 |
| Votive talismans designed for the home |
|---|
| Ofuda, and Jingū taima when from Ise Jingu |
| Votive paper slips applied to the gates of shrines |
| Senjafuda |
| Amulets sold at shrines for luck and protection |
| Omamori |
| Wooden plaques representing prayers and wishes |
| Ema |
| Paper fortunes received by making a small offering |
| O-mikuji |
| Stamps collected at shrines |
| Shuin |
In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, 'slip [of paper], card, plate') is a talisman made out of various materials such as paper, wood, cloth or metal. Ofuda are commonly found in both Shinto shrines and Buddhist temples and are considered to be imbued with the power of the deities (kami) or Buddhist figures revered therein. Such amulets are also called gofu (護符).
Certain kinds of ofuda are intended for a specific purpose (such as protection against calamity or misfortune, safety within the home, or finding love) and may be kept on one's person or placed on other areas of the home (such as gates, doorways, kitchens, or ceilings). Paper ofuda may also be referred to as kamifuda (紙札), while those made of wood may be called kifuda (木札). Omamori, another kind of Japanese amulet, shares the same origin as and may be considered as a smaller, portable version of ofuda.
A specific type of ofuda is a talisman issued by a Shinto shrine on which is written the name of the shrine or its enshrined kami and stamped with the shrine's seal. Such ofuda, also called shinsatsu (神札), go-shinsatsu (御神札) or shinpu (神符), are often placed on household Shinto altars (kamidana) and revered both as a symbol of the shrine and its deity (or deities) – containing the kami's essence or power by virtue of its consecration – and a medium through which the kami in question can be accessed by the worshiper. In this regard they are somewhat similar to (but not the same as) goshintai, physical objects which serve as repositories for kami in Shinto shrines.
In a similar vein, Buddhist ofuda are regarded as imbued with the spirit and the virtue of buddhas, bodhisattvas, or other revered figures of the Buddhist pantheon, essentially functioning in many cases as a more economic alternative to Buddhist icons and statuary.
The origins of Shinto and Buddhist ofuda may be traced from both the Taoist lingfu, introduced to Japan via Onmyōdō (which adopted elements of Taoism), and woodblock prints of Buddhist texts and images produced by temples since the Nara and Heian periods.[1][2][3][4][5][6] During the medieval period, the three shrines of Kumano in Wakayama Prefecture were particularly famous for their paper talisman, the Kumano Goōfu (熊野牛王符, 'Kumano Ox King Talisman'), also known as the Goōhōin (牛王宝印), which were stamped on one side with intricate designs of stylized crows.[7][8][9] At the time, these and similar gofu were often employed in oath taking and contract drafting, with the terms of the oath or agreement being written on the blank side of the sheet.[10][11][12][13]
The shinsatsu currently found in most Shinto shrines meanwhile are modeled after the talisman issued by the Grand Shrines of Ise (Ise Jingū) called Jingū Taima (神宮大麻). Jingū Taima were originally purification wands (祓串, haraegushi) that wandering preachers associated with the shrines of Ise (御師, oshi or onshi) handed out to devotees across the country as a sign and guarantee that prayers were conducted on their behalf. These wands, called Oharai Taima (御祓大麻), were contained either in packets of folded paper – in which case they are called kenharai (剣祓) (also kenbarai),[14] due to the packet's shape resembling a sword blade (剣, ken) – or in boxes called oharaibako (御祓箱). The widespread distribution of Oharai Taima first began in the Muromachi period and reached its peak in the Edo period: a document dating from 1777 (An'ei 6) indicates that eighty-nine to ninety percent of all households in the country at the time owned an Ise talisman.[14][15][16][17]
In 1871, an imperial decree abolished the oshi and allotted the production and distribution of the amulets, now renamed Jingū Taima, to the shrine's administrative offices.[15] It was around this time that the talisman's most widely known form – a wooden tablet containing a sliver of cedar wood known as gyoshin (御真, "sacred core")[14][18] wrapped in paper on which is printed the shrine's name (Tenshō Kōtai Jingū (天照皇大神宮)) and stamped with the seals of the shrine (Kōtai Jingū Gyoji (皇大神宮御璽)) and its high priest (Daijingūji no In (大神宮司之印)) – developed. In 1900, a new department, the Kanbesho (神部署, Department of Priests), took over production and distribution duties. The distribution of Jingū Taima was eventually delegated to the National Association of Shinto Priests (全国神職会, Zenkoku Shinshokukai) in 1927 and finally to its successor, the Association of Shinto Shrines, after World War II.[15] The Association nowadays continues to disseminate Jingū Taima to affiliated shrines throughout Japan, where they are made available alongside the shrines' own amulets.
Ofuda come in a variety of forms. Some are slips or sheets of paper, others like the Jingū Taima are thin rectangular plaques (kakubarai/kakuharai (角祓)) enclosed in an envelope-like casing (which may further be covered in translucent wrapping paper), while still others are wooden tablets (kifuda) which may be smaller or larger than regular shinsatsu. Some shrines distribute kenharai, which consists of a sliver of wood placed inside a fold of paper. The Oharai Taima issued by the shrines of Ise before the Meiji period were usually in the form of kenharai; while the kakuharai variety is currently more widespread, Jingū Taima of the kenharai type are still distributed in Ise Shrine.[20]
Ofuda and omamori are available year round in many shrines and temples, especially in larger ones with a permanent staff. As these items are sacred, they are technically not 'bought' but rather 'received' (授かる, sazukaru) or ukeru (受ける), with the money paid in exchange for them being considered to be a donation or offering (初穂料, hatsuhoryō, literally 'first fruit fee').[21][22] One may also receive a wooden talisman called a kitōfuda (祈祷札) after having formal prayers or rituals (kitō (祈祷)) performed on one's behalf in these places of worship.
Shinsatsu such as Jingū Taima are enshrined in a household altar (kamidana) or a special stand (ofudatate); in the absence of one, they may be placed upright in a clean and tidy space above eye level or attached to a wall. Shinsatsu and the kamidana that house them are set up facing east (where the sun rises), south (the principal direction of sunshine), or southeast.[23][24][25][26]
The Association of Shinto Shrines recommends that a household own at least three kinds of shinsatsu:
In a 'three-door' style (三社造, sansha-zukuri) altar, the Jingū Taima is placed in the middle, with the ofuda of one's local ujigami on its left (observer's right) and the ofuda of one's favourite shrine on its right (observer's left). Alternatively, in a 'one-door' style (一社造, issha-zukuri) kamidana, the three talismans are laid on top of one another, with the Jingū Taima on the front. One may own more shinsatsu; these are placed on either side of or behind the aforementioned three.[23][24][27][28][29] Regular (preferably daily) worship before the shinsatsu or kamidana and offerings of rice, salt, water, and/or sake to the kami (with additional foodstuffs being offered on special occasions) are recommended.[24][30] The manner of worship is similar to those performed in shrines: two bows, two claps, and a final bow, though a prayer (norito) – also preceded by two bows – may be recited before this.[31][32]
Other ofuda are placed in other parts of the house. For instance, ofuda of patron deities of the hearth – Sanbō-Kōjin in Buddhism, Kamado-Mihashira-no-Kami (the 'Three Deities of the Hearth': Kagutsuchi, Okitsuhiko and Okitsuhime) in Shinto[33][34] – are placed in the kitchen. In toilets, a talisman of the Buddhist wrathful deity Ucchuṣma (Ususama Myōō), who is believed to purify the unclean, may be installed.[35] Protective gofu such as Tsuno Daishi (角大師, 'Horned Great Master'), a depiction of the Tendai monk Ryōgen in the form of a yaksha or an oni[36][37] are placed on doorways or entrances.
Japanese spirituality lays great importance on purity and pristineness (tokowaka (常若, lit. 'eternal youth')), especially of things related to the divine. It is for this reason that periodic (usually annual) replacement of ofuda and omamori are encouraged. It is customary to obtain new ofuda before the end of the year at the earliest or during the New Year season, though (as with omamori) one may purchase one at other times of the year as well. While ideally, old ofuda and omamori are to be returned to the shrine or temple where they were obtained as a form of thanksgiving, most Shinto shrines in practice accept talismans from other shrines.[25][38][39][40][41] (Buddhist ofuda are however not accepted in many shrines and vice versa.) Old ofuda and omamori are burned in a ceremony known either as Sagichō (左義長) or Dondoyaki (どんど焼き), also Dontoyaki or Tondoyaki) held during the Little New Year (January 14th or 15th), the end of the Japanese New Year season.[22][42][43]
Kifuda (木札) are ofuda made out of wood with characters carved, written, or printed directly on them.
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![Part of a series of seventy-two talismans (霊符, reifu) (from the Chinese lingfu) known as Taijō Shinsen Chintaku Reifu (太上神仙鎮宅霊符, "Talismans of the Most High Gods and Immortals for Home Protection") or simply as Chintaku Reifu (鎮宅霊符, "Talismans for Home Protection"). Originally of Daoist origin, these were introduced to Japan during the Middle Ages.[44][45]](/en/File:Chintaku_Reifu_(%E9%8E%AE%E5%AE%85%E9%9C%8A%E7%AC%A6).png)
![A sakasafuda (逆札, reverse fuda), a handmade talisman against theft displayed upside-down. This ofuda is inscribed with the date the legendary outlaw Ishikawa Goemon supposedly died: "the 25th day of the 12th month" (十二月廿五日).[a][47] Other dates are written in other areas, such as "the 12th day of the 12th month" (十二月十二日), which is claimed to be Goemon's birthdate.[46]](/en/File:Ofuda_jyuni_gatsu_nijyugo_nichi.JPG)
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