The elegant train of the 1930s, the Orient Express, is stopped by heavy snowfall. A murder is discovered, and Poirot's trip home to London from the Middle East is interrupted to solve the case. The opening chapters of the novel take place primarily in Istanbul. The rest of the novel takes place in Yugoslavia, with the train trapped between Vinkovci and Brod.
The US title of Murder in the Calais Coach was used to avoid confusion with the 1932 Graham Greene novel Stamboul Train, which had been published in the United States as Orient Express.[6]
Plot
After taking the Taurus Express from Aleppo to Istanbul, private detective Hercule Poirot arrives at the Tokatlian Hotel, where he receives a telegram prompting him to return to London. He instructs the concierge to book him a first-class compartment on the Simplon-route Orient Express service leaving that night. Although the train is fully booked, Poirot obtains a second-class berth through the intervention of friend, fellow Belgian, and fellow passenger Monsieur Bouc, director of the train operator Compagnie Internationale des Wagons-Lits (CIWL). Other passengers include American widow Caroline Hubbard; English governess Mary Debenham; Swedish missionary Greta Ohlsson; American businessman Samuel Ratchett, with his secretary/translator Hector MacQueen, and his English valet Edward Henry Masterman; Italian-American car salesman Antonio Foscarelli; Russian Princess Natalia Dragomiroff and her German maid Hildegarde Schmidt; Hungarian Count Rudolph Andrenyi and his wife Elena; English Colonel John Arbuthnot; American salesman Cyrus B. Hardman; and Greek medical doctor Stavros Constantine.
Wagon Constantinople Calais
Dining Car
Corridor
4. Masterman 5. Foscarelli
6. MacQueen 7.
8. Schmidt 9.
10. Ohlsson 11. Debenham
1. Poirot
2. Ratchett
3. Hubbard
12. H. Andrenyi
13. R. Andrenyi
14. Dragomiroff
15. Arbuthnot
16. Hardman
Michel
Athens Coach
First class compartments (1 person)
Second class compartments (2 people)
Compartment with dead body (1 person)
Ratchett has been receiving death threats; recognizing Poirot, he tries to hire him for protection. Poirot, repulsed by Ratchett, refuses, telling him, "I will not take your case because I do not like your face." Bouc has taken the last first-class cabin, but on the first morning he arranges to move to a separate coach and gives Poirot his space. That night, Poirot observes some strange occurrences. Early in the morning, he is awakened by a cry from Ratchett's compartment next door. Pierre Michel, the train's conductor, knocks on Ratchett's door, but a voice from inside responds, "Ce n'est rien. Je me suis trompé." ("It is nothing. I was mistaken.") Hubbard rings her bell and tells Michel a man passed through her room. When Poirot rings his bell for water, Michel informs him that the train is stuck in a snowdrift between Vinkovci and Brod before he hears a loud thump next door. He observes a woman in a red kimono going towards the washroom, then goes to sleep.
The next morning, with the train still stalled, Bouc informs Poirot that Ratchett has been murdered and the murderer is still aboard, having no way to escape in the snow. As there are no police onboard, Poirot takes up the case. With help from Dr. Constantine, Poirot examines Ratchett's body and compartment, discovering the following: the body has twelve stab wounds, the window had been left open, a handkerchief with the initial "H", a pipe cleaner, a flat match different from the ones Ratchett used, and a charred piece of paper with "member little Daisy Armstrong" written on it.
The piece of paper helps Poirot work out the murderer's motive. Many years earlier, American gangster Cassetti kidnapped three-year-old Daisy Armstrong. Cassetti collected a significant ransom from the wealthy Armstrong family, then revealed that he had already killed the child. Sonia Armstrong, Daisy's mother, who was pregnant with her second child, went into premature labor upon hearing the news and died, along with the baby. Her grieving husband, Colonel Armstrong, shot himself, and Daisy's French nursemaid, Susanne, was accused of aiding Cassetti and killed herself, only to be found innocent afterwards. Cassetti escaped justice through corruption and legal technicalities, and fled the country. Poirot concludes that Ratchett was actually Cassetti. Whoever had answered the conductor was not Ratchett, as Ratchett did not speak French.
As Poirot begins interviewing everyone on the train, he discovers MacQueen is directly involved as he knows about the Armstrong note and believed it was destroyed and that Hubbard believes the murderer was in her cabin. While the passengers and Pierre all provide suitable alibis for each other, Poirot notes that some of them observed the woman in the red kimono walking down the hallway on the night of the murder. However, no one admits to owning a red kimono. Hubbard had Ohlsson lock the communicating door between her compartment and that of Cassetti, which invalidates her story of the man in her compartment, and Schmidt bumped into a stranger wearing a Wagons-Lits uniform. Miss Debenham inadvertently reveals she has been to America, contrary to her earlier statements, and Ohlsson shows much emotion when the subject of Daisy is brought up, causing further suspicion. Arbuthnot remarks that Cassetti should have been found guilty in a second trial instead of murdered, and Hardman admits he is actually a MacNeil Agency private detective who was asked to watch out for an assassin that was stalking Cassetti.
While inspecting the passengers' luggage, Poirot is surprised to find the label on Countess Andrenyi's luggage is wet and that her passport is smudged, Schmidt's bag contains the uniform in question, and Poirot's own luggage contains the red kimono, recently hidden there. Hubbard herself finds the murder weapon hidden in her sponge bag. Poirot meets with Dr. Constantine and Bouc to review the case and develop a list of questions. With these and the evidence in mind, Poirot thinks about the case, going into a trance-like state. When he surfaces from it, he deduces the solution.
He calls in the suspects and reveals their true identities and that they were all connected to the Armstrong tragedy in some way, gathering them in the dining car for the second solution. Countess Andrenyi (nee Goldenberg) is Helena, Daisy's aunt, who was a child herself at the time of the tragedy. Rudolph, her loving husband, smudged her luggage label and obscured her name to conceal her identity. Debenham was Helena and Daisy's governess; Foscarelli was the Armstrongs' chauffeur and a suspect in the kidnapping; Masterman was Col. Armstrong's valet; Michel is Susanne's father and the person who procured the false second uniform; Hubbard is actually actress Linda Arden (Daisy's grandmother and Sonia and Helena's mother); Schmidt was the Armstrongs' cook; and Ohlsson was Daisy's nurse. Princess Dragomiroff, in reality Sonia's godmother, claims the monogrammed handkerchief, saying that her forename is Natalia, and the "H" is actually a Cyrillic letter "N". Arbuthnot is there on Debenham's behalf and his own, as he was a personal friend of Colonel Armstrong. Hardman is an ex-policeman who admits he was in love with Susanne, and MacQueen, who had feelings for Sonia, was the son of the lawyer who represented the Armstrongs. The only passengers not involved in the murder are Bouc and Dr. Constantine, both having slept in the other coach, which was locked.
Poirot propounds two possible solutions, one far simpler than the other, and advising them to consider both seriously. The first is that a stranger boarded the train when it stopped at Vinkovci, killed Cassetti as a result of a Mafia feud, and disembarked at great risk through the snow. The second is that all the clues except the handkerchief and pipe cleaner were planted and that Michel and all the passengers in the coach, except Helena, stabbed Cassetti, acting as their own jury. Arden acknowledges everything and offers to take responsibility as she was the mastermind. Bouc and Dr. Constantine, however, decide the first solution should be relayed to the police. Poirot retires from the case.
Samuel Ratchett/Cassetti: An American gangster who kidnapped and murdered three-year-old Daisy Armstrong.
Dr. Stavros Constantine: a Greek physician, who, after the murder, determines Ratchett's time of death.
Mrs. Caroline Hubbard: the American actress Linda Arden, who is also revealed to be Daisy Armstrong's maternal grandmother.
Mary Debenham: An English governess returning from Baghdad and was formerly Daisy Armstrong's governess.
Colonel John Arbuthnot: Colonel Armstrong's English best friend who is in love with Mary Debenham.
Princess Natalia Dragomiroff: a Russianprincess who is ultimately revealed to be Sonia Armstrong's godmother.
Hector MacQueen: Ratchett's American secretary and translator, whose father was the Armstrongs' lawyer.
Countess Helena Andrenyi: Sonia Armstrong's sister, notable as the only one of the thirteen suspects who did not participate in the murder.
Count Rudolph Andrenyi: Countess Andrenyi's Hungarian husband, who took his wife's place as the twelfth murderer.
Cyrus Hardman: an American ex-policeman who was in love with Daisy Armstrong's French nursery maid, Susanne, who killed herself after being falsely accused of aiding Cassetti.
Antonio Foscarelli: an Italian-American car salesman who was formerly the Armstrongs' chauffeur and had loved little Daisy.
Greta Ohlsson: a Swedish missionary who was formerly Daisy Armstrong's nurse.
Hildegarde Schmidt: Princess Dragomiroff's German maid who was formerly the Armstrongs' cook
Edward Henry Masterman: Ratchett's English valet, a remote and haughty man, who was Col. Armstrong's batman in the war and valet in New York.
Pierre Michel: the French train conductor and father of Daisy Armstrong's nursery maid, Susanne, who killed herself after being falsely accused of aiding Cassetti.
Reception
The Times Literary Supplement of 11 January 1934 outlined the plot and concluded that "The little grey cells solve once more the seemingly insoluble. Mrs Christie makes an improbable tale very real, and keeps her readers enthralled and guessing to the end."[7]
In The New York Times Book Review of 4 March 1934, Isaac Anderson wrote, "The great Belgian detective's guesses are more than shrewd; they are positively miraculous. Although both the murder plot and the solution verge upon the impossible, Agatha Christie has contrived to make them appear quite convincing for the time being, and what more than that can a mystery addict desire?"[8]
The reviewer in The Guardian of 12 January 1934 noted that the murder would have been "perfect" (i.e. a perfect crime) had Poirot not been on the train and also overheard a conversation between Miss Debenham and Colonel Arbuthnot before he boarded; however, Poirot's "'little grey cells' worked admirably, and the solution surprised their owner as much as it may well surprise the reader, for the secret is well kept and the manner of the telling is in Mrs Christie's usual admirable manner."[9]
Robert Barnard said that this novel was "The best of the railway stories. The Orient Express, snowed up in Yugoslavia, provides the ideal 'closed' set-up for a classic-style exercise in detection, as well as an excuse for an international cast-list. Contains my favourite line in all Christie: 'Poor creature, she's a Swede.' Impeccably clued, with a clever use of the Cyrillic script (cf. The Double Clue). The solution raised the ire of Raymond Chandler, but won't bother anyone who doesn't insist his detective fiction mirror real-life crime."[10] The reference is to Chandler's criticism of Christie in his essay, The Simple Art of Murder. In 1995, the novel was included in Mystery Writers of America's The Top 100 Mystery Novels of All Time list.[11] In December 2014, the novel was included in Entertainment Weekly's list of the Nine Great Christie Novels.[12]
The kidnapping and murder of Charles Lindbergh's son in 1932 inspired that element in Christie's novel two years later. The novel used many elements of the real life case: a young child, firstborn of the family, was kidnapped for ransom directly from the crib, the parents were famous, the father was a well-known pilot and the mother pregnant, and the ransom was paid but the child found dead soon after. An innocent, but perhaps loose-lipped, maid employed by Lindbergh's parents was suspected of involvement in the crime. After being harshly interrogated by police, she killed herself.[13]
Two less notable events helped inspire her novel: Agatha Christie's first journey on the Orient Express in late 1928, and a blizzard near Çerkezköy, Turkey, that marooned the Orient Express for six days just a few months later, in February 1929.[13]
Flooding from rainfall that washed sections of track away in December 1931 halted Christie's return from her husband's archaeological dig at Nineveh aboard an Orient Express for 24 hours. Her authorised biography details that event in a complete quotation of a letter to her husband, which describes several passengers on her train who inspired both the plot and the characters in her novel, including an American, Mrs. Hilton, who inspired Mrs. Hubbard.[14]
In 2017, the streaming service Audible released another radio adaptation that featured Tom Conti as the voice of Poirot. The voice cast also featured Sophie Okonedo as Mary Debenham, Eddie Marsan as Ratchett/Cassetti, and narration from Art Malik.[15]
The book was made into a 1974 movie directed by Sidney Lumet and produced by John Brabourne and Richard B. Goodwin; it was a critical and commercial hit. The film starred Albert Finney as Poirot, Martin Balsam as Signor Bianchi, George Coulouris as Dr Constantine, and Richard Widmark as Ratchett/Cassetti, with the remaining cast of suspects including Sean Connery (Arbuthnot), Lauren Bacall (Mrs Hubbard), Anthony Perkins (MacQueen), John Gielgud (Beddoes), Michael York (Count Andrenyi), Jean-Pierre Cassel (Pierre Michel), Jacqueline Bisset (Countess Andrenyi), Wendy Hiller (Princess Dragomiroff), Vanessa Redgrave (Mary Debenham), Rachel Roberts (Hildegarde Schmidt), Colin Blakely (Hardman), Denis Quilley (Foscarelli), and Ingrid Bergman, who won the 1974 Academy Award for Best Supporting Actress for her role as Greta Ohlsson. Only minor changes were made for the film: Masterman was renamed Beddoes, the dead maid was named Paulette instead of Susanne, Helena Goldenberg became Helena Grünwald (which is German for "Greenwood"), Antonio Foscarelli became Gino Foscarelli, Caroline Martha Hubbard became Harriet Belinda Hubbard, and the train company's Belgian director, Monsieur Bouc, became instead an Italian director, Signor Bianchi.
On 16 June 2015, 20th Century Fox hired Kenneth Branagh to direct and star as Poirot in another film adaptation of the story,[17] which was released on 3 November 2017.[18] On 29 September 2016, the studio issued a press release announcing much of the cast, including Johnny Depp as Ratchett, Michelle Pfeiffer as Mrs Hubbard, Penélope Cruz as Pilar Estravados (a Spanish version of Greta Ohlsson, the name coming from a character in Hercule Poirot's Christmas),[19]Judi Dench as Princess Dragomiroff, Derek Jacobi as Masterman, Leslie Odom Jr. as Dr Arbuthnot, Daisy Ridley as Mary Debenham, Lucy Boynton as Countess Andrenyi, Tom Bateman as Monsieur Bouc,[20]Manuel Garcia-Rulfo as Biniamino Marquez (a Cuban version of Antonio Foscarelli),[21]Josh Gad as Hector MacQueen,[22]Marwan Kenzari as Pierre Michel,[23]Sergei Polunin as Count Andrenyi,[24][25]Willem Dafoe as Cyrus Hardman,[26] and Olivia Colman as Hildegarde Schmidt.[27] The character of Col. Arbuthnot is combined with Dr. Constantine to create Dr Arbuthnot, a sniper who served under Col. Armstrong in the war and had his medical school paid for by Armstrong; MacQueen's father is portrayed as having been a prosecutor in the Armstrong case rather than the Armstrong family's lawyer, and whose career was ruined after he prosecuted the maid Susanne; and Monsieur Bouc is changed from the director of the company to the director's nephew. Added was a direct link for Poirot to the Armstrong kidnapping—before Sonia's death, John Armstrong wrote to Poirot for help. Also unlike the book, the kidnapping does not take place in Long Island but in New Jersey, where the Lindbergh Kidnapping took place. Susanne Michel is switched from Pierre Michel's daughter to his sister. Cyrus Hardman poses as an Austrian scientist named Gerhard Hardman for part of the film. The last scene also sets up Death on the Nile as a sequel.
Television
German adaptation (1955)
The novel was first adapted as a 1955 episode of the West German television series Die Galerie der großen Detektive. Heini Göbel played the role of Poirot.
A thoroughly modernized and poorly received made-for-TV version starring Alfred Molina as Poirot was presented by CBS in 2001. This version co-starred Meredith Baxter as Mrs Hubbard and Leslie Caron as Señora Alvarado (based on Princess Dragomiroff, and portrayed as the widow of a South American dictator). Poirot is portrayed as significantly younger and less eccentric than Christie's detective, and is given a subplot involving a romantic relationship with Vera Rosakoff, who is loosely based on an infrequently recurring character of the same name. The story is updated to a contemporary setting, and four of the suspects (Hildegarde Schmidt, Cyrus Hardman, Edward Masterman and Greta Ohlsson) are deleted, as is Dr Constantine.[28]
Agatha Christie's Poirot: "Murder on the Orient Express" (2010)
The character Cyrus Hardman (the former American police officer turned private detective) has been largely amalgamated with the chauffeur Foscarelli (in as much as regards being the lover of the dead maid) and Dr. Constantine (who in the novel is unrelated to the murders) becomes a co-conspirator, depicted as having been the Armstrong family's doctor in America.
As in the 2017 film, MacQueen's father was the prosecutor rather than the Armstrongs' lawyer, whose career was ruined after he was threatened into acquitting Cassetti. The adaptation's treatment of Ratchett's murder is much darker in comparison with the novel. The killers gather in his cabin and stab him one by one while he is drugged but awake, rather than stabbing him independently while he is unconscious. The ending dwells on Poirot's horror at the act of mob justice and his moral conflict, in view of his Catholic faith and commitment to the law, when he decides not to tell the Yugoslavian police what he knows.
The first night featured a storyline true to the original text, but set in Japan in 1933. In this version, the train Orient Kyuukou ran from the western city of Shimonoseki to Tokyo, with the train stopped by a small avalanche near Sekigahara, Gifu.
The second night was an original story.
Chinese TV adaptation (2022)
The first four episodes of Checkmate(Min guo da zhen tan) is based on the story. Hu Yitian plays Si Tu Yan, a young lawyer from Peking who was dismissed from his post for sticking to his principles. He comes to Harbin to become a detective where he meets the forthright and wealthy friend Luo, played by Zhang Yunlong. [31]
On September 12, 2023, Murder on the Orient Express was adapted into an authorized graphic novel illustrated by Bob Al-Greene and published by William Morrow Paperbacks.[33]
On October 19, 2023, Microids released a new video game adaptation titled Agatha Christie - Murder on the Orient Express. Having one prologue and thirteen chapters, Agatha Christie - Murder on the Orient Express faithfully adapts and modernizes the novel's plot, with the main characters retaining their original names and using mobile phones and computers. Unlike the 2006 PC game, players alternately take on the two roles of Poirot and an American detective named Joanna Locke. For four years, Locke has been investigating the kidnapping and murder of Daisy Armstrong, and boarded the Orient Express in a failed attempt to arrest Cassetti for the crime and prove Susanne's innocence. Switching between flashbacks and the present time, the in-game investigation progresses as Poirot and Locke exchange clues regarding Cassetti and the Armstrong case. While the first eight chapters of the game adapt the entire novel, a twist expands the plot by adding a thirteenth killer, who had murdered Cassetti before the Armstrongs' and Susanne's loved ones unleashed their revenge on him. The five remaining chapters of the game revolve around Poirot and Locke hunting down the perpetrator and bringing to light Cassetti's own crimes and other victims.
Agatha Christie - Murder on the Orient Express is available on PC and PlayStation, Xbox, and Nintendo Switch consoles.[34]
Publication history
1934, Collins Crime Club (London), 1 January 1934, Hardcover, 256 pp.
1934, Dodd Mead and Company (New York), 1934, Hardcover, 302 pp.
c.1934, Lawrence E. Spivak, Abridged edition, 126 pp.
1940, Pocket Books (New York), Paperback, (Pocket number 79), 246 pp.
1948, Penguin Books, Paperback, (Penguin number 689), 222 pp.
1959, Fontana Books (Imprint of Collins), Paperback, 192 pp.
1968, Greenway edition of collected works (William Collins), Hardcover, 254 pp.
1968, Greenway edition of collected works (Dodd Mead), Hardcover, 254 pp.
1974, Pocket Books (New York) (with cover illustration of the cast of Sidney Lumet's movie by Allan Mardon [misspelled "Marden"]) November 1974, 34th printing, Paperback, viii, 198 p.
1978, Pocket Books (New York), Paperback
2006, Poirot Facsimile Edition (Facsimile of 1934 UK first edition), 4 September 2006, Hardcover, 256 pp. ISBN0-00-723440-6
2011, William Morrow (HarperCollins), Paperback, 265 pp.
The story's first true publication was the US serialisation in six instalments in the Saturday Evening Post from 30 September to 4 November 1933 (Volume 206, Numbers 14 to 19). The title was Murder in the Calais Coach, and it was illustrated by William C. Hoople.[35]
The UK serialisation appeared after book publication, appearing in three instalments in the Grand Magazine, in March, April, and May 1934 (Issues 349 to 351). This version was abridged from the book version (losing some 25% of the text), was without chapter divisions, and named the Russian princess as Dragiloff instead of Dragomiroff. Advertisements in the back pages of the UK first editions of The Listerdale Mystery, Why Didn't They Ask Evans, and Parker Pyne Investigates claimed that Murder on the Orient Express had proven to be Christie's best-selling book to date and the best-selling book published in the Collins Crime Club series.
See also
Baron Hotel – where Christie wrote the first part of the novel
Pera Palace Hotel – where Christie supposedly wrote the novel, although this is not stated in either her official biography or her own Autobiography
Venice-Simplon Orient Express – the train using original carriages from the Orient Express on which Christie based her novel
^Peers, Chris; Spurrier, Ralph; Sturgeon, Jamie (March 1999). Collins Crime Club – A checklist of First Editions (2 ed.). North Lincolnshire, England: Dragonby Press. p. 14.
^Anderson, Isaac (4 March 1934). "Murder on the Orient Express (review)". The New York Times Book Review. New York City: New York Times Company. p. 11.
^"Murder on the Orient Express (review)". The Guardian. London, England. 12 January 1934. p. 5.
^Barnard, Robert (1990). A Talent to Deceive – an appreciation of Agatha Christie. New York City: Fontana Books. pp. 199–200. ISBN0-00-637474-3.
