Paheli (transation: Riddle) is a 2005IndianHindi-language fantasy film and is a remake of the 1973 Hindi film Duvidha by Mani Kaul based on the short story written by Vijayadan Detha in Rajasthani. It was also reported to have been partially inspired by the 1997 Kannada movie Nagamandala based on the play of same name by Girish Karnad.[2] Directed by Amol Palekar and produced by Juhi Chawla, Aziz Mirza, Sanjiv Chawla, and Shah Rukh Khan, who also portrays the male lead, the film tells the story of a wife (Rani Mukerji) whose husband (Khan) goes on a business trip and is visited by a ghost, disguised as her husband, who is in love with her and takes her husband's place. Detha's story, which had earlier been adapted into the 1973 film by Mani Kaul, is folkloric in origin.[3]Paheli diverges from its source material and the earlier adaptations in giving the plot and its lead female character a more feminist agency.[4]
Paheli released on 24 June 2005, and proved to be a moderate commercial success at the box office, grossing ₹32 crore worldwide. It received mixed-to-positive reviews from critics upon release, with praise for its production design, cinematography, costumes, and special effects; however its story and screenplay received criticism.
A young, enthusiastic Rajasthani village girl, Lachchi (Rani Mukerji), is married off to Kishan (Shah Rukh Khan), the son of the wealthy merchant Bhanwarlal (Anupam Kher), from a distant village. While travelling from her home to her in-laws' home, the party stops to rest at a dharamshala (spiritual dwelling), where a ghost sees Lachchi and falls in love with her. Later that night, it is revealed that Kishan, who is a dutiful son, will honour his father's wish to begin a new, far-away business on a predetermined auspicious date, which happens to be the very next day. Kishan turns away from his wife at night, to finish his bookkeeping, and in the early morning hours sets off on a business trip that is to last five years. Lachchi is devastated; Gajrobai (Juhi Chawla), her husband's aunt, consoles her, empathising on the grounds that Gajrobai's husband, Sunderlal (Suniel Shetty), has also disappeared. The next day, the ghost appears in Bhanwarlal's house, having taken Kishan's shape and voice because of his own attachment to Lachchi.
Despite pretending to be Kishan in front of everyone else in the house, the ghost reveals his true identity to Lachchi at night. Lachchi is thus presented with a dilemma between the representation of all of her desires in the form of the ghost who has taken the form of her real husband. She takes this newfound, sensual, magical, social, self-confident version of Kishan as hers. As Kishan, the ghost befriends all of the real Kishan's family and keeps Bhanwarlal happy by providing him with magical, possibly illusory, gold coins. His only blunder is in his treatment of the messenger, Bhoja (Rajpal Yadav), who is perplexed by the idea that Kishan has sent a letter from his business trip only to receive it himself in his own house, and offended when the ghost (who appears as Kishan) does not offer him a glass of water.
Lachchi and the ghost live blissfully together for four years, during which he also keeps her in-laws happy and solves many problems of the family and the village. Lachchi then, becomes pregnant with the ghost's child, and the real Kishan returns to see if the rumours about his wife's pregnancy are true. He returns to find the ghost in his (Kishan's) own form at the same time that Lachchi goes into early labour and gives birth to a daughter, Lunima. Kishan's family is unable to determine which of the doppelgangers is the real Kishan (the ghost refusing to confess) and decide to visit the king so that he can arbitrate. In the meantime, Sunderlal also returns home and apologises to Gajrobai for his sudden disappearance for so long and reunites with his family.
On the way to the king, Kishan's family meets an old shepherd, Gadariya (Amitabh Bachchan), who helps them out by placing three tests in front of the real Kishan. He tells everyone that the one who can pick up hot coals will prove himself as Bhanwarlal's real son, the one who can gather his sheep in time will prove himself as the real husband of the bride, and the one who can enter his water bottle will prove himself as the real lover of the bride. Kishan tries his best to perform the first two, which the ghost does not even bother to try. When Gadariya says "the real lover of the bride", the ghost performs the third, impossible feat and enters the water bottle, simply to prove his love for Lachchi. Thus, the real Kishan is found out and Gadariya quickly closes his bottle so the ghost cannot come out of it. Following this revelation, the real Kishan throws away the bottle in the middle of the desert, and everyone returns home. Lachchi is devastated over the loss of the ghost.
In the very end, it is revealed that the ghost has escaped the bottle and possessed Kishan's body to live with her. While Lachchi tries to confess to her husband that the ghost had not actually fooled her, the ghost exposes his identity to Lachchi by reminding her of the name they were originally going to give their daughter. Thus, Lachchi begins living happily with both her real husband and her ghost lover in the same body. The puppets end the story, remarking that this is a very old folk tale.
In 2004, Palekar went to Shah Rukh Khan with a request for a hearing. After listening to the script, Khan asked Palekar if he could produce it as well as star in it. According to Khan, Paheli is a woman's liberation film that deals with the issues of marriage and asks whether a woman must stay with a man only due to marriage and not out of love.[7]Paheli was shot entirely in Rajasthan (Jhunjhunu district) over a period of 45 days. A scene involving Bachchan and Khan in the desert was shot in Mumbai on a helipad. One of the scenes was filmed at the Hadi Rani Kund (often confused with Chand Baori) of Todaraisingh.
Taran Adarsh from Bollywood Hungama gave it 4/5 stars and said: "On the whole, Paheli is one of the finest films produced in recent times. A film like this proves yet again that we don't need to seek inspiration from outsiders [read Hollywood], when Indian literature is rich enough to provide us with captivating stories."[9]Raja Sen from Rediff.com called it "A breathtaking dream!", and said: "First things first, this is the best-looking Indian film in a very long time, and ranks up there with the finest ever. Palekar has crafted a delectable fairytale that is incredibly well-shot. Ravi K. Chandran's cinematography is spellbinding as he casts us into the fabulous sandscapes of Rajasthan with fluid harmony. Each frame of the film is picture-perfect, marinated in intoxicating colour. Watching Paheli is quite an experience, and it's from the very opening shot of the film that its sheer, magical palette overwhelms us."[10] It was featured in The Ten Best Indian Films of 2005 list by Rediff.com, ranked third.[11]
Box office
Paheli saw 90% occupancy during its opening.[12] The film had a total net gross of ₹187.5 million (US$2.3 million) in India and an additional US$3.63 million in the overseas market. It was declared an "average " in India, but a "hit" abroad.[13][14] It proved to be a safe and profitable venture for its distributors.[15]
The film's soundtrack is composed and produced by M. M. Keeravani with lyrics by Gulzar. The soundtrack for the film released on 6 May 2005. The song "Dheere Jalna" is based on "Nadira Dhinna" from Okariki Okaru (2003).[16]
^Martins, Constantino; Damásio, Manuel (15 August 2016). Seduction in Popular Culture, Psychology, and Philosophy. IGI Global. p. 140. ISBN978-1-5225-0526-6. Detha's ostensibly simple folktale published in of the 1970s, with its multi-layered texture, has become a favorite for film makers: two veteran film directors - Mani Kaul (who made Duvidha in 1973) and T.S. Nagabharana (made Nagamandala in Kannada, in 1997) before Palekar-Gokhale remade it as Paheli in 2005.
