The Lardil people are the traditional owners of the island, but there are also Kaiadilt people, who were relocated from nearby Bentinck Island, as well as people of other nations on the island. The Mornington Island Mission operated from 1914 until 1978, when it was taken over by the Queensland Government, which had proclaimed the islands an Aboriginal reserve in 1905. The Mirndiyan Gununa Aboriginal Corporation owns and manages an art centre, MIArt, and dance troupe, the Mornington Island Dancers.
Geography
Mornington Island within the Wellesley IslandsLocation of Wellesley Islands in Australia
The general topography of the island, which lies on the eastern (Queensland) side of the Gulf of Carpentaria,[1] is flat with the maximum elevation of 150 metres (490 ft). The island is fringed by mangrove forests and contains 10 estuaries, all in near pristine condition.[2]
Lardil, who prefer to be known as Kunhanaamendaa (meaning people of Kunhanhaa),[10] is the predominant nation on Mornington Island and they are the traditional owners of the land and surrounding seas. Kaiadilt people arrived more recently (1947–8) after being relocated from nearby Bentinck Island, and more people of other nations arrived from Doomadgee Mission in 1958.[11]
On 22 April 1905 all of the Wellesley islands apart from Sweers Island were proclaimed as an Aboriginal reserve, under a Protector of Aborigines appointed by the Queensland Government, Protector Howard. Bleakley was the next Protector, from 1913, but did not visit the island until 1916, by which time the first missionary (Hall) had arrived (see below for mission history).[13]
The Mornington Island State School opened on 28 January 1975.[15]
In 1978, the Queensland government decided to take over control of both the Aurukun and Mornington Island missions.
Cyclones routinely hit the island. In 2000 Cyclone Steve passed directly over the island. Tropical Cyclone May passed in February 1988 and Tropical Cyclone Bernie passed to the west in early 2002. Tropical Cyclone Fritz passed directly over the island on 12 February 2003. Severe Tropical Cyclone Harvey caused damage on the island in February, 2005.
Mornington Island Mission
A vignette for affixing to mail for the 1943 Christmas parachute drop to Mornington Island Mission
The Mornington Island Mission was established in 1914 by Robert Hall, the Presbyterian assistant superintendent from Weipa Mission, who ran it until his murder in October 1917. There were also Moravian missionaries there.[16][17]
Rev. Wilson took over, serving as superintendent until about 1941; mission staff were evacuated during the Second World War. James McCarthy[18] was Superintendent from 1944 to 1948, and he imposed a strict regime of adhering to Christian customs and eroded the authority of the elders.[13] It was during this time that all of the Kaiadilt people living on nearby Bentinck Island were moved by the missionaries onto the Mornington Island Mission. The missionaries separated the children from their parents and placed them into separate dormitories for boys and girls, while their parents built humpies around the mission. It was ten years after the relocation, completed in 1948, before one of the removed Kaiadilt woman gave birth to a child who survived.[19] The final relocation of the people was spurred by the pollution of the islanders' water supply by seawater[20] after it was badly damaged by a cyclone, with the relocation assisted by the Queensland Government. It was reported that some of the people had to be "induced" to move.[11] One of those relocated by the missionaries was artist Sally Gabori (c.1924–2015), who later mapped her traditional lands in her artwork at the Mornging Island Art Centre.[19]
Belcher arrived when Taylor was superintendent, taking over as superintendent in May 1953. Belcher ran a more humane administration than his predecessors, and respected the Lardil culture.[13]
Mission conditions were not as severe and restrictive as they were at the Doomadgee Mission, and by the late 1950s the practice of separating children from parents in dormitories had been abandoned, so many residents of Doomadgee moved to Mornington Island at this time.[21]
In the 2016 census, the population was 1,143 people.The majority of the islanders are Aboriginal, The majority of the people live in the township of Gununa.[22]
There has been a lack of infrastructure on the island. Before December 2023 there were around 30 rooms for visitors to the island. With a scheduled completion date of Christmas 2023, there is a new accommodation complex which includes another 34 rooms, and another 10 cabins added to the existing motel. The expansion will provide accommodation for tourists and enable medical staff and tradespeople to stay for longer periods of time on the island, with the added benefit of bringing in more revenue to the council. More social housing is also being built, along with a youth centre, an administration centre, and an Indigenous Knowledge Centre and library in the town of Gununa.[24]
The council is funding most of the new construction, with some funding from the federal government's Growing Regions program and the state housing department, specifically for the visitor accommodation centre and duplexes.[24]
Mirndiyan Gununa Aboriginal Corporation
The Mirndiyan Gununa Aboriginal Corporation (MGAC) was founded as the Woomera Aboriginal Corporation in 1973, which was incorporated in 1983. It adopted its present name in 2009, at the same time establishing three discrete business units: MIDance, MIArt and MI Festival. The buildings were upgraded in 2010–11, including the addition of a dedicated studio for the artists.[25]
Art centre
Mornington Island Art (MIArt), owned and run by the Mirndiyan Gununa Aboriginal Corporation, is one of the oldest Indigenous Australian art centres in Australia.[26]
People of the islands started making artefacts and bark paintings using natural ochres in the 1950s, later using acrylic paint on bark, and started selling their work in the 1970s. In the mid-1980s Mornington Island Art and Craft(s) (MIAAC)[25] was established by Brett Evans,[27] with a new building and a dedicated coordinator.[25]
Some of the women from the Kaiadilt "old ladies' camp" established on Bentinck Island in the 1980s and 1990s, after moving to Mornington Island again in the 21st century, formed the Kaiadilt art movement, led by Sally Gabori (c.1924–2015).[19] Evans established MIAAC to produce and market traditional crafts, including Gabori's fine weaving. The Kaiadilt community had no two-dimensional art traditions before 2005.[27]
In 2002, Mornington Island Art and Craft became part of Woomera Aboriginal Corporation.[25]
The art centre incorporates the MIArt studio and a gallery. The artists, both men and women, work in many different mediums and represent their Lardil and Kaiadilt cultures in their artwork, and exhibitions by the artists have been mounted in Brisbane and Darwin. Two of the most well-known artists to have worked in the art centre are Sally Gabori and Dick Roughsey, and members of their families continue to work at the centre.[26] The manager of the art centre as of 2022[update] is John Armstrong,[28] while the gallery manager is Bereline Loogatha.[19]
There is also a significant history of performance on the island, and the Mornington Island Dancers was one of the earliest established Aboriginal performing arts groups in Australia.[25] They performed publicly in Cairns in August 1964,[29] and again in 1973 at the opening ceremony of the Sydney Opera House. Since 2009 and as of 2022[update] the dancers operate as a business unit of MGAC called MIDance.[25]
The dancers celebrate Lardil culture through traditional dance and song. They have toured overseas many times, including in Italy, France, Germany, Luxembourg, the United States, United Kingdom, India and Sweden.[29]
There are no schools offering education to Year 12 on the island; non are there any nearby.[33]Distance education or boarding school would be the only options.
In literature
Writer Ernestine Hill travelled to Mornington Island and a 1933 photograph she took of the island is held by the University of Queensland's library in their Ernestine Hill collection.[34]
Mornington Island was the site of research over several decades by British anthropologist David McKnight and described in a series of books, People, Countries, and the Rainbow Serpent: Systems of classification among the Lardil of Mornington Island (1999), From Hunting to Drinking: The devastating effects of alcohol on an Australian Aboriginal community (2002), Going the Whiteman’s Way: Kinship and marriage among Australian Aborigines (2004) and Of Marriage, Violence and Sorcery: The quest for power in northern Queensland (2005).[35]
Indigenous art of Mornington Island is described in The Heart of Everything: The art and artists of Mornington & Bentinck Islands, ed. Nicholas Evans, Louise Martin-Chew and Paul Memmott (2008).[36]
According to the Encyclopedia of Marine Mammals (2008), a group of Indigenous Mornington Island people has been communicating with wild Indo-Pacific bottlenose dolphins for millennia. It is said that they have "a medicine man who calls the dolphins and 'speaks' to them telepathically. By these communications he assures that the tribes' [sic] fortunes and happiness are maintained".[37]
Alcohol ban
In November 2003 the Government of Queensland implemented an Alcohol Management Plan to 19 Indigenous communities in Queensland where alcohol abuse was rampant, including Mornington Island.[38] The plan restricted tavern opening hours, limits sales to only light and mid-strength beers, bans takeaway alcohol sales and home brewing.[39]Riots broke out when the tough new alcohol laws were introduced.[38] A total ban on alcohol was in place across all foreshores and the 23 islands in the Wellesley, South Wellesley Islands, Forsyth and Bountiful Islands groups and Sweers Island, apart from the Sweers Island Resort.[40]
After the tavern was shut down, locals took to home brewing, and in 2017 Mornington Shire Council called for the ban to be lifted so that alcohol could be better regulated from a single legal outlet.[41] Alcohol continued to be a major social and health problem as of 2019[update],[42] and in 2021 the tavern was reopened, which had started to improve the community's relationship with alcohol.[43]
On 16 April 2022, after much consultation with community elders, the island introduced limited, regulated access to liquor. Residents and visitors are now permitted to have up to 4.5 L (0.99 imp gal; 1.2 US gal), or 12 cans, of low or mid-strength beer or pre-mixed spirits for consumption in the home. The strategy has been adopted in order to address the problem of harms from people creating potent strength homebrews, as well as sly grogging.[43]
Mornington Island experiences a tropical savanna climate (Köppen:Aw, Trewartha:Awhb), with a very hot and very humid, yet short wet season from mid-November to mid-April; and a long, warm to hot dry season from mid-April to mid-November with muggy conditions due to its coastal location.
Climate data for Mornington Island, Queensland, Australia (1914-2013 normals and extremes); 9 m AMSL
^BirdLife International. (2011). Important Bird Areas factsheet: Manowar and Rocky Islands. Downloaded from http://www.birdlife.orgArchived 30 June 2007 at the Wayback Machine on 11/08/2011.
^"Mornington Shire". Queensland Places. Centre for the Government of Queensland, University of Queensland. Archived from the original on 29 October 2014. Retrieved 29 June 2014.
^ abcdef"About". Mirndiyan Gununa Aboriginal Corporation. Archived from the original on 3 March 2022. Retrieved 28 February 2022.
^ ab"Arts". Mirndiyan Gununa Aboriginal Corporation. 6 November 2021. Archived from the original on 27 February 2022. Retrieved 28 February 2022.
^ abMcLean, B, Ryan, J, Mudge, L and Saines, C (2016). Mirdidingkingathi Juwarnda Sally Gabori, Dulka Warngiid Land of All. Brisbane, Australia: Queensland Art Gallery, Gallery of Modern Art. ISBN9781921503795.((cite book)): CS1 maint: multiple names: authors list (link)
^"Art Centre Walkthrough". Mirndiyan Gununa Aboriginal Corporation. Archived from the original on 27 February 2022. Retrieved 28 February 2022.
^ ab"Dancers". Mirndiyan Gununa Aboriginal Corporation. 16 August 2020. Archived from the original on 28 February 2022. Retrieved 28 February 2022.
^Bernd Würsig B.. William Perrin W.. Würsig B.. Thewissen M. G. J.. 2008. Encyclopedia of Marine Mammals. 2nd Edition. pp.488. ISBN9780123735539. Academic Press. Retrieved on March 03, 2017
