1971 film by James Bidgood
| Pink Narcissus |
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| Directed by | James Bidgood |
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| Written by | James Bidgood |
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| Produced by | James Bidgood |
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| Starring | Bobby Kendall
Charles Ludlam[1] |
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| Cinematography | James Bidgood |
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| Edited by | Martin Jay Sadoff |
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| Music by | Martin Jay Sadoff
Gary Goch |
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| Distributed by | Sherpix Inc
Strand Releasing (2003 re-release) |
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Release date |
- May 24, 1971 (May 24, 1971)
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Running time | 71 minutes |
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| Country | United States |
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| Language | English |
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| Budget | $27,000 (estimated) |
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Pink Narcissus is a 1971 American arthouse drama film directed by James Bidgood[2] and starring (unknowns) Bobby Kendall, Don Brooks and stage actor Charles Ludlam. It visualizes the erotic fantasies of a gay male prostitute.
Premise
Between visits from his keeper, or John, a handsome male prostitute (Bobby Kendall), alone in his apartment, lounges, fantasizing about worlds where he is the central character. For example, he pictures himself as a matador, a Roman slave boy and the emperor who condemns him, and the keeper of a male harem for whom another male performs a belly dance.
Production
In a 2005 interview, Bidgood enumerated some of the film's inspirations, such as the British film The Red Shoes and actress Maria Montez. Most of the film's extras were people actor Don Brooks found on the streets when he went out of the set on "talent searches".[3]
The film is mostly shot on 8 mm film[4] with bright, otherworldly lighting and intense colors. Aside from its last, climactic scene, which was shot in a downtown Manhattan loft, it was produced in its entirety (including outdoor scenes) in Bidgood's small New York City apartment over a seven-year (from 1963 to 1970) period and ultimately released without the consent of the director, who therefore had himself credited as Anonymous. He said in the interview, "See, why I took my name off of it was that I was protesting, which I'd heard at the time that's what you did..."[4]
Provenance
Because the name of the filmmaker was not widely known, there were rumors that Andy Warhol was behind it.[1] In the mid-1990s, writer Bruce Benderson began a search for its maker based on several leads and finally verified that it was James Bidgood, who was still living in Manhattan and was working on a film script.[5] In 1999, a book researched and written by Benderson was published by Taschen about Bidgood's body of photographic and filmic work.
Bidgood's unmistakably kitschy style was later imitated and refined by artists such as Pierre et Gilles.[citation needed]
In 2003, the film was re-released by Strand Releasing as the film had its 35th anniversary in 2006.[1]
