the river Seine, centred at the crossroads of the Boulevard du Montparnasse and the Rue de Rennes, between the Rue de Rennes and boulevard Raspail. It is split between the 6th, 14th, and 15th arrondissements of the city. Montparnasse has been part of Paris since 1669.[citation needed]
Students in the 17th century who came to recite poetry in the hilly neighbourhood nicknamed it after "Mount Parnassus", home to the nine Muses of arts and sciences in Greek mythology. The hill was levelled to construct the Boulevard Montparnasse in the 18th century. During the French Revolution many dance halls and cabarets opened their doors, becoming gathering points for artists. The area is also known for cafés and bars, such as the Breton restaurants specialising in crêpes (thin pancakes) located a few blocks from the Gare Montparnasse.[1] The Pasteur Institute is located in the area. Beneath the ground are tunnels of the Catacombs of Paris.
In the 18th century, students recited poems at the foot of an artificial hillock of rock rubble from the catacombs, a near-by network of underground galleries. Ironically, they decided to baptise this mound "Mount Parnassus", named after the one celebrated by Greek poets. In the early 20th century, many Bretons driven out of their region by poverty arrived by train at Montparnasse station, the heart of the district, and settled nearby.[2] Montparnasse became famous in the 1920s, referred to as les Années Folles (the Crazy Years), and the 1930s as the heart of intellectual and artistic life in Paris. From 1910 to the start of World War II, Paris' artistic circles migrated to Montparnasse as the alternative to the Montmartre district which had been the intellectual breeding ground for the previous generation of artists. The Paris of Zola, Manet, France, Degas, Fauré, a group that had assembled more on the basis of status affinity than actual artistic tastes,[citation needed] indulging in the refinements of Dandyism, was at the opposite end of the economic, social, and political spectrum from the emigrant artists who inhabited Montparnasse.
Virtually penniless painters, sculptors, writers, poets and composers came from around the world to thrive in the creative atmosphere and for the cheap rent at artist communes such as La Ruche. Living without running water, in damp, unheated "studios", many sold their works for a few francs just to buy food. Jean Cocteau once said that poverty was a luxury in Montparnasse. First promoted by art dealers such as Daniel-Henry Kahnweiler, today works by those artists sell for millions of euros.
Montparnasse was a community where creativity was embraced with all its oddities, each new arrival welcomed unreservedly by its existing members. When Tsuguharu Foujita arrived from Japan in 1913 not knowing a soul, he met Soutine, Modigliani, Pascin and Léger virtually the same night and within a week became friends with Juan Gris, Picasso and Matisse. In 1914, when the English painter Nina Hamnett arrived in Montparnasse, on her first evening the smiling man at the next table at La Rotonde graciously introduced himself as "Modigliani, painter and Jew". They became good friends, Hamnett later recounting how she once borrowed a jersey and corduroy trousers from Modigliani, then went to La Rotonde and danced in the street all night.
Cafés rented tables to poor artists for hours at a stretch. Several, including La Closerie des Lilas, remain in business today.
The cafés and bars of Montparnasse were a meeting place where ideas were hatched and mulled over. The coffeehouses at the centre of Montparnasse's night-life were in the Carrefour Vavin, now renamed Place Pablo-Picasso. In Montparnasse's heyday (from 1910 to 1920), the cafés Le Dôme, La Closerie des Lilas, La Rotonde, Le Select, and La Coupole—all of which are still in business— were the places where starving artists could occupy a table all evening for a few centimes. If they fell asleep, the waiters were instructed not to wake them. Arguments were common, some fuelled by intellect, others by alcohol, and if there were fights, and there often were, the police were never summoned. If you could not pay your bill, people such as La Rotonde's proprietor, Victor Libion, would often accept a drawing, holding it until the artist could pay. As such, there were times when the café's walls were littered with a collection of artworks.
There were many areas where the artists congregated, one of them being near Le Dôme at no. 10 rue Delambre called the Dingo Bar. It was the hang-out of artists and ex-patriate Americans and the place where Canadian writer Morley Callaghan came with his friend Ernest Hemingway, both still unpublished writers, and met the already-established F. Scott Fitzgerald. When Man Ray's friend and Dadaist, Marcel Duchamp, left for New York City, Man Ray set up his first studio at l'Hôtel des Ecoles at no. 15 rue Delambre. This is where his career as a photographer began, and where James Joyce, Gertrude Stein, Jean Cocteau and the others filed in and posed in black and white.
The rue de la Gaité in Montparnasse was the site of many of the great music-hall theatres, in particular the famous "Bobino".
Great artists performed at the Bobino Nightclub.
On their stages, using then-popular single name pseudonyms or one birth name only, Damia, Kiki, Mayol and Georgius, sang and performed to packed houses. And here too, Les Six was formed, creating music based on the ideas of Erik Satie and Jean Cocteau.
The poet Max Jacob said he came to Montparnasse to "sin disgracefully", but Marc Chagall summed it up differently when he explained why he had gone to Montparnasse: "I aspired to see with my own eyes what I had heard of from so far away: this revolution of the eye, this rotation of colours, which spontaneously and astutely merge with one another in a flow of conceived lines. That could not be seen in my town. The sun of Art then shone only on Paris."
While the area attracted people who came to live and work in the creative, bohemian environment, it also became home for political exiles such as Vladimir Lenin, Leon Trotsky, Porfirio Diaz, and Simon Petlyura. But, World War II forced the dispersal of the artistic society, and after the war Montparnasse never regained its splendour. Wealthy socialites like Peggy Guggenheim, an art collector who married artist Max Ernst, lived in the elegant section of Paris but frequented the studios of Montparnasse, acquiring pieces that would come to be recognised as masterpieces that now hang in the Peggy Guggenheim Museum in Venice, Italy.
The Musée du Montparnasse opened in 1998 at 21 Avenue du Maine and closed in 2015. Although operating with a tiny city grant, the museum was a non-profit operation. The Gallery of Montparnasse was one of the first to introduce abstract expressionism in France in the 1940s, and still holds contemporary art exhibitions today.
Economy
The different quarter of the 14th arrondissment, including MontparnasseSNCF head office
SNCF, the French rail company, has its head office in Montparnasse near the 14th arrondissement.[6][7]
Prior to the completion of the current Air France head office in Tremblay-en-France in December 1995,[8][9] Air France had its headquarters in a tower located next to the Gare Montparnasse railway station in Montparnasse and in the 15th arrondissement; Air France had its headquarters in the tower for about 30 years.[10][11][12]
Education
The Vandamme Library (Bibliothèque Vandamme) is located in the neighbourhood.[13][14]
^"Montparnasse". Paris Digest. 2018. Retrieved 13 August 2018.
^Woodhead, Lindy, "War Paint: Madame Rubenstein and Miss Elizabeth Arden, Their Lives, Their Times, Their Rivalry," Wiley, 2004, p. 128
^Montparnasse Déporté: Artisti Europei de Parigi al Lager; published by Elede, 2007, under the auspices of the Musée du Montparnasse, the City of Turin, and the Region of Piemonte (Italy)
^"Le siège haut perché de la SNCF à Montparnasse[permanent dead link]." Les Echos. 20 May 1999. Page 54. Retrieved 1 May 2010. "Pari tenu : réceptionné le 19 mars par Bouygues Immobilier et livré à son occupant dix jours plus tard, le nouveau siège de la SNCF est sorti de la gangue du grand ensemble de la gare Montparnasse, dans le 14e arrondissement de Paris, en quinze mois d'un chantier intense qui a mobilisé sur place jusqu'à 650 personnes. Quelque 800 postes de travail sont concernés sur les 2.500 qui gravitaient hier autour du siège historique de Saint-Lazare (9e arrondissement), consacrant la partition entre une direction générale resserrée et des services centraux pléthoriques."
