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The Feminism Portal

International Women's Day, Bangladesh (2005)

Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that societies prioritize the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.

Originating in late 18th-century Europe, feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter into contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration; and to protect women and girls from sexual assault, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities for females have also been part of feminist movements.

Many scholars consider feminist campaigns to be a main force behind major historical societal changes for women's rights, particularly in the West, where they are near-universally credited with achieving women's suffrage, gender-neutral language, reproductive rights for women (including access to contraceptives and abortion), and the right to enter into contracts and own property. Although feminist advocacy is, and has been, mainly focused on women's rights, some feminists argue for the inclusion of men's liberation within its aims, because they believe that men are also harmed by traditional gender roles. Feminist theory, which emerged from feminist movements, aims to understand the nature of gender inequality by examining women's social roles and lived experiences. Feminist theorists have developed theories in a variety of disciplines in order to respond to issues concerning gender.

Numerous feminist movements and ideologies have developed over the years, representing different viewpoints and political aims. Traditionally, since the 19th century, first-wave liberal feminism, which sought political and legal equality through reforms within a liberal democratic framework, was contrasted with labour-based proletarian women's movements that over time developed into socialist and Marxist feminism based on class struggle theory. Since the 1960s, both of these traditions are also contrasted with the radical feminism that arose from the radical wing of second-wave feminism and that calls for a radical reordering of society to eliminate patriarchy. Liberal, socialist, and radical feminism are sometimes referred to as the "Big Three" schools of feminist thought.

Since the late 20th century, many newer forms of feminism have emerged. Some forms, such as white feminism and gender-critical feminism, have been criticized as taking into account only white, middle class, college-educated, heterosexual, or cisgender perspectives. These criticisms have led to the creation of ethnically specific or multicultural forms of feminism, such as black feminism and intersectional feminism. Some feminists have argued that feminism often promotes misandry and the elevation of women's interests above men's, and criticize radical feminist positions as harmful to both men and women. (Full article...)

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Proserpine by Dante Gabriel Rosetti (1874)
Proserpine is a verse drama written for children by the Romantic writers Mary Shelley and Percy Bysshe Shelley. Mary wrote the blank verse drama and Percy contributed two lyric poems. Composed in 1820 while the Shelleys were living in Italy, it is often considered a partner to the Shelleys' play Midas. Proserpine was first published in the London periodical The Winter's Wreath in 1832. Whether the drama was ever intended to be staged is a point of debate among scholars. The drama is based on Ovid's tale of the abduction of Proserpine by Pluto, which itself was based on the Greek myth of Demeter and Persephone. Mary Shelley's version focuses on the female characters. In a largely feminist retelling from Ceres's point of view, Shelley emphasises the separation of mother and daughter and the strength offered by a community of women. Ceres represents life and love, and Pluto represents death and violence. The genres of the text also reflect gender debates of the time. Percy contributed in the lyric verse form traditionally dominated by men; Mary created a drama with elements common to early nineteenth-century women's writing: details of everyday life and empathetic dialogue. Proserpine is part of a female literary tradition which, as feminist literary critic Susan Gubar describes it, has used the story of Ceres and Proserpine to "re-define, to re-affirm and to celebrate female consciousness itself". However, the play has been both neglected and marginalised by critics.

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Lillian Gish
Lillian Gish

A portrait of Lillian Gish from 1921. Gish was one of the first female movie stars, called "The First Lady of the Silent Screen", starting in 1912 and continuing to appear in films until 1987. The American Film Institute named Gish 17th among the greatest female stars of all time and awarded her a Life Achievement Award, making her the only recipient who was a major figure in the silent era. Remarkably, she never won an Academy Award for her work, although she did receive a Special Academy Award in 1971.

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It's babe feminism - we're young, we're fun, we do what we want in bed - and it has a shorter shelf life than the feminism of sisterhood. I've been a babe, and I've been a sister. Sister lasts longer. — Anna Quindlen

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Anna May Wong (1935)
Anna May Wong (1905–1961) was an American actress, the first Chinese-American movie star, and the first Asian-American to become an international star. Her long and varied career spanned film, television, stage, and radio. During the silent film era, her more notable roles were in The Toll of the Sea (1922), one of the first movies made in color; Douglas Fairbanks' The Thief of Bagdad (1924), and Piccadilly (1929). Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, and starred in several notable films and plays. She paid less attention to her film career during the war years, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of 56. Her life and career were re-evaluated in the years around the centennial of her birth, in three major literary works and film retrospectives.

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Jessie Bartlett Davis

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