Australian actor, singer (born 1957)
Philip Mark Quast AM (born 30 July 1957)[1] is an Australian actor and bass-baritone singer. He has won the Laurence Olivier Award for Best Actor in a Musical three times, making him the first actor to have three wins in that category.
He is perhaps best known for his role as Inspector Javert in the stage musical Les Misérables and in the Les Misérables: The Dream Cast in Concert.
He is also well-known for numerous other theatre roles, notable ones being Georges Seurat/George in Sunday in the Park with George, Archibald Craven and Dr. Neville Craven in The Secret Garden, Judge Turpin in Sweeney Todd: The Demon Barber of Fleet Street, George Banks in Mary Poppins, Georges in La Cage aux Folles, Emile de Becque in South Pacific, and The Wolf/Cinderella's Prince in Into the Woods.
He is also known for appearances in film and for his roles in television shows such as Ultraviolet, Brides of Christ, and Play School.
Acting career
1980s
After graduating from the National Institute of Dramatic Art in 1979 Quast began his career in the resident acting company of the State Theatre Company of South Australia. In the early 1980s he appeared in plays such as The Mystery Plays of Wakefield, Three Sisters, On The Wallaby, Pericles, A Month in the Country, As You Like It, Pygmalion, A Hard God, No End of Blame, The Threepenny Opera, Shark Infested Waters, Candide with Nimrod Theatre Company, and a musical adaption of Carmen which he debuted with the Melbourne Theatre Company.[4][citation needed]
In 1981, Quast also began appearing as a presenter on the Australian children's show Play School, a program he would return to on-and-off again for 17 years.
Quast shot to prominence in 1987 when he appeared as Javert in the original Australian production of Les Misérables. This performance won him a Sydney Critic Award and a MO Award. In 1989, he traveled to London to play Javert on the West End stage.[5]
Quast never expected to gain such a prominent role, going to the auditions hoping simply for a place in the chorus.[6] Because he was not able to sight-read music, he walked off the stage at the audition but was called back by Claude-Michel Schönberg and eventually given the part as Javert.[6]
Quast credits much of his success as Javert to stage director Trevor Nunn. "Javert for me is not the Wicked Witch of the West," Quast has said. "In fact, there is very little material to work with in the script. Trevor would say things in passing like 'Have you read the Ten Commandments recently?' That's all he would say. If you're thirsty enough, you can follow it up ... there was the whole basis of our legal system and the explanation for the whole of Les Mis. For me, that's inspired directing. That's why he's such an awesome man."[6]
When playing Javert, Quast gained a reputation as a perfectionist. He also began experiencing intense bouts of stagefright. "I had a terrible time," he said. "It took me a month to get over it. At one stage I wasn't sleeping at all but lying awake planning speeches to the audience about being sorry and could I start again."[6]
1990s
Quast's stage success continued as he won the coveted role of Georges Seurat and his act 2 counterpart George in the original London production of Stephen Sondheim's Sunday in the Park with George for the Royal National Theatre.
In 1991 he won his first Laurence Olivier Award for Best Actor in a Musical as Georges Seurat and George. Quast was under a large amount of stress when preparing for Sunday in the Park with George, as he struggled to master Sondheim's complicated musical scores (Sondheim told him: "you don't play tennis against people you can beat."), learn to paint and sketch for the play, and waited for the impending birth of his first son, who was due five days after opening night.[7]
In 1993 he returned to Australia to play in Sydney Theatre Company productions of William Shakespeare's Coriolanus and Sondheim's Into the Woods, in which he played The Wolf/Cinderella's Prince. He then played Dunois in Bernard Shaw's Saint Joan in the West End and on a UK tour in 1994. In 1994–96 he spent two seasons with the Royal Shakespeare Company, performing as Fred/Chorus in A Christmas Carol, and King of Navarre in Shakespeare's Love's Labour's Lost, as well as Lodovico in The White Devil, Banquo in Macbeth, and Achilles in Troilus and Cressida. Before returning for a second season with the RSC, he spent some time back in Australia, performing in the national tour of The Secret Garden as Dr. Neville Craven – along with Anthony Warlow and Marina Prior.[citation needed]
2000s
Musical theatre
Quast played the part of Javert on the Les Misérables Complete Symphonic Recording, and in Hey, Mr. Producer, a concert in honour of Sir Cameron Mackintosh.
Though mainly a baritone, Quast has played some roles written for tenors, namely George (see above), Candide, and Archibald Craven in The Secret Garden. Although he is known for his serious roles, he has also performed comedic parts, such as his 2004 appearance as the pompous Miles Gloriosus in a limited run revival of A Funny Thing Happened on the Way to the Forum at the Royal National Theatre.
Quast more recently played the supporting role of Juan Peron in Andrew Lloyd Webber's 2006 production of Evita at the Adelphi Theatre in London. He was nominated for an Olivier award for this role. In July 2007, Quast performed the role of Judge Turpin in a concert version of Sweeney Todd at London's Royal Festival Hall.[8]
He was most recently in the Menier Chocolate Factory production of Jerry Herman's La Cage aux Folles as Georges.[9]
Quast rejoined the cast of La Cage on 4 May 2009 with Roger Allam. Coincidentally, both actors have performed in the role of Javert in Les Misérables. From July 2010, he played Mr. Banks in the Australian premiere production of Mary Poppins at Melbourne's Her Majesty's Theatre, a part Cameron Mackintosh offered to him in the bathroom of The Ivy in London. He won the 2010 Victorian Green Room Award (Melbourne's top theatre awards) for Best Supporting Actor in a Musical for his performance. He also won the 2011 Helpmann award for "Best Featured Actor in a Musical" for Mary Poppins.
In March 2014, New York audiences were treated to a special limited engagement of Sweeney Todd at Lincoln Center's Avery Fisher Hall. Quast, in his New York stage debut, performed as Judge Turpin, with Bryn Terfel as Sweeney Todd and Emma Thompson as Mrs. Lovett. The show was scheduled to be broadcast as part of Live at Lincoln Center's television special in September 2014.
Theatre
In 2003, he appeared as Antonio in Shakespeare's The Merchant of Venice, directed by Gale Edwards and as Trigorin in Chekhov's The Seagull, directed by Steven Pimlott, both at the Chichester Festival Theatre. In 2012, he played the role of Sir Humphrey Appleby in an Australian production of Yes, Prime Minister. In August/September 2012, he performed the role of Walter Burns in Melbourne Theatre Company's production of His Girl Friday. In November 2013 he joined Hugo Weaving and Richard Roxburgh in Sydney Theatre Company's production of Samuel Beckett's Waiting For Godot. In May/June 2014, Quast played the role of Pastor Manders in Henrik Ibsen's play Ghosts at the Melbourne Theatre Company directed by Gale Edwards.[10]
Personal life
Quast and his wife Carol have three sons (Edwin, Harry and Toby).[11][12] He also teaches at the National Institute of Dramatic Art in Sydney, Australia.[13] During the COVID-19 pandemic, Quast continued teaching through Zoom calls.[14]
Quast married Carol in 1981 and they were married for almost ten years before having the first of their three sons. He has been noted for his humble nature, stating he doesn't seek after fame and is concerned that success is measured by notoriety instead of the respect of one's peers. He doesn't keep any of his awards, instead sending them to his parents' home in Australia.[15]
Quast was named as one of the 25 Most Beautiful People for 1996 in Who Weekly magazine. In an article for the magazine he said, "The problem with this business is that you have to supposedly look as good as you can all the time. And I hate that. My idea of doing my hair is sticking it out of the window of a car when it's wet."[16]
A bass-baritone, Quast has been universally applauded by critics for his singing voice, which has been described as "warm", and "glorious."
[17] He was named by British newspaper The Stage as "one of the most notable singing actors to come along in years".[18]
Quast has a strong passion for fishing, and he spent his time during the COVID-19 pandemic fishing, cooking, pickling and preserving.[14]
Cast recordings
Philip Quast has appeared in the cast recordings for many musicals, but has also released his own album, Live at the Donmar, containing both covers and original material.
Musical cast recordings:[22]
