A phonetic complement is a phonetic symbol used to disambiguate word characters (logograms) that have multiple readings, in mixed logographic-phonetic scripts such as Egyptian hieroglyphs, Akkadian cuneiform, Japanese, and Mayan. Often they reenforce the communication of the ideogram by repeating the first or last syllable in the term.
Written English has few logograms, primarily numerals, and therefore few phonetic complements. An example is the nd of 2nd 'second', which avoids ambiguity with 2 standing for the word 'two'. In addition to numerals, other examples include Xmas, Xianity, and Xing for Christmas, Christianity, and Crossing – note the separate readings Christ and Cross.
In cuneiform
In Sumerian, the single word kur (𒆳) had two main meanings: 'hill' and 'country'. Akkadian, however, had separate words for these two meanings: šadú 'hill' and mātu 'country'. When Sumerian cuneiform was adapted (known as orthographic borrowing) for writing Akkadian, this was ambiguous because both words were written with the same character (𒆳, conventionally transcribed KUR, after its Sumerian pronunciation). To alert the reader as to which Akkadian word was intended, the phonetic complement -ú was written after KUR if 'hill' was intended, so that the characters KUR-ú were pronounced šadú, whereas KUR without a phonetic complement was understood to mean mātu 'country'.
Phonetic complements should not be confused with determinatives (which were also used to disambiguate) since determinatives were used specifically to indicate the category of the word they preceded or followed. For example, the sign DINGIR (𒀭) often precedes names of gods, as LUGAL (𒈗) does for kings. It is believed that determinatives were not pronounced.
Note that some of these verbs share a kanji reading (i,u, and ha), and okurigana are conventionally picked to maximize these sharings.
These phonetic characters are called okurigana. They are used even when the inflection of the stem can be determined by a following inflectional suffix, so the primary function of okurigana for many kanji is that of a phonetic complement.
Generally it is the final syllable containing the inflectional ending is written phonetically. However, in adjectival verbs ending in -shii (-しい), and in those verbs ending in -ru (-る) in which this syllable drops in derived nouns, the final two syllables are written phonetically. There are also irregularities. For example, the word umareru 'be born' is derived from umu 'to bear, to produce'. As such, it may be written 生まれる [生mareru], reflecting its derivation, or 生れる [生reru], as with other verbs ending in elidable -ru.
Chinese never developed a system of purely phonetic characters. Instead, about 90% of Chinese characters are compounds of a determinative (called a 'radical'), which may not exist independently, and a phonetic complement indicates the approximate pronunciation of the morpheme. However, the phonetic element is basic, and these might be better thought of as characters used for multiple near homonyms, the identity of which is constrained by the determiner. Due to sound changes over the last several millennia, the phonetic complements are not a reliable guide to pronunciation. Also, sometimes it is not obvious at all where the phonetic complements reside, for instance, the phonetic complement in 聽 is 𡈼, in 類 is 頪, and in 勝 is 朕, etc.
In Vietnamese
Chữ Nôm of Vietnamese is almost all constructed as phono-semantic characters, whose phonetic component and semantic component are usually individual unabridged Chinese characters (like the Chữ Nôm 𣎏 and 𣩂), instead of often radicals as in Sinographs.
In Korean
A handful of Koreangukja are also constructed as phono-semantic characters, such as 乭 (pronounced as 돌, dol) whose phonetic complement is the bottom 乙.
In Japanese
Some of JapaneseKokuji are phono-semantic characters, like 働, 腺, 鑓, whose phonetic complement is 動, 泉, 遣 respectively.
The Maya Script, the logosyllabic orthography of the Maya Civilization, used phonetic complements extensively[1] and phonetic complements could be used synharmonically or disharmonically.[2] The former is exemplified by the placement of the syllabogram for ma underneath the logogram for "jaguar" (in Classic Maya, BALAM): thus, though pronounced "BALAM", the word for "jaguar" was spelled "BALAM-m(a)". Disharmonic spellings also existed[3] in the Maya Script.[4]
Two different ways of writing the word bʼalam 'jaguar' in the Maya script – first, as a logogram representing the entire word with the single glyphbʼalam, and then, phonetically using the three syllable signs bʼa, la, and ma
Three ways to write bʼalam using combinations of the logogram with the syllabic signs as phonetic complements. The usage is analogous to Sinographs with okurigana in Japanese, and Sumerogram in Akkadian.
