NetForce
Genre	Action Drama Science fiction
Based on	Tom Clancy's Net Force by Tom Clancy Steve Pieczenik
Written by	Lionel Chetwynd
Story by	Tom Clancy Steve Pieczenik
Directed by	Robert Lieberman
Starring	Scott Bakula Joanna Going Kris Kristofferson Brian Dennehy
Music by	Jeff Rona
Country of origin	United States
Original language	English
Production
Producer	Dennis E. Doty
Cinematography	David Hennings
Editor	Alan L. Shefland
Running time	200 minutes
Production companies	Cates/Doty Productions Greengrass Productions
Budget	$20 million[citation needed]
Original release
Network	ABC
Release	February 1, 1999 (1999-02-01)[1]

NetForce is a 1999 American made-for-television science fiction action drama film directed by Robert Lieberman, written by Lionel Chetwynd, and starring Scott Bakula. Based on the Tom Clancy's Net Force series of novels created by Tom Clancy and Steve Pieczenik, it was broadcast on ABC in 1999.

Plot

In 2005, Alex Michaels is deputy head of a new division of the FBI called "Netforce" which investigates computer crime and polices the Internet. When his boss and mentor, Steve Day, is assassinated, the evidence points to Web pioneer and owner of the company Januscorp, Will Stiles, a character said to be Bill Gates' apprentice. Stiles is about to release a new web browser that may allow him to hack into any computer in the world and to gain control of the Internet. Michaels is appointed acting Commander of Netforce, and leads his people on the hunt for Stiles.

Cast

• Scott Bakula as Alex Michaels
• Kris Kristofferson as Steve Day
• Judge Reinhold as Will Stiles
• Cary-Hiroyuki Tagawa as Leong Cheng
• Joanna Going as Toni Fiorelli
• Brian Dennehy as Lowell Davidson
• CCH Pounder as FBI Director Sandra Knight
• Xander Berkeley as Bo Tyler
• Frank Vincent as Johnny Stompato
• Anjul Nigam as Uday Shankar

Production

NetForce was shot in Los Angeles, Virginia, and Washington, DC.^[2]

Reception

Bruce Fretts of Entertainment Weekly called it "boring cyber-nonsense".^[1] William McDonald of The New York Times wrote, "The movie does gather suspense and momentum in Part II, but so much is going on, and so much dialogue is devoted to explaining it, that no one has time to be interesting."^[3] Steve Johnson of the Chicago Tribune called it "pretty silly stuff".^[4]