Now Barabbas
Directed by	Gordon Parry
Written by	William Douglas Home (play) Anatole de Grunwald
Produced by	Teddy Baird Anatole de Grunwald
Starring	Richard Greene Cedric Hardwicke Richard Burton Beatrice Campbell
Cinematography	Otto Heller
Edited by	Gerald Turney-Smith
Music by	Leighton Lucas George Melachrino
Production company	Warner Brothers-First National Productions
Distributed by	Warner Brothers
Release date	24 May 1949
Running time	87 minutes
Country	United Kingdom
Language	English

Now Barabbas, also known as Now Barabbas Was a Robber, is a 1949 British drama film directed by Gordon Parry and starring Richard Greene, Cedric Hardwicke and Kathleen Harrison.^[1] It was based on a 1947 play of the same title by William Douglas Home. The film features one of the earliest screen performances by Richard Burton and was an early role for Kenneth More.

The title refers to Barabbas, a Biblical character who was chosen over Jesus by the crowd in Jerusalem to be pardoned and released.

Plot

A set of self-contained stories about a group of men in jail.

Cast

• Richard Greene as Tufnell
• Cedric Hardwicke as Governor
• Kathleen Harrison as Mrs. Brown
• Ronald Howard as Roberts Bank Cashier
• Stephen Murray as chaplain
• William Hartnell as Warder Jackson
• Beatrice Campbell as Kitty
• Richard Burton as Paddy
• Betty Ann Davies as Rosie
• Leslie Dwyer as Brown
• Alec Clunes as Gale
• Percy Walsh as Jones
• Harry Fowler as Smith
• Kenneth More as Spencer
• Julian D'Albie as Medworth
• Dora Bryan as Winnie
• Constance Smith as Jean
• Lily Kann as woman
• David Hannaford as 'Erb Brown
• Dandy Nichols as Mrs Smith

Production

The film was shot at Teddington Studios.

Critical reception

The Monthly Film Bulletin wrote: "The characters are finely drawn with true insight into character. The portrayal of the prison chaplain is worth seeing as an example of how necessary tact is and how delicate the problem of religion in times of stress. The warders' flashes of kindness under gruff exteriors make good propaganda for prison officials. All parts are well played and the direction is more than excellent. There is no "sob-stuff", but there is plenty of pathos tinged with real fun. Kathleen Harrison and Leslie Dwyer provide the comic relief and their awful small boy is a gem. The photography is good and the story well knit together. It is essentially an interesting film whether from a social or entertainment point of view."^[2]