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((short description|Italian composer))

((More citations needed|date=February 2016))
'''Philippus de Caserta''', (((fl|((circa|1370))));((sfn|Reaney|2001)) also '''Philipoctus''', '''Filipotto''', or '''Filipoctus''') was a [[medieval music|medieval]] [[music theorist]] and [[composer]] associated with the style known as ''[[ars subtilior]]''.

==Life and career==
Philippus' name indicates that he came from [[Caserta]] near [[Naples]]. He is generally thought to have worked at the Papal court at [[Avignon]] in the 1370s as his ballade, ''Par les bons Gedeons'', praises [[antipope Clement VII]]. However, it has been suggested that Philippus never left Italy, that he wrote the above ballade at [[Fondi]] near Caserta, where Clement was elected Pope, and that he worked at the francophile court of [[Gian Galeazzo Visconti]].<ref>Reinhard Strohm, ''The Rise of European Music, 1380–1500", Cambridge University Press, 1993, ((ISBN|9780521619349)), pp.59-74</ref><ref>Yolanda Plumley and Iain Fenlon, [https://books.google.com/books?id=8tUlo2Q_oUQC&dq=Philippus+de+Caserta&pg=PA335 ''Early Music History''], vol. 18: ''Studies in Medieval and Early Modern Music'', [[Cambridge University Press]], 2001, ((ISBN|9780521652018)), pp.334-346.</ref>

==Music==
((Unreferenced|section|date=December 2023))
Most of his surviving works are [[ballade (forme fixe)|ballade]]s, although a [[Credo]] was recently discovered, and a [[rondeau (forme fixe)|rondeau]] has been attributed to him. His ballade ''En attendant souffrir'' was written for [[Bernabò Visconti]], confirmed by the presence of Visconti's motto in the upper voice. Two of Caserta's pieces, ''En remirant'' and ''De ma dolour'', use fragments of text from [[chanson]]s by the most famous composer of the century, [[Guillaume de Machaut]]. Caserta's own repute was significant enough for [[Johannes Ciconia]] to borrow portions of Caserta's ballades for his own [[virelai]], ''Sus une fontayne''.

Five theoretical treatises have been attributed to Caserta, with some in dispute among scholars.

==Music==
All pieces are for three voices.

;Ballades
* ((lang|fr|De ma dolour))
* ((lang|fr|En attendant souffrir))
* ((lang|fr|En remirant vo douce pourtraiture))
* ((lang|fr|Il n'est nulz homs))
* ((lang|fr|Par le grant senz))
* ((lang|fr|Par les bons Gedeons))

;Other
*''Credo''
*Rondeau, ''Espoir dont tu m'as fayt'' (disputed)

==References==
((reflist))

==Sources==
* ((cite encyclopedia |last=Reaney |first=Gilbert |author-link=Gilbert Reaney |year=2001 |encyclopedia=[[Grove Music Online]] |title=Caserta, Philippus de |publisher=[[Oxford University Press]] |location=Oxford, England |access-date=7 October 2020 |doi=10.1093/gmo/9781561592630.article.43682 |isbn=978-1-56159-263-0 |url-access=subscription |url=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000043682 )) ((Grove Music subscription))

((Ars subtilior|state=open))
((Music of the Trecento))
((Medieval music))
((portal bar|Classical music|Biography|Music))
((Authority control))

((DEFAULTSORT:Caserta, Philippus de))
[[Category:Ars subtilior composers]]
[[Category:Italian male classical composers]]
[[Category:Italian music theorists]]
[[Category:Trecento composers]]
[[Category:Medieval male composers]]

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