It was released on Netflix on 23 February 2018 and received negative reviews, with praise for the visuals but criticism for its pacing, plot, and mishandled subject material; it drew unfavorable comparisons to Blade Runner from many critics.[3]
Plot
A childhood accident leaves Leo mute and his devout Amish mother refuses surgery. As an adult in 2035, he works as a bartender at a Berlin strip club owned by Maksim, and dates cocktail waitress Naadirah. Secretly, she is in desperate need for money. After rowdy customer Stuart sexually harasses Naadirah, Leo assaults him.
At Leo's apartment, Naadirah attempts to tell him about something important but is distracted when Leo shows her a bed he has been carving as a present for her. Moved, Naadirah has sex with him. Elsewhere, Maksim's mobsters meet American surgeons Cactus Bill and Duck, who run a black-market clinic. Bill wants to leave Berlin and pressed Maksim to provide forged documents for him and his young daughter, Josie. Duck, however, enjoys living in Berlin and runs a side business where he performs cybernetic surgery.
Stuart returns to the club and taunts Leo, who fights him again and gets fired. Unable to contact Naadirah, Leo asks her roommate Luba for help. However, Luba refuses. An anonymous text message leads Leo to a black-market bazaar run by Stuart. Remembering that Naadirah wrote an address on his notepad a while back, Leo leaves the bazaar after using charcoal to read the imprint.
Naadirah's address leads Leo to Oswald. Oswald assumes Leo works for Maksim's underling Nicky Simsek, who is skimming money from Maksim's prostitutes. Leo meets with Simsek, who is babysitting Josie. Leo befriends Josie and leaves the money from Oswald and a note incriminating Simsek in front of Maksim's henchmen.
After tracking down Naadirah's address, Leo discovers Luba, who has been secretly using Naadirah's name to work as prostitute to earn the money she needed. In love with Naadirah, Luba is jealous of Leo. Using Naadirah's contacts on the phone system on the fridge, Leo finds her mother. Leo learns Naadirah is Josie's mother and Cactus Bill is her ex-husband and is responsible for Naadirah's disappearance.
After Bill and Duck torture Simsek on Maksim's orders, Bill discovers a recording on Duck's computer of a young patient undressing and realizes Duck is a pedophile. Bill threatens to break Duck's arms if he ever touches any child. However, he becomes elated and forgives Duck when Maksim reports he has the forged documents ready for Bill. Bill celebrates with Duck, offering his house and his job to him, so Duck can close the clinic and stop working with kids. Venting his frustrations with Bill, Duck casually reveals he was the one who had been anonymously texting Leo. A security guard stops them for a casual theft, and Bill threatens to kill the guard. When Duck intervenes, Bill strikes him. Upset by this treatment, Duck texts Leo that Bill is headed for the club. Leo uses a support beam from the bed he made to beat up Maksim's group and takes Bill's forged documents.
In Bill's house, Leo finds a wounded Simsek and Naadirah's asphyxiated corpse in a bag. Bill murdered Naadirah, who was trying to save money to pay to have him deported. After killing Simsek, Bill attacks Leo, who impales him on his own knife. Duck later appears, refuses to take Bill to a hospital, and instead, turns the surveillance camera installed in Josie's room towards Bill's face, threatening to make him see Duck raping her.
Duck knocks out Leo and implants an electrolarynx so he can make Leo apologize for killing Bill. When Leo refuses, Duck takes him to the bridge in the one photo Leo has of Naadirah. Duck took the picture on a trip with Naadirah and Bill. Leo refuses to apologize, takes a breath and throws both of them into the water. Drowning Duck, Leo swims to the surface, finds Josie at the bridge's edge and uses his new voice to warn her away from the danger. Both of them safe, Leo tells Josie he will take her to her maternal grandmother.
The film was in development hell for many years, but Jones always said he wished to direct it and has described it as a "spiritual sequel" to Moon, heavily inspired by the Ridley Scott film Blade Runner (1982).[8] During the film's development, Jones had expressed his desire for Sam Rockwell to reprise his role from Moon in a cameo appearance that was to act as an epilogue for the character,[9][7] and that the film would be the second instalment in a trilogy consisting of Moon, Mute and yet to be announced third film.[10][11][12] In October 2016, Justin Theroux officially joined the cast, joining Skarsgård, Rudd, Noel Clarke and Florence Kasumba.[13]
Filming
Filming began on September 28, 2016.[14][15] The film was shot on site in Berlin by cinematographer Gary Shaw, who worked with Jones on Moon.[16]
Music
Clint Mansell composed the film's score.[17] In a series of Instagram posts titled Mute & Me, he cited the culture of 20th century Berlin as a major influence,[18] claiming that "Berlin has been, and continues to be, a cultural hot bed of our times". Mansell drew from multiple forms of Berlin culture, including "poets and artists, musicians and philosophers, dreamers and drunks, lovers and the lost and lonely, the wild, the beautiful, and the damned". During background research for the film, Mansell claimed to have drawn inspiration from works of German expressionism such as Metropolis, the crime drama M, as well as works of classic and contemporary film noir like In A Lonely Place, Cape Fear, Chinatown, Brick, and Blood Simple.
Originally scheduled for release in 2017,[19]Mute was released on Netflix on 23 February 2018.[20]
Marketing
The film was heavily promoted and discussed by Jones on Twitter with production stills and concept art. On 6 January 2017 three stills from the film were released, showing characters Leo, Cactus Bill, and Duck with the backdrop of a futuristic Berlin.[21][22]
Critical response
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 21% based on 86 reviews, with an average rating of 4.4/10. The website's critical consensus reads, "Visually polished but narratively derivative and overall muddled, Mute is a would-be sci-fi epic whose title serves as an unfortunate guide to how it might be best enjoyed."[23] On Metacritic, which uses a weighted average, the film received a weighted average score of 35 out of 100, based on 24 critics, indicating "generally unfavorable reviews."[24]
