|Directed by||Joseph Sargent|
|Written by||Jeffrey Bloom|
|Produced by||Christopher Crowe|
Gerald Perry Kinnerman
|Edited by||Michael Brown|
|Music by||Craig Safan|
|Distributed by||Universal Pictures|
Nightmares is a 1983 American horror anthology film directed by Joseph Sargent and starring Emilio Estevez, Lance Henriksen, Cristina Raines, Veronica Cartwright, and Richard Masur. The film is made up of four short films based on urban legends; the first concerns a woman who encounters a killer in the backseat of her car; the second concerns a video game-addicted teenager who is consumed by his game; the third focuses on a fallen priest who is stalked by a pickup truck from hell; and the last follows a suburban family battling a giant rat in their home.
Nightmares was originally filmed as a two-hour pilot of a proposed television series to be broadcast by the NBC network during the 1983–1984 TV season.
During a routine traffic stop, a highway patrolman is viciously stabbed multiple times by an unseen assailant. The perpetrator is identified by various TV and radio reporters as William Henry Glazier, a murderous escapee of a mental institution who is currently terrorizing the Topanga area.
Meanwhile, Lisa (Raines), a chain smoking housewife, puts her children to bed as a news bulletin warning about Glazier appears on her television. Lisa discovers that she is out of cigarettes, prompting her to rush to the store to buy some more. Her husband Phillip (Joe Lambie) forbids her from leaving the house at such a late hour with a killer on the loose, and advises her to kick her habit instead. Despite this, she writes Phillip a note, then sneaks to her car and drives to the store.
During the drive, Lisa listens to a radio bulletin warning residents about Glazier, before she is startled by a hitchhiker. Lisa reaches the store and buys groceries and cigarettes. She mentions Glazier's reign of terror to the clerk, who claims to be prepared and unveils his gun. During the drive home, Lisa discovers that she is almost out of gas, and with all the local gas stations already closed for the night, she is forced to stop at an out-of-the-way station. The attendant (William Sanderson) who approaches her happens to perfectly match Glazier's physical appearance. Lisa also grows increasingly alarmed as the attendant seems to be studying her car and herself intently. Suddenly, the attendant lunges at the car with the gas nozzle, breaking the window. He drags Lisa out of the car, then draws a pistol and shoots the actual Glazier (Lee Ving), who was revealed to be hiding in Lisa's back seat the entire time. The attendant calms Lisa and offers to call the police.
Later, the police drive the frightened Lisa back home. Phillip asks if Lisa got her cigarettes, and Lisa responds by showing the pack, throwing it away in a trash can, and answering "no" as she and Phillip embrace.
J.J. Cooney (Estevez) is an immensely talented video game player and arcade game hustler. Accompanied by his best friend Zock Maxwell (Billy Jayne), J.J. heads to an inner-city arcade to challenge a gang of Hispanic players to a few rounds of Pleiades, offering the winner a dollar per game with a five game minimum. After a few games, one of the gang members recognizes J.J. and tells the others that they are getting hustled, prompting J.J. and Zock to hastily retreat.
J.J. and Zock then head to the arcade at the local shopping mall, with J.J. hoping to use the money he got from hustling to try and beat The Bishop of Battle, a notoriously difficult video game that centers on players trying to fight off enemies and escape from a 3-D maze that features thirteen different levels. Zock mentions how no one they know has ever made it to the thirteenth level, to the point that he and many others believe it is just a myth. J.J., however, is convinced that the thirteenth level is indeed real, as he heard about a player in New Jersey who reached it twice. After an argument about J.J.'s obsession with video games, particularly The Bishop of Battle, J.J. gives Zock his cut of the profits as Zock leaves for home. J.J. repeatedly tries and fails to make it to the thirteenth level, but he only manages to make it to level 12. Determined not to give up, even after closing time, J.J. tries to play one more game, only for the owner of the arcade to force him to leave.
At J.J.'s apartment, his father furiously voices his concern with his son's obsession with video games, primarily about how it is affecting his performance in school, leading him to ground J.J. until his grades improve. That night, J.J. sneaks out of the apartment when his parents are asleep and breaks into the mall arcade in an attempt to finish the game. J.J.'s parents are awoken by a call from Zock, who experienced a nightmare and is worried if J.J. made it home or not, leading them to discover J.J. is gone. Back at the arcade, J.J finally manages to reach the thirteenth level. Suddenly, the arcade cabinet's screen begins flickering various colors and shapes, and the cabinet itself begins shuddering violently until it collapses. The Bishop of Battle's voice emanates, commending J.J. for his skill and welcoming him to level 13, before the cabinet releases a wave of energy. When the wave passes, the game's 3-D enemies fly out of the cabinet's wreckage and into the real world. The enemies fire lasers at J.J. that manage to do serious damage to the surrounding arcade machines, but J.J. manages to defend himself with the now-functioning gun from the game's controls. He flees to the parking lot, but drops his gun in the process. The Bishop of Battle itself eventually appears, drawing closer and closer to a terrified J.J.
The next morning, Zock and J.J.'s parents head to the arcade to search for J.J. They discover the damage the arcade sustained during the previous night, as well as the Bishop of Battle cabinet, having been mysteriously reconstructed. Zock hears J.J.'s voice emanating from the cabinet, reciting the Bishop of Battle's lines from the game. Zock and J.J.'s parents then discover J.J. on the screen, watching as he turns into the sprite of the game's player character, doomed to be controlled by an untold number of players.
Catholic priest Frank MacLeod (Henriksen) is tending a field near the small Hispanic parish where he serves. A doe tentatively approaches him, but it is quickly bitten and killed by a vicious rattlesnake. MacLeod attempts to kill the snake, then manages to throw it away, watching as it disappears into thin air, before discovering that it managed to bite him on the hand. He wakes up in bed, screaming, revealing that the experience was a nightmare.
Later that day, Frank directs the funeral of a young boy, but is unable to provide the mourners with any comfort. Visiting his bishop (Robin Gammell), Frank explains that he witnessed the boy's death first-hand and how the experience has given him a crisis of faith. Ignoring the advice of his fellow priest, Frank resigns and leaves the rectory with some holy water, which he now views as mere tap water. He leaves in his car, in search of a new purpose in life.
He soon encounters a black Chevrolet C-20 Fleetside with tinted windows on the road shortly after he leaves and signals for it to pass, but it goes at the same time he does, nearly causing an accident. A while later, Frank has a traumatic flashback to the death of the young boy mentioned earlier: the child had been senselessly and critically injured during a robbery of the local grocery store, and while the parents wanted him to administer last rites, Frank wanted to call an ambulance in an attempt to save the child. Afterwards, the same truck from earlier appears out of nowhere behind Frank and rams into his car, detaching his rear bumper and forcing him off the road. Frank then has a flashback to his talk with the Bishop, where he mentions that he has been plagued with visions of anarchy, his lost faith convincing him that there is no God who would allow such suffering.
As Frank attempts to fix the bumper, the truck appears again, nearly running him over. Frank attempts to escape, but the truck manages to catch up with him, prompting him to desperately asks its unseen driver what they want, before once again being forced off the road. Soon after, Frank gets back on the road again, keeping a close lookout for the truck. He soon hears an ominous rumbling sound, and discovers a large bulge appearing in the ground. The truck explodes out of the ground and once again turns to Frank, prompting him to drive away. It is during this chase that it is revealed the truck has no driver and is Satanic in origin. The demonic truck destroys Frank's car in a collision that does no damage to the truck, further proving its supernatural properties. Injured from the crash and left with nowhere to run, Frank climbs out of his ruined car as the Satanic truck goes in for the kill. In desperation, Frank tosses the container of holy water he had been carrying at the truck, vaporizing it, before he falls unconscious. Emergency responders arrive at the scene, but they do not find evidence that the truck was ever there. Frank has one final flashback of a talk with his bishop, who mentions that only a very few individuals have been given signs that higher powers exist. He requests that the paramedics take him to the hospital located in his parish, having regained his faith from the experience.
On a stormy night, housewife Claire Houston (Cartwright) hears something scurrying in the attic and walls of her house. While she believes it to be rats, her husband Steven (Masur) believes it to just be the wind, advising her to go to sleep. The next morning, Steven discovers that Claire has been browsing the phone book to look for an exterminator, as she believes that the family is suffering a rat infestation. Having planned to put in a swimming pool, Steven does not want to spend any extra money, and simply suggests that Claire set up a few mousetraps. After Steven leaves for work, Claire hears noises coming from the cabinets in her kitchen. When she goes to investigate, she watches as drinking glasses shatter and cans of food are knocked off the shelves.
Later that night, Steven sets up mousetraps in the attic. A rat is soon caught in one of the traps, and Steven throws the dead rat in the garbage. Meanwhile, the family cat, Rosie, investigates the house's crawlspace, where she is mauled to death by an unseen creature. The next day, Claire's daughter, Brooke, discovers that Rosie is missing and becomes worried. At the same time, the kitchen sink is revealed to be clogged with what is revealed to be rat fur. Claire soon sets out to find Rosie, entering the crawlspace to look for her. She finds Rosie's corpse, but also begins hearing ominous noises and sees the silhouette of a large creature with glowing red eyes peering out at her in the darkness. Later that day, Brooke discovers that her room and her toys have been torn to shreds. Entering the room, Claire discovers that the only toy left untouched is a stuffed rat, just as the lights begin flickering on and off.
Eventually, Claire calls an exterminator, Mel Keefer (Albert Hague), who discovers that the creature, which he has identified as a rat, has managed to gnaw through the pipes and the power cables inside, which caused the flickering lights. Keefer also discovers a large, saliva-covered hole behind a cabinet in the kitchen just as Steven comes home. Steven is unhappy that Claire has hired Keefer, and asks him to leave.
That night, Brooke sleeps in the guest room as she wishes for Rosie to come back. Claire then receives a phone call from Mel, who has made a breakthrough: he has looked in an old book he owns for information about a creature known as "The Devil Rodent". According to legend, the Devil Rodent is a large, malevolent rat with a vast amount of strength and intelligence that used to terrorize villainous individuals in 17th century Europe. Mel also mentions that the Devil Rodent cannot be destroyed, just as Steven grabs the phone and tells Keefer not to call again. Suddenly, the family hear the piano downstairs playing jumbled notes. They discover that the keys have been gnawed on as Brooke comes downstairs. Steven manages to save her after a china cabinet nearly falls on her. Discovering more saliva-covered holes in the wall, and hearing the radio suddenly turn on and off, Steven loads a shotgun and goes in search of the creature as Claire and Brooke hide upstairs. The power turns on and off repeatedly as Steven searches the kitchen. Brooke hears the creature in the ceiling, prompting Steven to go up to the attic.
The door to the guest room suddenly slams shut as Brooke begins screaming. Kicking the door open, Steven and Claire come face to face with the Devil Rodent itself. The giant rat proceeds to demonstrate psychokinetic abilities, moving furniture, opening and closing doors and windows, and damaging the room itself with a loud wail. The Devil Rodent manages to telepathically communicate with Brooke, who tells her parents that the creature is a mother that is looking for her baby. Steven rushes into the kitchen, roots through the garbage can, and pulls out the dead rat he originally threw away. He places it in a shoebox and puts the box near the window. The Devil Rodent moves towards the box and reclaims her baby. Steven aims the gun in a final attempt to shoot the Devil Rodent, but he his unable to fire the weapon. The Devil Rodent unleashes one last wail and disappears out the window. The frightened family reunite, shedding tears of relief, as Brooke wonders where the Devil Rodent will go next.
Terror in Topanga
The Bishop of Battle
Night of the Rat
It has been a long-held belief that the four segments of the film were initially conceived and shot for ABC's thriller anthology series Darkroom, but were deemed too intense for television. However, on the audio commentary on the 2015 Blu-ray release, executive producer Andrew Mirisch clarifies that the film actually began life as a pilot for an unnamed anthology series for NBC before becoming a theatrical feature for Universal Pictures.
Though the poster and trailer boasted that the film would be a "sleeper" and "one you won't forget", the film was not well received on release. On Rotten Tomatoes it has an approval rating of 29% based on reviews from seven critics.
In her review for the New York Times, Janet Maslin wrote, "Nothing spoils a horror story faster than a stupid victim. And Nightmares, an anthology of four supposedly scary episodes, has plenty of those."
Time Out praised The Bishop of Battle, but stated, "In general, though, the scripting is unimaginative, derivative, and desperately predictable as the film limps through its jokily cautionary tales."
The film was released on VHS by Universal Pictures in the 1980s, and on Betamax in 1983. It was later released on VHS and DVD by Anchor Bay Entertainment in 1999 in "Full Frame (1.33:1) Presentation" and has since gone out of print.
On December 22, 2015, Scream Factory released Nightmares on Blu-ray.