Owana Salazar | |
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| Background information | |
| Birth name | Owana Kaʻōhelelani Mahealani-Rose Salazar |
| Born | 30 October 1953 Honolulu, Territory of Hawaii, United States |
| Occupation(s) | Musician |
| Instrument(s) | Steel guitar |
Owana Kaʻōhelelani Mahealani-Rose Salazar (born October 30, 1953) is an American musician and activist. She is thought to be the only female steel guitar player in Hawaiʻi trained by Jerry Byrd.[1]
A descendant of Robert William Wilcox and Theresa Laʻanui, Salazar has been involved in Hawaiian sovereignty issues for many years.
Owana Kaʻohelelani Mahealani-Rose Salazar was born in October 1953. Her parents were Helena Kalokuokamaile Wilcox and Henry Mario Salazar.[citation needed]
Salazar was the only girl in a family of five. "Our family discussions were vast... about many of our ancestors, about their roles in Hawaiiʻs history, about the crown lands, about Robert Wilcox, about Princess Theresa going to Washington, about Princess Elizabeth going to Washington to petition Congress to survey the crown lands."[2]
Salazar was raised on the island of Oahu and graduated from Kamehameha Schools, where she sang with the Concert Glee Club,[2] and the University of Hawaii,[1] where she learned Kihoʻalu (slack key guitar). Salazar studied hula with the Kumu Hula, Hoʻakalei Kamauʻu, Hoʻoulu Richards and Winona Beamer.[3] In addition to studying traditional western music theory, studied voice with Elizabeth Cole, and studied piano, string methods, guitar, Javanese dance and gamelan as well as continuing to study hula.[3]
At the start of her public career, Salazar performed with Hawaiian headliners such as Don Ho[3] Ohta-San, Ed Kenney and Charles K.L. Davis.[1] She was introduced to the world of Kihoʻalu by friend Nelson Hiu. Combining music theory with her repertoire of Hawaiian songs and slack key, Salazar developed her playing skills with help from her professors and other fellow musicians such as George Kuo, Bla Pahinui, Cyril Pahinui, Dennis Kamakahi, George Kahumoku Jr. and Sonny Chillingworth. Other musical influences include Joni Mitchell, Johnny Mathis, Connie Francis, Stevie Wonder, Genoa Keawe, Gabby Pahinui, Lena Machado, and Marvin Gaye.[3]
Her first recording in 1986, Owana and Kaʻipo, In Kona was nominated in the category of Most Promising Artist in the Na Hoku Hanohano Awards, a Hawaiian music industry salute. The following year, her second recording, Owana, was a final ballot nominee for Contemporary Hawaiian Album of the Year and Female Vocalist of the Year. Pupukea describes the characteristics of the ocean on the North Shore of Oʻahu. Kula Morning takes you upcountry Maui, gazing from mountain to the sea. "Na Wai" is a playful poetic expression of love's experiences, full of Hawaiian kaona (hidden meanings). "Kalamaula" celebrates the early homesteading movement of the Hawaiian people. "Silhouette Hula" is a hapa haole piece, recalling the early jazz years of Hawaiian music.
For most of the 1980s, Salazar sang Hawaiian classics with the Royal Hawaiian Band and performed at venues in Waikiki and Japan. Jerry Byrd accepted Salazar as his student for formal study of Hawaiian steel guitar. Eventually, she received a full scholarship from the Hawaiian Steel Guitar Association. In 1992, she became Byrd's only female graduate and has been called Hawaii's preeminent female steel guitarist. Besides Hawaii, Salazar has also performed in Tahiti, New Zealand, Australia, and the Americas. In January 2000, she became the first woman to tour with the Hawaiian Slack Key Festival along with George Kahumoku, Jr., Keoki Kahumoku and Daniel Ho.
Salazar was initiated into the Daughters and Sons of Hawaiian Warriors, Mamakakaua, a lineage society of descendants of Hawaii's ruling chiefs.[4] She served as family liaison to the Mayor's Office of Culture and the Arts for two years, with the goal of planning, commissioning and unveiling a life-size bronze statue of her great-grandfather Robert William Wilcox.[citation needed] His statue was installed at Wilcox Park in downtown Honolulu, on the corner of King and Fort Street.[citation needed]
Salazar rejects the legality of the 1898 annexation of Hawaii by the United States, and as such believes the Hawaiian Kingdom still legally exists.[2] Dismissing the succession right of Abigail Kinoiki Kekaulike Kawānanakoa, Salazar maintains that her own immediate family are rightful rulers of the kingdom, as well as being the legal holders of the former Hawaiian crown lands. This claim is based on descent from King Keōua (d.ca. 1750s/60s) via a niece of Elizabeth Kekaʻaniau (d. 1928), one of 15 children of high aliʻi status attending the Chief's Children's School in 1844 who appear on a list, endorsed by Kamehameha III. However, genealogist Edith McKenzie stated that of those eligible to be rulers, "Everyone on the Chiefs Children's School list was eligible to rule, but it was required that those who did had to be considered and approved by the House of Nobles. Only Kamehameha IV and Emma Rooke ever were."[2]
Dame Grand Cordon of the Royal and Hashemite Order of the Pearl[5]
Medal of Honor (Special Class) of the Association of Monarchic Autarchs of Portugal[6]|
Key: Subjects with bold titles and blue bold box = Aliʻi line. Bold title and grey bolded box = Lower ranking Aliʻi line. Bold title and un-bolded box = European nobility. Regular name and box = makaʻāinana or untitled foreign subject.
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