Philip Levine | |
|---|---|
.jpg) Levine reading in 2006 | |
| Born | January 10, 1928 Detroit, Michigan, US |
| Died | February 14, 2015 (aged 87) Fresno, California, US |
| Occupation | Poet |
| Alma mater | Wayne State University University of Iowa |
| Years active | 1963–2015 |
| Notable awards | United States Poet Laureate |
| Spouse | Patty Kanterman (1951–1953), Frances J. Artley (1954–2015) |
| Children | 3 |
Philip Levine (January 10, 1928 – February 14, 2015) was an American poet best known for his poems about working-class Detroit. He taught for more than thirty years in the English department of California State University, Fresno and held teaching positions at other universities as well. He served on the Board of Chancellors of the Academy of American Poets from 2000 to 2006,[1] and was appointed Poet Laureate of the United States for 2011–2012.[2][3]
Philip Levine grew up in industrial Detroit, the second of three sons and the first of identical twins of Jewish immigrant parents. His father, Harry Levine, owned a used auto parts business,[4] his mother, Esther Priscol (Pryszkulnik) Levine, was a bookseller.[5] When Levine was five years old, his father died.[6] While growing up, he faced the anti-Semitism embodied by Father Coughlin, the pro-Nazi radio priest.[7] In high school, a teacher told him, “You write like an angel. Why don't you think about becoming a writer?“[8] At this point, he was already working at night in auto factories, though he was just 14 years old. Detroit Central High School graduated him in 1946, and he went to college at Wayne University (now Wayne State University) in Detroit, where he began to write poetry, encouraged by his mother, to whom he dedicated the book of poems The Mercy.[9] Levine earned his A.B. in 1950 and went to work for Chevrolet and Cadillac in what he called "stupid jobs."[2] The work, he later wrote, was “so heavy and monotonous that after an hour or two I was sure each night that I would never last the shift.”[8]
He married his first wife, Patty Kanterman, in 1951. The marriage lasted until 1953.[5]
In 1953, he attended the University of Iowa without registering,[10] studying with, among others, poets Robert Lowell and John Berryman, the latter of whom Levine called his "one great mentor."[11]
In 1954, he earned a mail-order master's degree with a thesis on John Keats' "Ode to Indolence,"[6] and married actress Frances J. Artley.[4]
He returned to the University of Iowa teaching technical writing and completed his Master of Fine Arts degree in 1957.[6] The same year, he was awarded the Jones Fellowship in Poetry at Stanford University. In 1958, he joined the English department at California State University, Fresno, where he taught until his retirement in 1992. He also taught at many other universities, among them New York University as a Distinguished Writer-in-Residence, Columbia, Princeton, Brown, Tufts, Vanderbilt, and the University of California, Berkeley.[12]
Levine and his wife had made their homes in Fresno and Brooklyn Heights.[13][14] He died of pancreatic cancer on February 14, 2015, at age 87.[15]
The familial, social, and economic world of twentieth-century Detroit is one of the major subjects of Levine's work.[16] His portraits of working-class Americans and his continuous examination of his Jewish immigrant inheritance (both based on real life and described through fictional characters) has left a testimony of mid-twentieth century American life.[16]
Levine's working experience lent his poetry a profound skepticism with regard to conventional American ideals. In his first two books, On the Edge (1963) and Not This Pig (1968), the poetry dwells on those who suddenly become aware that they are trapped in some murderous processes not of their own making.[17] In 1968, Levine signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse to make tax payments in protest against the Vietnam War.[18]
In his first two books, Levine was somewhat traditional in form and relatively constrained in expression.[16] Beginning with They Feed They Lion, typically Levine's poems are free-verse monologues tending toward trimeter or tetrameter.[19] The music of Levine's poetry depends on the tension between his line-breaks and his syntax. The title poem of Levine's book 1933 (1974) is an example of the cascade of clauses and phrases one finds in his poetry.[16] Other collections include The Names of the Lost, A Walk with Tom Jefferson, New Selected Poems, and the National Book Award-winning What Work Is.[16]
On November 29, 2007, a tribute was held in New York City in anticipation of Levine's eightieth birthday.[19] Among those celebrating Levine's career by reading Levine's work were Yusef Komunyakaa, Galway Kinnell, E. L. Doctorow, Charles Wright, Jean Valentine and Sharon Olds.[19] Levine read several new poems as well.[19]
Near the end of his life, Levine, an avid jazz aficionado, collaborated with jazz saxophonist and composer Benjamin Boone [2] on the melding of his poetry and narration with music. The resulting CD, “The Poetry of Jazz” (Origin Records 82754), was released posthumously on March 16, 2018. It contains fourteen of Levine's poems and performances by Levine and Boone as well as jazz greats Chris Potter, Greg Osby, and Tom Harrell.[20][21]
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