Peter Roy Sears (born 27 May 1948) is an English rock music musician. In a career spanning more than six decades, he has been a member of many bands and has moved through a variety of musical genres, from early R&B, psychedelic improvisational rock of the 1960s, folk, country music, arena rock in the 1970s, and blues. He usually plays bass, keyboards, or both in bands.[3]
Sears has also written and recorded the original score for many documentary films, including the award-winning "The Fight in the Fields" – Cesar Chávez and the Farmworkers Struggle directed by Ray Telles and Rick Tehada Flores. His most recent film, also directed by Ray Telles and co-produced by Ken Rabin, is called The Storm That Swept Mexico (2011) about the Mexican Revolution.
Pete Sears went on to play and record with many musical artists, including The Fleur De Lys in 1966, and the psychedelic underground band Sam Gopal Dream which featured guitarist Mick Hutchinson, Sears on bass and Hammond organ, and the Indian tabla player Sam Gopal. Jimi Hendrix once sat in with the band at the Speakeasy Club in London. Jimi Hendrix drummer Mitch Mitchell later asked Sears to play bass in a band he was forming while still playing with Hendrix in 1969.[citation needed]
Stoneground manager Tom Donahue recruited Sears in London,[9] during their Medicine Ball Caravan (1970) European tour[10] later returning to the Marin County with them to record their first album, also produced by Tom Donahue.
From 1970 through 1974, Sears returned to session work, including playing on Stewart's early British solo albums: Gasoline Alley,[4]Every Picture Tells a Story including the hit singles "Maggie May" and "Reason To Believe", Never a Dull Moment,[4] and Smiler. In addition to playing for Stewart, he composed the brief instrumental "Lochinvar" on the Smiler album.[11]
Sears left Copperhead just before recording their first album to work on Rod Stewart's Never a Dull Moment album in London, but mainly to join a new band Nicky Hopkins was putting together. Hopkins, who was on tour with the Rolling Stones had rented Sears a house in Mill Valley, California until he finished with the Stones tour. However, Hopkins was ultimately unable to form the band due to ill health and a dislike of the road. Sears went on to co-produce, arrange the music and play on, Kathi McDonald's Insane Asylum album, using guest artists like Sly Stone, The Pointer Sisters, Nils Lofgren, Neal Schon, Aynsley Dunbar, and the Tower of Power horns. He also co-founded a band called Sears, Schon, Errico with Neal Schon and Greg Errico, playing the Diamond Head Crater Festival in Hawaii, as well as several California shows.[citation needed]
Sears (left) and Craig Chaquico of Jefferson Starship in 1980
In 1974, Sears joined Jefferson Starship,[4] replacing Peter Kaukonen and switching back and forth between bass and keyboards with fellow multi-instrumentalist David Freiberg. He also wrote two or three songs per album with Grace Slick. Grace and Pete wrote the song Hyperdrive for the Dragon Fly album. Dragon Fly, made in 1974, was the first official "Jefferson Starship" release as a band. Pete's first brush with Grunt Records was when Airplane drummer Joey Covington brought him to the studio to play bass on Papa John Creach’s first solo album. Grace Slick sang vocals in the same track Pete played on, “The Janitor Drives a Cadillac”. During the 1970s and early 1980s he would perform a ten-minute bass solo regardless of the size of the venue, even when playing to a 100,000 people in New York City's Central Park in 1975. Singer Grace Slick left the band after her non-appearance caused a riot in Germany in 1978; within months drummer John Barbata was severely injured in a car crash and the band's other singer, Marty Balin, also left. The band hired vocalist Mickey Thomas and drummer Aynsley Dunbar. The band's musical direction changed, adopting a hard rock edge after Kantner hired rock producer Ron Nevison. Slick left the band for one album, Freedom at Point Zero and Sears' wife Jeannette Sears became one of the principal lyricists alongside Kantner, and Chaquico. Pete and Jeannette wrote some of the band's best-known songs, such as "Stranger", "Save Your Love", and "Winds of Change". Grace had rejoined by this time, and Sears remained with the band after the departure of leader Paul Kantner and the subsequent name change to "Starship", but he became increasingly at odds with the commercial direction the band was taking. Pete and Jeannette were working heavily on Central American human rights issues at this time, and wrote several songs on the subject that were considered by the band to be too political in nature for a mostly upbeat pop record. He played only bass on the double-platinum 1985 album Knee Deep in the Hoopla and finally left the group in 1987 shortly after appearing in the music video to "Nothing's Gonna Stop Us Now".[4]
In the early 1990s, Sears played keyboards with San Francisco-based psychedelic, jazz, rock band ZERO. Pete has sat in with ZERO as recently as 2013.[citation needed]
From 1992 to 2001, Sears played keyboards with Jefferson Airplane's Jorma Kaukonen and Jack Casady in Hot Tuna.
The band also included Michael Falzarano and Harvey Sorgen. They would sometimes tour as "The Jorma Kaukonen Trio" with Sears playing bass on the keyboards with his left hand. Sears sometimes teaches piano at Jorma Kaukonen's Fur Peace Ranch guitar Camp in south eastern Ohio. In 2011, Hot Tuna flew Sears out to New York City to perform at Jorma Kaukonen's 70th birthday bash at the Beacon Theatre. As well as his Tuna bandmates, Sears played that night with Bob Weir, Steve Earle, and Oteil Burbridge.[citation needed]
Sears' solo CDs include Watchfire[4] with guests Jerry Garcia, Babatunde Olatunji, David Grisman, Mickey Hart, Mimi Farina, and Holly Near. Along with Jeannette, who wrote the majority of the album's lyrics, Sears became involved with human rights issues in Central America during the 1980s, and led a highly successful radio drive to raise food and clothing for refugees from the civil wars of Guatemala and El Salvador sheltering in the bay area. They formed a non-profit video production company called "Watchfire Productions", with Mark Adler, Mary McCue Obrian, and Emmy Award-winning documentary film director Ray Telles, producing a music video about human rights abuses on the Mayas of Guatemala. The project was funded by Jerry Garcia and the Rex Foundation, the Tides Foundation, and Earth Island Institute. Hundreds of free copies of the video were distributed free of charge to human rights organisations around the world working to help stop the genocide in Central America. It was also aired extensively on the Canadian Much Music TV channel. During the mid-to-late 1980s, Sears and singer-songwriter, activist Mimi Farina, played at many benefits and protests in the San Francisco Bay Area in support of various Central American human rights, and environmental related causes. He once joined bluesman Nick Gravenites on the back of a flatbed truck, to drive down Market Street in San Francisco, playing the blues in support of nuclear disarmament, and protesting the US-backed injustices in Central America. They were joined by a hundred thousand other peace marchers.
In 1988, a group of citizens from the Soviet Union marched across the US as a show of support for peace and the end of the Cold War between the two countries. On 16 July 1988, a concert was held in the Band Shell in San Francisco's Golden Gate Park, organised by Ron Frazier and Bill McCarthy, who had hosted a previous event for the marchers in Los Angeles. Sears was asked to provide and organise the music for the event, so he invited his current band, ZERO, along with other musician friends including Jerry Garcia, whose band the Grateful Dead were performing later that night at the Greek Theater in Berkeley. Several Soviet rock bands, folk singers, and poets from the march also performed as well as two Tibetan drummers. Speeches were also held.[12]
Sears was one of a very small group of Bay-area musicians invited to audition for the Grateful Dead's keyboard position in the summer of 1990 following the death of Brent Mydland; the chair was eventually given to Vince Welnick from The Tubes.[13]
Pete and his wife Jeannette met in 1971 and began their relationship as a songwriting team. They married in 1975 in Mill Valley, California.
They became active with numerous Central American relief organisations through the '80s, working on benefits and immediate relief to refugees. In the late 1980s they spearheaded a radio drive in the San Francisco Bay area to raise food and clothing for refugees fleeing the ravages of civil war in Guatemala and El Salvador. In 1988, the California Institute of Integral Studies gave them an award for humanitarian work in the Bay area. Her passion for social justice shows up in her first novel, A Light Rain of Grace.[clarification needed][citation needed]
^Eyries, Patrice, David Edwards and Mike Callahan. (21 October 2005). National General Album Discography. Both Sides Now Publications. Accessed on 1 May 2014.
^Sears, Pete (18 April 2012). "1969-70 "Silver Metre" Fillmore West, San Francisco". Facebook. Retrieved 27 January 2021. "Silver Metre" was the third pro band I was a member of. In the summer of 1969 I showed up in Venice Beach, Los Angeles after flying from London to take Leigh (I had met him there) up on his offer to put me up if I ever made it to the USA. We then got a band together called "Silver Metre". We were managed by Tom Donahue of KSAN FM radio fame, and released an album on National General Records. The record was recorded at Trident Studios in London.
^
Sippel, John (3 July 1971). "Weintraub's 'Ball' to Roll at L.A. Theater; Rock Artists' Odyssey". Billboard. Vol. 83, no. 27. Nielsen Business Media, Inc. p. 82. ISSN0006-2510.
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