Pietro Nardini (12 April 1722 – 7 May 1793) was an Italian composer and violinist, a transitional musician who worked in both the Baroque and Classical era traditions.
Nardini was born in Livorno and at the age of 12 became a pupil of Giuseppe Tartini in Padua. In 1740 he moved to Lucca. He was invited to the court of Maria Theresa in Vienna more than once. In 1762 he moved to Stuttgart, where he joined the court of Charles Eugene, Duke of Württemberg and performed at his summer residence Ludwigsburg Palace. He was appointed conductor, succeeding Niccolò Jommelli. In 1765 he traveled to the courts of Charles I, Duke of Brunswick-Wolfenbüttel and Prince Francis Xavier of Saxony. In 1770 he moved back to Italy to assist the suffering Tartini. The next year he became Kapellmeister, succeeding Carlo Antonio Campioni in Florence. The rest of his life he stayed at the court of Leopold II, Grand Duke of Tuscany, but performed in Naples, Pisa and Rome.
As a friend of Leopold Mozart, he witnessed the arrival of Wolfgang Amadeus Mozart on his first visit to Italy and his attempts to find a sustainable position in 1770–1771. He also met the Bohemian composer Václav Pichl, Kapellmeister to Ferdinand Karl, Archduke of Austria-Este, governor of Lombardy. In 1778 he was invited by Catherine the Great.
Nardini is mentioned in English writer Hester Lynch Piozzi's Observations and Reflections Made in the Course of a Journey Through France, Italy, and Germany (1789) as playing a solo at a concert Mrs Piozzi and her husband, Gabriele Piozzi, gave in Florence in July 1785.[citation needed]
Though Nardini was not a prolific composer, his works are known for their sentimental but melodious tunes and usefulness in technical studies. Among the best known are the Sonata in D major and the Concerto in E minor.
He was a teacher to many students: Bartolomeo Campagnoli, Filippo Manfredi, Thomas Linley the younger, Giovanni Francesco Giuliani and perhaps Giuseppe Cambini and Gaetano Brunetti. Nardini died in Florence on 7 May 1793, aged 71.[1]
Nardini's Concerto per Violino in mi minore (Violin Concerto in E minor), was recorded by Pinchas Zukerman, violin, and members of the Los Angeles Philharmonic, on CBS Masterworks, in the 1970s, now available in "Vivaldi, Nardini & Viotti: Italian Violin Concertos", ETERNA 2009.
A Concerto for Violin in F major, Op. 1, No. 3 was performed on a Stradivarius violin by Andrea Cappelletti with the European Community Chamber Orchestra in 1992. The recording was released in 1998 on Koch Schwann Musica Mundi 3-8711-2 under the title, Tribute to Stradivarius: Virtuoso Violin Concertos.
A Violin Concerto in E minor performed by Mischa Elman and the Chamber Orchestra of the Vienna State Opera, Vladimir Golschmann conducting, was digitally remastered and appeared in 1993 on Vanguard Classics OVC 8033 as part of The Mischa Elman Collection.
Four violin concertos (in C major, G major, D major, and A major) were recorded in 2001, featuring Mauro Rossi as performer and conductor, on Dynamic CDS392.
His Six String Quartets are performed by Quartetto Eleusi on Brilliant Classics.[2]
The ensemble Ardi Cor Mio performed four violin sonatas from manuscripts in various European museums and recorded them in 2007 on Tactus TC 721401.
Henryk Szeryng plays Nardini, Vieuxtemps, Ravel & Schumann. Violin Concerto in E minor. SWR Sinfonieorchester, Hans Rosbaud.
Ensemble Alraune recorded the duets for two violas on NovAntiqua Records.
The Austrian Eduard Melkus recorded the Violin Concerto in E-flat major with the Capella Academica, Vienna, conducted by August Wenzinger on Archiv Produktion 198370 in February 1966.
