Nisi Shawl (born 1955) is an African-American writer, editor, and journalist. They are best known as an author of science fiction and fantasy short stories[1] who writes and teaches about how fantastic fiction might reflect real-world diversity of gender, sexual orientation, race, colonialism, physical ability, age, and other sociocultural factors.[2]
Writing the Other, short stories, and awards/memberships
Shawl is the co-author (with Cynthia Ward) of Writing the Other: Bridging Cultural Differences for Successful Fiction, a creative-writing handbook derived from the authors' workshop of the same name, in which participants explore techniques to help them write credible characters outside their own cultural experience.[3] Reviewer Genevieve Williams of speculative fiction magazine Strange Horizons summed up about this guidebook: "The practices advocated and concepts presented in Writing the Other may seem PC to some, but following them will help to ensure that an author gives more than lip service to diversity and is thoughtful about the creation and development of societies, cultures, and characters (which we all should be anyway). Much of what Shawl and Ward advocate is, quite simply, good practice: the avoidance of cliches, flat characters, unintended effects, and other hallmarks of lazy writing."[4]
Shawl's short stories have appeared in Asimov's Science Fiction, the Infinite Matrix, Strange Horizons, Semiotext(e) and numerous other magazines and anthologies.[1] Brian Charles Clark of the fiction review site, Curled UpWith a Good Book, praised their debut collection, Filter House (2008) – which gathered 11 previously published and three original short fiction pieces[5] – saying that: "Shawl’s keen sense of justice and their adamant anti-colonialism always ride just beneath the surface of their stories. Never didactic, Shawl possesses the gift of a true storyteller: the ability to let the warp and weft of plot and character do their moral work for them."[6]
Everfair is an alternate history of the African Congo, Europe, and the United States, during the late nineteenth/early twentieth century, where Shawl's science-fictional turning point is that "the native populations (of the Congo) had learned about steam technology a bit earlier."[12] Their novel imagines that British Fabian Socialists team up with African-American Christian missionaries to purchase land in the Congo Basin from Leopold II of Belgium, thus creating a speculative new nation in their version of history, where citizens could experiment with the freedoms they had lacked in their original homelands, as well as benefit from this key technology of the industrial revolution, that of steam engines.
Contributions to women's, multicultural, and global speculative fiction
In 2009, Shawl donated their archive to the department of Rare Books and Special Collections at Northern Illinois University.[13]
In 2011, their longtime work in the women's speculative fiction was recognized, when Shawl was selected as Guest of Honor at WisCon 35.[14] In 2015, recognized as one of the "go to" teachers and mentors within the speculative fiction community on pedagogical issues of diversity, they served as guest speaker both in the "Black to the Future: An Imagination Incubator" ("Ferguson is the Future") symposium of multicultural speculative fiction artists, academics, and creative writers, at Princeton University (held on September 14, 2015)[15] and in the "Creating Futures Rooted in Wonder" symposium of fairy tale, science fiction, and indigenous storytellers and scholars, at the University of Hawai'i (held from September 16–19, 2015), where they performed in author readings with Pacific Islander, Native Hawaiian, and other indigenous writers, as well as led creative writing workshops.[16]
Shawl's novel Everfair joins with the growing movement of international speculative-fiction writers of color, including editorial efforts by Jaymee Goh of Malaysia and Joyce Chng of Singapore (author-anthologists behind the 2015 collection of Southeast Asian steampunk published in English, The Sea is Ours: Tales of Steampunk Southeast Asia[17]), to repurpose the science fictiontrope of alternate history in critical ways that foreground issues of colonialism, globalization, and culture.
Afrofuturist and feminist sf anthologies
Shawl has edited several anthologies of speculative fiction, especially collections of Afrofuturist, feminist/LGBT, and African-American sf/fantasy short stories, including recent homages to pioneering black/queer sf novelists: Samuel R. Delany, in the collection, Stories for Chip: A Tribute to Samuel R. Delany (2015), co-edited with Bill Campbell;[18] and to Octavia E. Butler, in the collection, Strange Matings: Science Fiction, Feminism, African American Voices, and Octavia E. Butler (2015), co-edited by Rebecca J. Holden.[19] Shawl's anthology work has been part of their longtime participation within both the feminist and the African-American sf writing communities, evidenced in their editing of WisCon Chronicles Vol. 5: Writing and Racial Identity (2011, generated from America's most venerable feminist sf convention);[20] as well as in their stories' publication within women sf writers' literary experiments, such as Talking Back: Epistolary Fantasies (2006, by feminist sf publisher Aqueduct Press)[21] and within African-American speculative fiction collections, notably the groundbreaking[22]Dark Matter: A Century of Speculative Fiction from the African Diaspora (2000).[23] Dark Matter spawned two follow-up entries, including 2022's Africa Risen: A New Era of Speculative Fiction.
"I Was a Teenage Genetic Engineer," Semiotext(e) SF, New York, NY: Columbia University, April 1989,
"The Rainses'," Asimov's Science Fiction Magazine, April 1995 (appeared in FILTER HOUSE)
"The Pragmatical Princess," Asimov's Science Fiction Magazine, January 1999 (appeared in FILTER HOUSE)
"At the Huts of Ajala," Dark Matter: A Century of Speculative Fiction from the African Diaspora, New York, : Warner Books, July 2000 (appeared in FILTER HOUSE)
"Shiomah's Land," Asimov's Science Fiction Magazine, March 2001 (appeared in FILTER HOUSE)
"Vapors," Wet: More Aqua Erotica, Mary Anne Mohanraj (editor), Three Rivers Press, NY, NY.
"The Beads of Ku," Rosebud Magazine, Issue 23, April 2002 (appeared in FILTER HOUSE)
"Momi Watsu," Strange Horizons (website) August 2003 (appeared in FILTER HOUSE)
"Maggies," Dark Matter: Reading the Bones, edited by Sheree R. Thomas, 2004, NY: Warner Books. (appeared in FILTER HOUSE)
"Matched," The Infinite Matrix (excerpt from the novel The Blazing World, co-sponsored by the Office of Arts and Cultural Affairs), May 2005.
"Wallamelon," Aeon Speculative Fiction #3, May 2005 (website) (appeared in FILTER HOUSE)
"Cruel Sistah," Asimov's SF Magazine, October/November 2005; Year's Best Fantasy & Horror #19, New York, NY: St. Martin's Press, August 2006.
"But She's Only a Dream," Trabuco Road (website) March 2007 (appeared in FILTER HOUSE)
"Little Horses" Detroit Noir, Akashic Books, November 2007 (appeared in FILTER HOUSE)
Everfair, Tor, 2016
Non-fiction
Writing the Other: A Practical Guide, with co-author Cynthia Ward, Aqueduct Press, Seattle, WA, December 2005.
"To Jack Kerouac, to Make Much of Space and Time," Talking Back: Epistolary Fantasies, L. Timmel Duchamp (editor), Aqueduct Press, Seattle, WA, March 2006.
