.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in German. (October 2020) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 8,998 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Moritz Kellerhoven]]; see its history for attribution. You should also add the template ((Translated|de|Moritz Kellerhoven)) to the talk page. For more guidance, see Wikipedia:Translation.
Portrait of King Maximilian I (1806)
Lothar Anselm von Gebsattel [de], Archbishop of Munich

Moritz Kellerhoven (1758 - 15 December 1830) was a German portrait painter and etcher.

Life

Kellerhoven was born in the Altenrath district of Troisdorf.[citation needed] He was still very young when his father died, so he was placed in the care of his maternal uncle (a clergyman) who lived in Düsseldorf.[1] He was originally educated with the intent of his joining the clergy too, but he showed an aptitude for art instead and, at the age of seventeen was sent to the Kunstakademie Düsseldorf, where he studied with Lambert Krahe.[2]

Further studies took him to Antwerp, London and Paris. In 1779, he went to Vienna and, in 1782, to Italy. By 1784, he was well-known and received an appointment as Court Painter to Elector Karl Theodor in Munich. Upon the recommendation of Johann Peter von Langer (an acquaintance from Düsseldorf) he became one of the first professors at the Academy of Fine Arts Munich after its reorganization in 1808. He remained there as a teacher and manager until his death and earned a reputation as one of Germany's greatest portrait painters. He eventually portrayed almost every member of the Bavarian nobility and clergy. His most familiar portrait is that of Maximilian I in his coronation robes, which has been used as an illustration in many historical texts.

Kellerhoven was married, with several daughters and a son, Joseph, who also became a well-known portrait painter.[3] In his last years he suffered from arthritis and gout, which eventually, in the spring of 1830, afflicted his throat and led to his death. He died in Munich and is buried in the Alter Südfriedhof.[4]

References

  1. ^ Barbara Hardtwig, „Nach-Barock und Klassizismus“ , Bayerische Staatsgemäldesammlungen, 1978, Seite 150
  2. ^ Barbara Eschenburg „Vom Spätmittelalter bis zur Neuen Sachlichkeit: die Gemälde im Lenbachhaus München“ , Deutscher Kunstverlag, 2008, Seite 18
  3. ^ Viktor Carl: „Lexikon Pfälzer Persönlichkeiten“ , Hennig Verlag, Edenkoben, 2004, Seite 434
  4. ^ Grab von Moritz Kellerhoven Archived 23 October 2013 at the Wayback Machine bei friedhof.stadt-muenchen.net

Further reading