Joseph Mortimer Lichtenauer | |
|---|---|
| Born | May 11, 1876 New York, New York, United States |
| Died | March 30, 1966 (aged 89) Firenze, Italy |
| Nationality | American |
| Occupation | Painter |
Mortimer Lichtenauer (May 11, 1876 – May 30, 1966) was an American painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.[1]
Joseph Mortimer Lichtenauer, portrait painter, muralist , sculptor and art collector, was born in New York City on May 11, 1876[2] from Joseph Mortimer Lichtenauer, an investiment advisor, and Rebecca Deutsch. He studied at the Art Students League with Henry Siddons Mowbray before moving to Paris where he entered the Académie Julian. There he studied under Luc-Olivier Merson, Jean-Joseph Benjamin-Constant and Jean-Paul Laurens and met Cadwallader Washburn, Louis Vaillant, and Carolus-Duran. He usually frequented the American club with Henry Ossawa Tanner of Pennsylvania and joined the American Art Association in 1898. In the following years he lived in New York married Giulia de Ghira and, after her death, he remarried with Irma Lena Kaufman on November 24, 1909 living in New York, Central Park Studios 15 West 67 street and then 154 West 55th Street. He travelled a great deal living also in Italy and Florence in particular where he died on march, 30th, 1966. His remains were cremated and his ashes deposited in the "American Church" St. James Episcopal Church, Via Bernardo Rucellai 13, Florence and a cenotaph is present at Lichtenauer family plot at Mount Pleasant Cemetery Hawthorne.[3] A muralist as well, Lichtenauer painted the ceiling of the Shubert Theater in New York City[4] and created murals for the Adelphi Theatre (New York City), cycle dismembered in 1970, and Washington Irving High School.[5] He also created a series of panels for the Washington Bi-Centennial. Lichtenauer was also a member of the Salmagundi Club and the American Federation of the Arts. As art collector he made a gift to Metropolitan Museum of Art of some drawings by Cristoforo Roncalli and Giuseppe Cesari. In his career he won many medals, among which we can remember the bronze medal for a sketch for a mural painting illustrating the “ Glorification of the City of New York" and an other bronze medal in 1937 for the "Javanese". His works may be found in the Smithsonian American Art Museum, Brooklyn Museum and the Metropolitan Museum of Art.[6]
He was a pupil of academic painters and loving classic art lived for many years in Italy. These facts influenced no doubt his tastes and style. His works are remarkable for the way in which every particular is represented. Idyllic paintings of classicized female figures reminiscent of greek beauty but with the dynamism and elegance of symbolist and art nouveau painting. If his subjects are classic it is not so with his brushstroke which is fresh and fast with intense and bright colors. In some cases with a dense and pasty draft and with the use of the palette knife and an almost impressionist technique where color and light give life to the subjects represented. His best known work is the decoration of the Shubert theater: a series of painted panels which adorn boxes, the area above proscenium arch and the ceiling. The subjects represented are figures with masks of Minoan and renaissance inspiration and semi-nude females of allegorical meaning such as Music and Drama.[7]
