A dancer from Sanata Dharma University's Sekar Jepun troupe performing the baris tunggal dance. The baris family of Balinese war dances is accompanied by gamelan and performed by one or more men, sometimes wielding a variety of weapons. The dance has been understood to depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence.

Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil is a composition painted in at least five very similar versions by Dutch–French Romantic painter Ary Scheffer; all are in oils on canvas. The paintings depict a scene from Dante's Inferno. A pair of lovers, Francesca da Rimini and Paolo Malatesta, are shown in Hell, while Dante and Virgil are on the right viewing them. A stab wound is visible on Malatesta's chest, signifying the pair's murder by his brother, Giovanni, who was da Rimini's husband. This picture is the version of the painting painted in 1855, which hangs in the Louvre in Paris. The original, dating to 1835, is now in the Wallace Collection in London. Others exist in collections in the Hamburger Kunsthalle, the Cleveland Museum of Art in Ohio, and Pittsburgh's Carnegie Museum of Art.

The Admiralty Extension, built in the late 19th century, is the largest of Admiralty buildings built to house the authority responsible for the command of the Royal Navy in the United Kingdom. Redesigned while under construction to accommodate the extra offices needed due to the naval arms race with the German Empire, it served as the headquarters of the Admiralty until 1964 when it was subsumed into the Ministry of Defence in nearby Whitehall.

Rootabaga Stories is a children's book of interrelated short stories by Carl Sandburg, written in 1922. The stories are whimsical and sometimes melancholy, making use of nonsense language. Rootabaga Stories was originally created for Sandburg's own daughters, Margaret, Janet and Helga—whom he nicknamed "Spink", "Skabootch", and "Swipes"—and those nicknames occur in some of the Rootabaga stories. The book was born of Sandburg's desire for fairy tales to which American children could relate, rather than the traditional European stories involving royalty and knights. He therefore set the book in a fictionalized American Midwest called the "Rootabaga country", in which fairy-tale concepts were mixed with trains, sidewalks, and skyscrapers. This picture shows the frontispiece of the 1922 edition of the book.

A collection of garments designed by the Japanese fashion label Comme des Garçons, on display at the Metropolitan Museum of Art in New York City. Founded in 1969 by Rei Kawakubo and established as a company in 1973, the brand's name is inspired by a line from Françoise Hardy's song "Tous les garçons et les filles". It gained popularity in Japan through the 1970s, before making its debut Paris show in 1981, where Kawakubo's heavy use of black, as well as distressed fabrics and unfinished seams, were viewed negatively by critics. Comme des Garçons produced many unusual styles through the 1980s and 1990s, many of which were disliked by experts, but nonetheless grew into a large commercially successful enterprise. The company has boutique stores in several countries, exhibits its main collections annually at the Paris Fashion Week, and also runs a line of perfumes.

An animated simulation of a phenakistoscope disc. The phenakistoscope is one of the first devices to create moving images and a precursor of the zoopraxiscope and, in turn, cinematography. Conceived as a simple disc to be held vertically in front of a mirror and spun around its axis, the subjects appear to be in motion when viewed through the slits of the disc.

A panel from Saturday Morning Breakfast Cereal, a webcomic by Zach Weiner first published in its current iteration in 2002. This daily comic features no recurring characters or storylines, and has no set format; some strips may be a single panel, while others may go on for ten panels or more. Recurring themes include atheism, God, superheroes, romance, dating, science, research, parenting and the meaning of life.

Vincent van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter and one of the most famous and influential figures in the history of Western art. In just over a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. Van Gogh sold few paintings during his lifetime, and was contemporaneously considered a madman and a failure. However, he has attained widespread critical and popular acclaim since the early 20th century, and his works are among the world's most expensive paintings. Van Gogh produced this oil-on-canvas self-portrait in September 1889. One of his several self-portraits, it may have been his last, produced shortly before he left Saint-Rémy-de-Provence in southern France. The work is now in the collection of the Musée d'Orsay in Paris.

How a Mosquito Operates (1912) is a silent animated film by American cartoonist Winsor McCay. The six-minute short, about a giant mosquito tormenting a dozing man who tries in vain to shoo it away, is one of the earliest works of animation. It is considered far ahead of its contemporaries in its technical quality. McCay had a reputation for his proficiency as a cartoonist, exemplified in the children's comic strip Little Nemo in Slumberland. He delved into the infant art of animation with the 1911 film Little Nemo, and followed its success by adapting an episode of his comic strip Dream of the Rarebit Fiend into How a Mosquito Operates. McCay gives the animation naturalistic timing, motion, and weight, and displays a more coherent story and developed character than in Little Nemo. The film was enthusiastically received when McCay first unveiled it during a chalk talk (a vaudeville act with drawings) and in a theatrical release that soon followed. In 1914 McCay further developed his character animation style in his best-known animated work, Gertie the Dinosaur.

Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat, whose most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it was first exhibited in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because it was the dominant technique in the beginning of the Neo-impressionist movement. This picture is a oil-on-canvas portrait of Félix Fénéon in the Neo-Impressionist style by French painter Paul Signac, dated 1890. The painting is now in the collection of the Museum of Modern Art in New York City.

An example of contre-jour (French for "against the day light") photography, when the camera is pointing towards the light source. In this picture, the light reflecting off the ground within the tunnel gives depth to an otherwise two-dimensional image. Image taken in São Martinho do Porto, west coast of Portugal, 1968.

Apollo and Daphne is a life-sized Baroque marble sculpture by the Italian artist Gian Lorenzo Bernini, created between 1622 and 1625. Housed in the Galleria Borghese in Rome as part of the Borghese Collection, the work depicts the climax of the story of Apollo and Daphne in Ovid's Metamorphoses. Apollo clutches Daphne's hip, pursuing her as she flees from him. Apollo wears a laurel crown, and Daphne is portrayed halfway through her metamorphosis from human form into the laurel tree, with her arms already transforming into its branches as she flees and calls to her father to save her from Apollo.

La forza del destino (The Power of Fate or The Force of Destiny) is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave and is based on a Spanish drama, Don Álvaro o la fuerza del sino by Ángel de Saavedra, 3rd Duke of Rivas. The complex plot revolves around whether it is possible for the protagonists to escape their destiny, and the opera concludes with most of the main characters dead. In this poster, illustrated by Charles Lecocq, Leonora has just been fatally stabbed by her brother, Carlos, to whom she had run after he was mortally injured in a duel with Alvaro, the suitor from whom she had become separated after they had eloped together.

A nude study in autochrome by Arnold Genthe. Autochrome was patented by the Lumière brothers in 1903 and became the dominant colour photography process for over two decades. It used dyed potato starch in its plates to provide colour. Because of additional filters necessary for the process, it required longer exposure than black-and-white plates.

Apollo and Daphne is a life-sized Baroque marble sculpture by the Italian artist Gian Lorenzo Bernini, created between 1622 and 1625. Housed in the Galleria Borghese in Rome as part of the Borghese Collection, the work depicts the climax of the story of Apollo and Daphne in Ovid's Metamorphoses. Apollo clutches Daphne's hip, pursuing her as she flees from him. Apollo wears a laurel crown, and Daphne is portrayed halfway through her metamorphosis from human form into the laurel tree, with her arms already transforming into its branches as she flees and calls to her father to save her from Apollo.

A still life is a work of art depicting inanimate subject matter, typically either natural things such as flowers, dead animals, food, rocks or shells, or man-made objects. As a genre, still-life painting began with Netherlandish painting in the 16th and 17th centuries. The wealthy Dutch Empire's trade enabled the importation of spices, sugar and exotic fruits into the country, and new ingredients such as dates, rice, cinnamon, ginger, nuts, and saffron became available. This oil-on-panel still life from the 1620s by the Flemish artist Osias Beert is entitled Dishes with Oysters, Fruit, and Wine, and includes a rare early depiction of sugar in art. The painting now hangs in the National Gallery of Art in Washington, D.C.

A Negress is an 1884 oil-on-canvas painting by the Polish artist Anna Bilińska-Bohdanowicz, depicting an unknown model. The subject is portrayed from the waist up and dressed in a white robe, but is part naked, with one breast exposed. The Japanese hand fan and the source of light that illuminates the figure and is reflected by highlights in the gold bijoux, create a warm and chamber-like atmosphere. Painted in Paris, the painting was looted during World War II. It was returned to the collection of the National Museum in Warsaw in 2012.

The phenakistiscope was the first widespread animation device that created a fluent illusion of motion. A series of pictures showing sequential phases of the animation are seen through small slots spaced evenly around the rim of a disc. The user would spin the disc and look through the moving slits at the images reflected in a mirror, seeing a rapid succession of images that appear to be a single moving picture. This animation shows one such phenakistiscope disc, entitled Running rats, created by Thomas Mann Baynes in 1833.

Chromostereopsis is a visual illusion in which the impression of depth is conveyed in two-dimensional color images. This 1564 stained-glass window, in the Bielsko-Biała Museum and Castle in Poland, exhibits this effect, with contrasting depth perception in the red and blue areas. The window, an example of Standesscheibe, depicts the coat of arms of Unterwalden, a canton of the Old Swiss Confederacy.