This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful.Find sources: "Peter Galison" – news · newspapers · books · scholar · JSTOR (August 2016) (Learn how and when to remove this template message)This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (August 2016) (Learn how and when to remove this template message) (Learn how and when to remove this template message)
Peter Galison
Peter Galison, HSS 2007.jpg
Galison at the 2007 History of Science Society meeting in Washington, D.C.
EducationHarvard College
OccupationHistorian, philosopher
EmployerHarvard University
Notable workImage and Logic (1997)

"Einstein's Clocks, Poincaré's Maps" (2003)

Objectivity (2007)

Peter Louis Galison (born May 17, 1955, New York) is an American historian and philosopher of science. He is the Joseph Pellegrino University Professor in history of science and physics at Harvard University.

Biography

Galison received his Ph.D. at Harvard University in both physics and in the history of science in 1983. His publications include Image and Logic: A Material Culture of Microphysics (1997) and Einstein's Clocks, Poincaré's Maps: Empires of Time. His most recent book (2007), co-authored with Lorraine Daston, is titled Objectivity.

Before moving to Harvard, Galison taught for several years at Stanford University, where he was professor of history, philosophy, and physics. He is considered a member of the Stanford School of philosophy of science, a group that also includes Ian Hacking, John Dupré, and Nancy Cartwright.

Galison developed a film for the History Channel on the development of the hydrogen bomb, and has done work on the intersection of science with other disciplines, in particular art (along with his wife, Caroline A. Jones) and architecture. He is on the editorial board of Critical Inquiry and was a MacArthur Fellow in 1996.

Philosophical work

In Image and Logic, Galison explored the fundamental rift rising in the physical sciences: whether singular, visual accounts of scientific phenomena would be accepted as the dominant language of proof, or whether statistically significant, frequently repeated results would dominate the field. This division, Galison claims, can be seen in the conflicts amongst high-energy physicists investigating new particles, some of whom offer up statistically significant and frequently replicated analysis of the new particle passing through electric fields, others of whom offer up a single picture of a particle behaving—in a single instance—in a way that cannot be explained by the characteristics of existing known particles. This image/logic distinction has been applied to explore the development of other disciplines, for example, archaeology.[1]

His work with Lorraine Daston developed the concept of mechanical objectivity which is often used in scholarly literature, and he has done pioneering work on applying the anthropological notion of trading zones to scientific practice.[2]

Documentary films

Galison has been involved in the production of three documentary films. The first, The Ultimate Weapon: The H-Bomb Dilemma, was about the political and scientific decisions behind the creation of the first hydrogen bomb in the United States, and premiered on the History Channel in 2000. The second, Secrecy, which Galison directed with Harvard filmmaker Robb Moss, is about the costs and benefits of government secrecy, and premiered at the 2008 Sundance Film Festival.[3] Also from Harvard, Ruth Lingford worked on the animation for Secrecy. Galison completed his third documentary film Containment, also directed with Robb Moss, in 2015. It premiered at the 2015 Full Frame Documentary Film Festival, and has been shown at film festivals around the world including in Brazil, Switzerland, and Australia. This documentary investigates governments' attempts to contain a hundred million gallons of deadly radioactive sludge for 10,000 years: how can people warn future generations across this immense time span during which languages, cultures and the environment will continually transform?

Galison's fourth documentary, Black Holes: The Edge of All We Know, about the Event Horizon Telescope, appeared in 2021 on Netflix and Apple TV.[4]

Bibliography

Filmography

References

  1. ^ Marwick, Ben (15 October 2019). "Galisonian logic devices and data availability: revitalising Upper Palaeolithic cultural taxonomies". Antiquity. 93 (371): 1365–1367. doi:10.15184/aqy.2019.131. S2CID 211672039.
  2. ^ Schmidt, Sophie C.; Marwick, Ben (28 January 2020). "Tool-Driven Revolutions in Archaeological Science". Journal of Computer Applications in Archaeology. 3 (1): 18–32. doi:10.5334/jcaa.29.
  3. ^ "Press & Industry — Sundance Film Festival". 2007-12-07. Archived from the original on 2007-12-07. Retrieved 2019-04-12.
  4. ^ "Black Holes: The Edge of All We Know". blackholefilm.com. Retrieved May 26, 2022.