 | |
| Author | Albertus Parvus Lucius[1] ("Lesser Albert") |
|---|---|
| Original title | Secrets merveilleux de la magie naturelle et cabalistique du petit Albert. |
| Country | France |
| Language | French |
| Subject | Magic |
| Genre | Grimoire |
| Publisher | Héritiers de Beringos fratres |
Publication date | circa 1706[2][3] |
Published in English | 2012 (as "The Spellbook of Marie Laveau") |
| Media type | Print (Hardcover) |
| OCLC | 164442497 |
| Preceded by | Grand Albert |
| Followed by | Grand Grimoire (the Red Dragon) |
Petit Albert (English: Lesser Albert) is an 18th-century grimoire of natural and cabalistic magic.[4][5] It may have been inspired by the writings of Albertus Parvus Lucius (the Lesser Albert).[6][7] Brought down to the smallest hamlets in the saddlebags of peddlers,[3] it represents publishing success, despite its association with "devil worshipers"[8]—or rather because of it. It is associated with a second work, the Grand Albert. It is a composite, heterogeneous work, collecting texts written by various authors; most of these authors are anonymous but some are notable such as Cardano and Paracelsus. Due to its historical nature, Albertus Magnus' attribution to the text is considerably uncertain and since the text quotes from many later sources, it is an ethnological document of the first order.
The Little Albert is generally mentioned at the same time as the Grand Albert, another grimoire. The Little Albert, however, is neither a summary nor an abridged version of the Grand Albert; it is a separate text, as can be seen in a comparison of the two works by Claude Seignolle in a French work titled, Les Évangiles du Diable (in English: The Gospels of the Devil).[9]
The author of these two works is speculated to be Albertus Magnus ("Albert the Great"), born around 1193, a theologian and professor at Sorbonne University. The Place Maubert (etymologically "Master Albert Square") in Paris is named after him. The text of Secrets merveilleux de la magie naturelle et cabalistique du Petit Albert published by Chez les Heritiers Beringos in 1752 specifically credits authorship to Alberti Parvi Lucii.[10] In Tarl Warwick's 2016 English translation, the warning to the reader says: "Here is a new edition of the Wonderful Natural Secrets of the Little Albert, known in Latin by the title 'Libellus Alberti Parvi Lucii of mirabilibus Arcanis naturae'"; the author was among those accused of witchery by the masses.[8]
The writings of Master Albert were known to not be printed in his day before his death in 1280 until the invention of the printing press. The earliest known edition appeared in France in 1706 and was published by "Chez les Heritiers Beringos", a fictional company also described as being "at the sign of Agrippa",[3][11] in Lyon and represented a gap of more than 400 years between the estimated date of writing and printing—a range of time that opened up many possibilities for the evolution of the text. Publishing controversial and illegal grimoires under a fictional name was a common tactic in the 18th and 19th centuries[3] as grimoires became increasingly censored by the Catholic Church.[11]
The fact that the Big and the Little Albert are named after Albertus Magnus is a claim that should not be taken literally. It is crucial to note that the text actually contains references known to authors before the Master Albert, like Paracelsus, very largely quoted during his time. There are additional references to things that happened after the Master Albert's time. These works are therefore attempting to gain acceptance and validity by putting themselves under the protection of Albert the Great. When the Petit Albert was initially printed, it was normal practice to give all of history's great figures communal attribution. It shouldn't be contrasted with contemporary plagiarism or falsification. Instead, it was seen as a method to honor the authors of contentious subjects while simultaneously providing them with protection.
From 1850, the Grand and the Petit Albert are published under the following titles:
These three works were collected in a grand three-volume work which was published in Paris in the 1860s, entitled Le Grande et Veritable Science Cabalistique.[1]
Le Grand Albert and Le Petit Albert, were enormously popular in France throughout the 18th and 19th centuries. A curious mixture of esoteric science and totally impractical superstition, they were for some time tolerated by the Church, with whose teachings they sat uneasily, but were prized by the ordinary people who tried valiantly to reconcile their belief in Christianity with their fear, or hope, that 'natural' magic might just have the power to overcome nature itself.
Even some of those who were "good" Christians tried to bless the book in secret by hiding it under the tablecloth of an altar.[11] The priests were aware of this practice and inspected the possible hiding places before mass and made the "Albert" disappear if they found one. Legends about the Albert flourished. It was said that the devil tries to take back his books and that destroying an Albert was too dangerous for an individual to accomplish safely. With the goals of safety and salvation in mind, the presence of an Albert should be confided to a priest.
The attitude of the Church after the French Revolution contrasts with the fact that the book had a long editorial life by no means clandestine since successive editions were published in Lyon under the Ancien Régime, and even before the Age of Enlightenment, when the Church had every latitude to ban it.
The book was also indirectly censored from 1793 to 1815 when peddling literature was prohibited; evidently the Church was not involved in this decision.
The two Alberts, sold by peddling[3] and inseparable from the Almanac (with astrological calendar, another great success of the popular edition)[11] made a fortune for their publishers since, according to Seignolle, it sold 400,000 a year in the Belgian Ardennes alone.[9]
The intended reader was not a sorcerer, but rather a farmer and who was, in general, a devout Christian. The success of the books are all the more remarkable because they were of no particular use to the peasant. The formulas in the book were not very practical in their lifestyle. For example, even the cooking recipes (usually different compositions of spicy wine) required many expensive ingredients, often difficult to identify and hard to find in French villages.
Thus, the audience it catered to occupied the whole social spectrum. The hand of glory from the book, for example, was an instrument appreciated by burglars. The soap recipes and eau de toilette which included many expensive ingredients from around the world were probably appreciated by the apothecaries of the ladies of the Court. Copies of "Le Petit Albert has also been located among the 19th century French peasantry, like the Hoodoo practitioners of New Orleans, and the Obeah men of the French West Indies."[1]
The Petit Albert later also became a meme. In simple terms, "To say one had the Petit Albert was shorthand for saying one was deep in magic."[3]
Other parts of the book represent alchemical or cabalist theories whose origin is attributed mainly to Paracelsus. These also include talismans in accordance with cabalist methods, like making gold artificially or dissolving it. Other instructions include turning lead into gold, creating faux currency with tin, utilizing borax to melt gold and the process of creating imitation pearls.[8]