Nicholas Edward CaveAOFRSL (born 22 September 1957[2]) is an Australian musician, writer and actor. Known for his baritone voice and for fronting the rock band Nick Cave and the Bad Seeds, Cave's music is characterised by emotional intensity, a wide variety of influences and lyrical obsessions with death, religion, love and violence.[3]
Born and raised in rural Victoria, Cave studied art in Melbourne before fronting the Birthday Party, one of the city's leading post-punk bands, in the late 1970s. In 1980 they evolved towards a darker and more challenging sound that helped inspire gothic rock, and acquired a reputation as "the most violent live band in the world".[4] Cave became recognised for his confrontational performances, his shock of black hair and pale, emaciated look. The band broke up soon after moving to Berlin in 1982, and Cave formed Nick Cave and the Bad Seeds the year after, later described as one of rock's "most redoubtable, enduring" bands.[5] Much of their early material is set in a mythic American Deep South, drawing on spirituals and Delta blues, while Cave's preoccupation with Old Testament notions of good versus evil culminated in what has been called his signature song, "The Mercy Seat" (1988), and in his debut novel, And the Ass Saw the Angel (1989). In 1988, he appeared in Ghosts... of the Civil Dead, an Australian prison film which he both co-wrote and scored.
Cave was born on 22 September 1957 in Warracknabeal, a country town in the Australian state of Victoria, to Dawn Cave (née Treadwell) and Colin Frank Cave.[7][8] As a child, he lived in Warracknabeal and then Wangaratta in rural Victoria. His father taught English and mathematics at the local technical school; his mother was a librarian at the high school that Cave attended.[9] From an early age, Cave's father introduced him to literary classics, such as Crime and Punishment and Lolita,[10] and also organised the first symposium on the Australian bushranger and outlaw Ned Kelly,[11] with whom Cave was enamoured as a child.[12] Through his older brother, Cave became a fan of progressive rock bands such as King Crimson, Pink Floyd and Jethro Tull,[13] while a childhood girlfriend introduced him to Leonard Cohen, who he later described as "the greatest songwriter of them all".[14]
When Cave was 9 he joined the choir of Wangaratta's Holy Trinity Cathedral.[7] At 13 he was expelled from Wangaratta High School.[10] In 1970, he moved with his family to the Melbourne suburb of Murrumbeena, where he became a boarder and later day student at Caulfield Grammar School.[9] He was 21 when his father was killed in a car collision; his mother told him of his father's death while she was bailing him out of a St Kilda police station where he was being held on a charge of burglary. He would later recall that his father "died at a point in my life when I was most confused" and that "the loss of my father created in my life a vacuum, a space in which my words began to float and collect and find their purpose".[10]
After his secondary schooling, Cave studied painting at the Caulfield Institute of Technology in 1976, but dropped out the following year to pursue music.[15] He also began using heroin around the time that he left art school.[16]
Cave attended his first music concert at Melbourne's Festival Hall. The bill consisted of Manfred Mann, Deep Purple and Free. Cave recalled: "I remember sitting there and feeling physically the sound going through me."[15] In early 1977, he saw Australian punk rock groups Radio Birdman and the Saints live for the first time. Cave was particularly inspired by the show of the latter band, saying that he left the venue "a different person";[17] a photograph by Rennie Ellis shows Cave in the front row, appearing awestruck by the Saints' frontman Chris Bailey.[18]
In 1973, Cave met Mick Harvey (guitar), Phill Calvert (drums), John Cochivera (guitar), Brett Purcell (bass), and Chris Coyne (saxophone); fellow students at Caulfield Grammar. They founded a band with Cave as singer. Their repertoire consisted of rudimentary cover versions of songs by Lou Reed, David Bowie, Alice Cooper, Roxy Music and Alex Harvey, among others. Later, the line-up slimmed down to four members including Cave's friend Tracy Pew on bass. In 1977, after leaving school, they adopted the name The Boys Next Door and began playing predominantly original material. Guitarist and songwriter Rowland S. Howard joined the band in 1978.
They were a leader of Melbourne's post-punk scene in the late 1970s, playing hundreds of live shows in Australia before changing their name to the Birthday Party in 1980 and moving to London, then West Berlin. Cave's Australian girlfriend and muse Anita Lane accompanied them to London. The band were notorious for their provocative live performances which featured Cave shrieking, bellowing and throwing himself about the stage, backed up by harsh pounding rock music laced with guitar feedback. Cave used Old Testament imagery with lyrics about sin, debauchery and damnation.[19] Cave's droll sense of humour and penchant for parody is evident in many of the band's songs, including "Nick the Stripper" and "King Ink". "Release the Bats", one of the band's most famous songs, was intended as an over-the-top "piss-take" on gothic rock, and a "direct attack" on the "stock gothic associations that less informed critics were wont to make". Ironically, it became highly influential on the genre, giving rise to a new generation of bands.[20] Cave attended a gig of the Pop Group and was so inspired by their performance, he stated that: "...It was one of those moments we just feel the cogs of your mind shift and your life is going to be irreversibly changed forever."[21]
After establishing a cult following in Europe and Australia, the Birthday Party disbanded in 1983.
The band with Cave as their leader and frontman has released seventeen studio albums. Pitchfork Media calls the group one of rock's "most enduring, redoubtable" bands, with an accomplished discography.[22] Though their sound tends to change considerably from one album to another, the one constant of the band is an unpolished blending of disparate genres, and song structures which provide a vehicle for Cave's virtuosic, frequently histrionic theatrics. Critics Stephen Thomas Erlewine and Steve Huey wrote: "With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk."[3]
Hamburg, Germany July 2001
Reviewing 2008's Dig, Lazarus, Dig!!! album, NME used the phrase "gothic psycho-sexual apocalypse" to describe the "menace" present in the lyrics of the title track.[23] Their most recent work, Ghosteen, was released in October 2019.[24]
In mid-August 2013, Cave was a 'First Longlist' finalist for the 9th Coopers AMP, alongside artists such as Kevin Mitchell and the Drones. The Australian music prize is worth A$30,000.[25] The prize ultimately went to Big Scary.[26] In a September 2013 interview, Cave explained that he returned to using a typewriter for songwriting after his experience with the Nocturama album, as he "could walk in on a bad day and hit 'delete' and that was the end of it". Cave believes that he lost valuable work due to a "bad day".[15]
In 2006, Cave formed Grinderman with himself on vocals, guitar, organ and piano, Warren Ellis (tenor guitar, electric mandolin, violin, viola, guitar, backing vocals), Martyn P. Casey (bass, guitar, backing vocals) and Jim Sclavunos (drums, percussion, backing vocals). The alternative rock outfit was formed as "a way to escape the weight of The Bad Seeds".[27] The band's name was inspired by a Memphis Slim song, "Grinder Man Blues", which Cave is noted to have started singing during one of the band's early rehearsal sessions. The band's debut studio album, Grinderman, was released in 2007 to positive reviews and the band's second and final studio album, Grinderman 2, was released in 2010 to a similar reception.[citation needed]
Cave's musical work was featured in a scene of the 1986 film, Dogs in Space by Richard Lowenstein.[30] Cave performed parts of the Boys Next Door song "Shivers" twice during the film, once on video and once live.
Another early fan of Cave's was German director Wim Wenders, who lists Cave, along with Lou Reed and Portishead, as among his favourites.[31] Cave and the Bad Seeds appear in the film 1987 film Wings of Desire performing "The Carny" and "From Her to Eternity".[32] Two original songs were included in Wenders' 1993 sequel Faraway, So Close!, including the title track. The soundtrack for Wenders' 1991 film Until the End of the World features, another Cave original, "(I'll Love You) Till the End of the World". Cave and the Bad Seeds later recorded a live in-studio cover track for Wenders' 2003 documentary The Soul of a Man, and his 2008 film Palermo Shooting features two original songs from Cave's side project Grinderman.[33]
Cave's songs have also appeared in a number of Hollywood blockbusters – "There is a Light" appears on the 1995 soundtrack for Batman Forever, and "Red Right Hand" appeared in a number of films including The X-Files, Dumb & Dumber; Scream, its sequels Scream 2 and 3, and Hellboy (performed by Pete Yorn). In Scream 3, the song was given a reworking with Cave writing new lyrics and adding an orchestra to the arrangement of the track. "People Ain't No Good" was featured in the animated movie Shrek 2 and the song "O Children" was featured in the 2010 movie Harry Potter and the Deathly Hallows – Part 1.
During the 1982 recording sessions for the Birthday Party's Junkyard LP, Cave, together with band-mates Harvey and Howard, joined members of the Go-Betweens to form Tuff Monks. The short-lived band released one single, "After the Fireworks", and played live only once. Later that year, Cave contributed to the Honeymoon in Red concept album. Intended as a collaboration between the Birthday Party and Lydia Lunch, the album was not released until 1987, by which time Lunch had fallen out with Cave, who she credits on the release as "Anonymous", "Her Dead Twin" and "A Drunk Cowboy Junkie". During the Birthday Party's Berlin period, Cave collaborated with local post-punk group Die Haut on their album Burnin' the Ice, released in 1983. In the immediate aftermath of the Birthday Party's breakup, Cave performed several shows in the United States as part of The Immaculate Consumptive, a short-lived "super-group" with Lunch, Marc Almond and Clint Ruin.[35] Cave sang on an Annie Hogan song called "Vixo" which was recorded in October 1983: the track was released in 1985 on the 12" inch vinyl "Annie Hogan – Plays Kickabye".[36]
After covering one another's songs, Cave and Johnny Cash (pictured) recorded duets for what would be the latter's final album.
A lifelong fan of Johnny Cash, Cave covered his song "The Singer" (originally "The Folk Singer") for the 1986 album Kicking Against the Pricks, which Cash seemingly repaid by covering "The Mercy Seat" on American III: Solitary Man (2000). Cave was then invited to contribute to the liner notes of the retrospective The Essential Johnny Cash CD, released to coincide with Cash's 70th birthday. Subsequently, Cave recorded a duet with Cash, a version of Hank Williams' "I'm So Lonesome I Could Cry", for what would be Cash's final album, American IV: The Man Comes Around (2002). Another duet between the two artists, the American folk song "Cindy", was released posthumously on Unearthed, a boxset of outtakes. Cave's song "Let the Bells Ring", released on the 2004 album Abattoir Blues / The Lyre of Orpheus, is a posthumous tribute to Cash.
Cave played with Shane MacGowan on cover versions of Bob Dylan's "Death is Not the End" and Louis Armstrong's "What a Wonderful World". Cave also performed "What a Wonderful World" live with the Flaming Lips. Cave recorded a cover version of the Pogues song "Rainy Night in Soho", written by MacGowan. MacGowan also sings a version of "Lucy", released on B-Sides and Rarities. On 3 May 2008, during the Dig, Lazarus, Dig!!! tour, MacGowan joined Nick Cave and the Bad Seeds on stage to perform "Lucy" at Dublin Castle in Ireland. Pulp's single "Bad Cover Version" includes on its B-side a cover version by Cave of that band's song "Disco 2000". On the Deluxe Edition of Pulp's Different Class another take of this cover can be found.
In 2004, Cave gave a hand to Marianne Faithfull on the album, Before the Poison. He co-wrote and produced three songs ("Crazy Love", "There is a Ghost" and "Desperanto"), and the Bad Seeds are featured on all of them. He is also featured on "The Crane Wife" (originally by the Decemberists), on Faithfull's 2008 album, Easy Come, Easy Go.
Cave's ex-partner, PJ Harvey, appears on his Murder Ballads LP, notably the single "Henry Lee".
Cave also took part in the "X-Files" compilation CD with some other artists, where he reads parts from the Bible combined with own texts, like "Time Jesum ...", he outed himself as a fan of the series some years ago, but since he does not watch much TV, it was one of the only things he watched. He collaborated on the 2003 single "Bring It On", with Chris Bailey, formerly of the Australian punk group, The Saints. Cave contributed vocals to the song "Sweet Rosyanne", on the 2006 album Catch That Train! from Dan Zanes & Friends, a children's music group.
In 2011, Cave recorded a cover of the Zombies' "She's Not There" with Neko Case, which was used at the end of the first episode of the fourth season of True Blood.
"When Cave makes a brief appearance in the film's waning minutes—playing a grungy troubadour, of course, strolling the length of a bar as he growls the oft-sung folk tribute to Jesse James—you almost get the feeling that in some ways it's been Cave, by way of his score, telling the story all along."
Cave creates original film scores with fellow Bad Seeds band member Warren Ellis—they first teamed up in 2005 to work on Hillcoat's bushranger film The Proposition, for which Cave also wrote the screenplay.[54]
Cave released his first book, King Ink, in 1988. It is a collection of lyrics and plays, including collaborations with Lydia Lunch. This was followed up with King Ink II in 1997, containing lyrics, poems, and the transcript of a radio essay he wrote for the BBC in July 1996, "The Flesh Made Word", discussing in biographical format his relationship with Christianity.
While he was based in West Berlin, Cave started working on what was to become his debut novel, And the Ass Saw the Angel (1989). Significant crossover is evident between the themes in the book and the lyrics Cave wrote in the late stages of the Birthday Party and the early stage of his solo career. "Swampland", from Mutiny, in particular, uses the same linguistic stylings ('mah' for 'my', for instance) and some of the same themes (the narrator being haunted by the memory of a girl called Lucy, being hunted like an animal, approaching death and execution).
In 1993, Cave and Lydia Lunch published an adult comic book they wrote together, with illustrations by Mike Matthews, titled AS-FIX-E-8.[59]
On 21 January 2008, a special edition of Cave's novel And the Ass Saw the Angel was released.[60] Cave's second novel The Death of Bunny Munro was published on 8 September 2009 by HarperCollins books.[61][62] Telling the story of a sex-addicted salesman, it was also released as a binaural audio-book produced by British Artists Iain Forsyth and Jane Pollard and an iPhone app.[63] The book originally started as a screenplay Cave was going to write for John Hillcoat.[64]
Cave wrote the foreword to a Canongate publication of the Gospel According to Mark, published in the UK in 1998. The American edition of the same book (published by Grove Press) contains a foreword by the noted American writer Barry Hannah.
Cave is a contributor to a 2009 rock biography of the Triffids, Vagabond Holes: David McComb and the Triffids, edited by Australian academics Niall Lucy and Chris Coughran.[66]
Acting
Cave's first film appearance was in Wim Wenders' 1987 film Wings of Desire, in which he and the Bad Seeds are shown performing at a concert in Berlin.
Cave has made occasional appearances as an actor. He appears alongside Blixa Bargeld in the 1988 Peter Sempel film Dandy, playing dice, singing and speaking from his Berlin apartment. He is most prominently featured in the 1989 film Ghosts... of the Civil Dead, written and directed by John Hillcoat, and in the 1991 film Johnny Suede with Brad Pitt.
Cave wrote the screenplay for The Proposition, a film about bushrangers in the Australian outback during the late 19th century. Directed by John Hillcoat and filmed in Queensland in 2004, it premiered in October 2005 and was later released worldwide to critical acclaim.[72] Cave explained his personal background in relation to writing the film's screenplay in a 2013 interview:
I had written long-form before but it is pure story-telling in script writing and that goes back as far as I can remember for me, not just with my father but with myself. I slept in the same bedroom as my sister for many years, until it became indecent to do so and I would tell her stories every night—that is how she would get to sleep. She would say "tell me a story" so I would tell her a story. So that ability, I very much had that from the start and I used to enjoy that at school so actually to write a script—it suddenly felt like I was just making up a big story.[15]
The film critic for British newspaper The Independent called The Proposition "peerless", "a star-studded and uncompromisingly violent outlaw film".[73] The generally ambient soundtrack was recorded by Cave and Warren Ellis.
At the request of his friend Russell Crowe, Cave wrote a script for a proposed sequel to Gladiator which was rejected by the studio.[74]
An announcement in February 2010 stated that Andy Serkis and Cave would collaborate on a motion-capture movie of the Brecht and Weill musical The Threepenny Opera. As of September 2019, the project has not been realised.[75]
Cave wrote a screenplay titled The Wettest County in the World,[76] which was used for the 2012 film Lawless, directed again by John Hillcoat, starring Tom Hardy and Shia LaBeouf.[77]
Blogging
Cave currently maintains a personal blog and an online correspondence page with his fans called The Red Hand Files which is seen as a continuation of In Conversation, a series of live personal talks Cave had held in which the audience were free to ask questions. On the page, Cave discusses various issues ranging from art, religion, current affairs and music, as well as using it as a free platform in which fans are encouraged to ask personal questions on any topic of their choosing.[78][79] Cave's intimate approach to the Question & Answer format on The Red Hand Files was praised by The Guardian as "a shelter from the online storm free of discord and conspiracies, and in harmony with the internet vision of Tim Berners-Lee."[79]
In January 2023, after being sent a song written by ChatGPT "in the style of Nick Cave",[80] he responded on The Red Hand Files (and was later quoted in The Guardian) saying that act of song writing "is not mimicry, or replication, or pastiche, it is the opposite, it is an act of self-murder that destroys all one has strived to produce in the past." He went on to say "It's a blood and guts business [that] requires my humanness", concluding that "this song is bullshit, a grotesque mockery of what it is to be human, and, well, I don't much like it."[80][81]
Legacy and influence
In 2010, Cave was ranked the 19th greatest living lyricist in NME.[82]Flea called him the greatest living songwriter in 2011.[83] Rob O'Connor of Yahoo! Music listed him as the 23rd best lyricist in rock history.[84]The Art of Nick Cave: New Critical Essays was edited by academic John H. Baker and published in 2013. In an essay on the album The Boatman's Call, Peter Billingham praised Cave's love songs as characterised by a "deep, poetic, melancholic introspection".[85] Carl Lavery, another academic featured in the collection, argued that there was a "burgeoning field of Cave studies".[86] Dan Rose argued that Cave "is a master of the disturbing narrative and chronicler of the extreme, though he is also certainly capable of a subtle romantic vision. He does much to the listener who enters his world."[87]
A number of prominent noise rock vocalists have cited Cave's Birthday Party-era work as their primary influence, including The U-Men's John Bigley,[91] and David Yow, frontman of Scratch Acid and The Jesus Lizard. Yow stated: "For a long time, particularly with Scratch Acid, I was so taken with the Birthday Party that I would deny it",[92] and that "it sounded like I was trying to be Birthday Party Nick Cave—which I was."[93] Often compared to Cave in his vocal delivery, Alexis Marshall of Daughters said that he admires the personality and energy within Cave's voice, and that his early albums "exposed [him] to lyrical content as literature".[94]
Personal life
Cave left Australia in 1980. After stints living in London, Berlin, and São Paulo, he moved to Brighton, England, in the early 2000s.[citation needed]
The 2014 film 20,000 Days on Earth, about Cave's life, is set around Brighton.[95] In 2017, Cave reportedly told GQ magazine that he and his family were considering moving from Brighton to Los Angeles as, after the death of his 15-year-old son, Arthur, they "just find it too difficult to live here."[96]
In November 2021, whilst answering a question on The Red Hand Files which was referencing the song "Heart That Kills" (from the album B-Sides & Rarities Part II) Cave stated, "The words of the song go someway toward articulating why Susie and I moved from Brighton to L.A. Brighton had just become too sad. We did, however, return once we realised that, regardless of where we lived, we just took our sadness with us. These days, though, we spend much of our time in London, in a tiny, secret, pink house, where we are mostly happy."[97]
In June 2023, in The Archbishop Interview with Justin Welby, the Archbishop of Canterbury, on BBC Radio 4, Cave spoke about being a heroin addict for 20 years. Although his life during that time was admittedly "a terrible shambles", his second decade of addiction was much more stable and characterised by taking regularly heroin in the morning and in the evening and being able to work writing during the day.[100]
Partners and children
Cave dated Anita Lane from the late 1970s to mid-1980s.[101] Cave and Lane recorded together on a few occasions. Their most notable collaborations include Lane's "cameo" verse on Cave's Bob Dylan cover "Death Is Not The End" from the album Murder Ballads, and a cover of the Serge Gainsbourg/Jane Birkin song "Je t'aime... moi non plus/ I love you ... me neither".[102] Lane co-wrote the lyrics to the title track for Cave's 1984 LP, From Her to Eternity, as well as the lyrics of the song "Stranger Than Kindness" from Your Funeral, My Trial.[103]
Cave then moved to São Paulo, Brazil, in 1990, where he met and married his first wife, Brazilian journalist Viviane Carneiro. She gave birth to their son Luke in 1991. Cave and Carneiro were married for six years and divorced in 1996.[104]
Cave's son Jethro was also born in 1991, just ten days before Luke, and grew up with his mother, Beau Lazenby, in Melbourne, Australia. Cave and Jethro did not meet one another until Jethro was about seven or eight.[105][106] Jethro Lazenby, also known as Jethro Cave, died in May 2022, aged 31.[107]
When he was 15 years old, Cave's son Arthur fell from a cliff at Ovingdean, near Brighton, and died from his injuries on 14 July 2015.[114][115][116] An inquest found that Arthur had taken LSD before the fall and the coroner ruled his death was an accident.[117] The effect of Arthur's death on Cave and his family was explored in the 2016 documentary film One More Time with Feeling and the 2019 album Ghosteen.
Cave is the godfather to Michael Hutchence's daughter Heavenly Hiraani Tiger Lily.[118] Cave performed "Into My Arms" at the televised funeral of Hutchence, but insisted that the cameras cease rolling during his performance.
Religion
Cave is an avid reader of the ChristianBible. In his recorded lectures on music and songwriting, Cave said that any true love song is a song for God, and ascribed the mellowing of his music to a shift in focus from the Old Testament to the New. When asked if he had interest in religions outside of Christianity, Cave quipped that he had a passing, sceptical interest but was a "hammer-and-nails kind of guy".[119] Despite this, Cave has also said he is critical of organised religion. When interviewed by Jarvis Cocker on 12September 2010, for his BBC Radio6 show Jarvis Cocker's Sunday Service, Cave said that "I believe in God in spite of religion, not because of it."[120] Moreover, Cave has always been open about his doubts. When asked in 2009 about whether he believed in a personal God, Cave's reply was "No".[121] The following year, he stated that "I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a god. It's kind of defending the indefensible, though; I'm critical of what religions are becoming, the more destructive they're becoming. But I think as an artist, particularly, it's a necessary part of what I do, that there is some divine element going on within my songs."[122]
Cave's religious doubts were once a source of discomfort to him, but he eventually concluded:
Although I've never been an atheist, there are periods when I struggled with the whole thing. As someone who uses words, you need to be able to justify your belief with language, I'd have arguments and the atheist always won because he'd go back to logic. Belief in God is illogical, it's absurd. There's no debate. I feel it intuitively, it comes from the heart, a magical place. But I still I fluctuate from day to day. Sometimes I feel very close to the notion of God, other times I don't. I used to see that as a failure. Now I see it as a strength, especially compared to the more fanatical notions of what God is. I think doubt is an essential part of belief.[123]
In 2019, Cave expressed his personal disagreement with both organised religion and atheism (in particular New Atheism) when questioned about his beliefs by a fan during a question and answer session on his Red Hand Files blog.[78] On the same blog, Cave confirmed he believed in God in June 2021.[124] By 2023, Cave characterised himself as not being a Christian but 'act[ing] like one'[125] and detailed in his 2022 book Faith, Hope, and Carnage that he regularly attends church.
In 2023, Cave wrote on his blog that he had sympathised with feminist author Ayaan Hirsi Ali's conversion from Islam to atheism after reading her book Infidel: My Life and had also considered himself an atheist. However, he described his growing interest in religion as a "slowly emergent state" and shaped by his upbringing in the Anglican church. He also clarified his view on Christianity was "non-political and fully personal and emotional" and described his religious beliefs as "bound up in the liturgy and the ritual and the poetry that swirls around the restless, tortured figure of Jesus, as presented within the sacred domain of the church itself. My religiousness is softly spoken, both sorrowful and joyful, broadening and deepening, imagined and true. It is worship and prayer. It is resilient yet doubting, and forever wrestles with the forces of rationality." He concluded by describing Hirsi Ali's 2023 article in UnHerd documenting her conversion to Christianity as a "laudable achievement" for its ability to "vex atheists and Christians alike."[126]
Politics
In November 2017, Cave resisted demands from musicians Brian Eno and Roger Waters to cancel two concerts in Tel Aviv. This was after both Eno and Waters published a letter asking Cave to avoid performing in Israel while "apartheid remains". Cave went on to describe the Boycotts, Divestment and Sanctions movement as "cowardly and shameful", and that calls to boycott the country are "partly the reason I am playing Israel – not as support for any particular political entity but as a principled stand against those who wish to bully, shame and silence musicians." He furthermore responded with an open letter to Eno to defend his position.[127][128][129]
In 2019, Cave wrote in defence of singer Morrissey after the latter expressed a series of controversial political statements during the release of his California Son album which led to some record stores refusing to stock it. Cave argued that Morrissey should have that right to freedom of speech to state his opinions while everyone should be able to "challenge them when and wherever possible, but allow his music to live on, bearing in mind we are all conflicted individuals." He also added it would be "dangerous" to censor Morrissey from expressing his beliefs.[130][78]
In response to a fan asking about his political beliefs, Cave expressed a disdain for "atheism, organised religion, radical bi-partisan politics and woke culture" on his Red Hand Files blog. He in particular singled out woke politics and culture for criticism, describing it as "finding energy in self-righteous belief and the suppression of contrary systems of thought" and "regardless of the virtuous intentions of many woke issues, it is its lack of humility and the paternalistic and doctrinal sureness of its claims that repel me."[78] In 2020, Cave also expressed opposition to cancel culture and misguided political correctness, describing both as "bad religion run amuck" and their "refusal to engage with uncomfortable ideas has an asphyxiating effect on the creative soul of a society."[131][132]
Cave has previously described himself as a supporter of freedom of speech in both his live In Conversation events and on his blog.[133] He has also argued against boycotting musicians for controversial actions or political opinions while giving a lecture at the Hay Festival in 2023, saying that audiences should not “eradicate the best of these people in order to punish the worst of them."[125]
In October 2022, Cave expressed support for the participants of the Mahsa Amini protests in Iran on his correspondence blog after being asked by a fan on the matter. He responded by stating "I am in awe of their courage and pray for their safety."[134]
In 2023, Cave disputed a characterisation of him as right-wing or conservative by The New Statesman magazine but added "I have these days what I would call a conservative temperament" and described himself as "conservative with a small c." He also clarified he was "not against progress" but "I just see things moving very rapidly and a whole lot of different things worry me a lot, like AI" and expressed criticism of the idea "that everything is systemically fucked". He also stated that his small-c conservative views had formed following the deaths of two of his sons, explaining "I think that I have an understanding of loss and what it is to lose something and how difficult it is to get that back" and argued that the demise of religion and spirituality "which may or may not be a good thing" had led to a "vacuum that we created that we don't really know what to do with".[125]
The Gospel According to Mark. Pocket Canons: Series 1. Edinburgh, Scotland: Canongate, 1998. ISBN0-86241-796-1. UK edition. With an introduction by Cave to the Gospel of Mark.
I Want Everything (2020) – short documentary by Paul Szynol about Larry Sloman, who records a tribute to Cave's son Arthur. Cave makes an appearance.[137]
Nick Cave and the Bad Seeds European Tour 1992, Arts Centre Melbourne (then known as The Victorian Arts Centre), Melbourne, 4 December 1992 – 26 February 1993. A photographic exhibition by Peter Milne.[138]
Stranger Than Kindness: The Nick Cave Exhibition, Royal Danish Library, Copenhagen, June 2020. The exhibition shows Cave's life and work and was co-curated by him.[143]
We, Sara Hildén Art Museum, Tampere, Finland. September 2022 – January 2023. The exhibition shows 17 of Cave's hand-crafted ceramic figurines depicting Satan.[144]
The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987.
The Australian Music Prize (the AMP) is an annual award of $30,000 given to an Australian band or solo artist in recognition of the merit of an album released during the year of award. It commenced in 2005.
Order of Australia: (2017) Officer of the Order of Australia (AO) "For distinguished service to the performing arts as a musician, songwriter, author and actor, nationally and internationally, and as a major contributor to Australian music culture and heritage."[160]
1990 Time Out Magazine: Book Of The Year (And the Ass Saw the Angel).
1996 MTV Europe Music Awards: Nick Cave formally requested that his nomination for "Best Male Artist" be withdrawn as he was not comfortable with the "competitive nature" of such awards.
^Bertacchini, Lauren (26 February 2013). "Nick Cave: Fan Factoids". Everguide. Lifelounge Pty Ltd. Archived from the original on 19 October 2013. Retrieved 19 October 2013.
^"1996 Winners – APRA Music Awards". Australasian Performing Right Association (APRA) | Australasian Mechanical Copyright Owners Society (AMCOS). Archived from the original on 18 September 2009. Retrieved 11 September 2018.
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