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((Multiple issues|
((Cleanup|reason=The entire article needs a lot of work as far as grammar and sentence structure.|date=April 2022))
((More citations needed|date=April 2022))
((Unreliable sources|date=April 2022))))
'''Post 70s Generation''' is a literary critical term in Chinese contemporary literature, which refers to the new generation of writers who were born after 1970 in China. In some criticism these writers have also been described as the 'Post [[Cultural Revolution]] Generation', or 'Post [[Maoism]] Generation' as they grew up after [[Mao]]'s death.

==Background==
This concept firstly appeared in Shanghai's literary magazine 'Fiction World'(小说界) in 1996, as a column for young writers born after 1970 (whom were still in early 20s at that time),<ref>((Cite web|url=http://blog.sina.com.cn/s/blog_522597670102v6i5.html|title=未完成的审美断裂：中国70后作家群研究_未央文学杂志_新浪博客|website=blog.sina.com.cn))</ref> and then it was widely used in [[literary criticism]]<ref name="auto">((cite web |url=http://220.182.20.143:8021/CD1/a0250/0223.htm |title=Ｅ书时空——为70年代画像 |website=220.182.20.143:8021 |access-date=9 August 2022 |archive-url=https://web.archive.org/web/20080525125023/http://220.182.20.143:8021/CD1/a0250/0223.htm |archive-date=25 May 2008 |url-status=dead))</ref> from 1990s to early 21st century in China,<ref>((cite web |url=http://news.sohu.com/03/39/news147303903.shtml |title=半边风景半边天——漫谈女性写作(图) |website=news.sohu.com |access-date=9 August 2022 |archive-url=https://web.archive.org/web/20011202102732/http://news.sohu.com/03/39/news147303903.shtml |archive-date=2 December 2001 |url-status=dead))</ref> until the 'Post 80s Generation' emerged soon after.

The well known Post 70s writers include [[Mian Mian]], [[Wei Hui]], Zhou Jieru, [[Yilin Zhong]], [[Shen Haobo]] (poet), Ding Tian, Wang Ai, Wei Wei, Dai Lai, Li Shijiang (poet), Jin Renshun, Zhu Wenying, Wu Ang (poet), [[Yin Lichuan]] (poet), [[Sheng Keyi]], Ma Yi, Zhao bo, [[Jia Zhangke]] (film maker), [[Xiaolu Guo]] (film maker), and Xie Youshun (literary critic), etc.

The iconic groups of Post 70s Generation include: 1, Beauty writers (refers to women writers only),<ref>((Cite web|url=https://www.hongxiu.com/|title=红袖读书_好看的小说免费阅读 - 阅文集团旗下网站|website=Hongxiu.com|access-date=11 April 2022))</ref> 2, Lower body poets (refers to a poem style),((citation needed|date=March 2021)) and 3, The 6th Generation (refers to film makers).((Citation needed|date=October 2020))

==Beauty writers==
There was a famous event in 2000 while the 'Beauty writers' had become a popular concept in Chinese media. When [[Wei Hui]] published her novel '[[Shanghai Baby]]' in 1999, one of her very good friends, Shanghai born writer [[Mian Mian]] released an essay with title 'Wei Hui has not plagiarized my work',<ref>((Cite web|url=http://edu.sina.com.cn/enjoy/2000-04-14/1807.shtml|title=文化教育_内容中心_新浪网|website=Edu.sina.com.cn))</ref> saying that she was shocked that Wei Hui's fiction plagiarized her work and she even called her to ask about this, then Wei Hui answered her: 'I didn't copy your words one by one.(我没有拿着你的小说一个字一个字地抄。)'

This caused a massive argument between Wei Hui and Mian Mian,<ref>((cite web |url=http://leiden.dachs-archive.org/archive/leiden/poetry/20040712/white-collar.net/wx_wxf/wxf04/161.htm |title=卫慧的姿态与棉棉的声明 |website=leiden.dachs-archive.org |access-date=9 August 2022 |archive-url=https://web.archive.org/web/20150402114146/http://leiden.dachs-archive.org/archive/leiden/poetry/20040712/white-collar.net/wx_wxf/wxf04/161.htm |archive-date=2 April 2015 |url-status=dead))</ref> and then later other post 70 generation writers Zhou Jieru, [[Yilin Zhong]], and Wei wei, etc., were involved into this incident too (regarding whether Wei plagiarized Mian or not).<ref name="auto"/> Afterword, this controversy was totally overwhelmed by all newspapers' reports<ref>((Cite web|url=https://www.dw.com/zh/%E6%A3%89%E6%A3%89%E5%9C%A8%E5%BE%B7%E5%9B%BD%E4%B8%8D%E8%A6%81%E8%B7%9F%E6%88%91%E6%8F%90%E5%8D%AB%E6%85%A7/a-1365782|title=棉棉在德国：不要跟我提卫慧 &#124; DW &#124; 19.10.2004|website=Dw.com))</ref> based on each side's different views and arguments,<ref>((Cite web|url=http://edu.sina.com.cn/critique/2000-04-14/1806.shtml|title=文化教育_内容中心_新浪网|website=Edu.sina.com.cn))</ref> ‘beauty writers' debate' led millions of comments online by mass people, and in public it was like a mass media's carnival.<ref>((Cite web|url=https://www.sohu.com/|title=搜狐|website=Sohu.com))</ref> Rapidly this scandal became ((According to whom|one of the most famous debates in 2000|date=April 2022)) and consequently pushed Wei Hui's book 'Shanghai Baby' to be a bestseller in China (later internationally bestseller<ref>((Cite web|url=http://edu.sina.com.cn/critique/2000-05-16/2891.shtml|title=文化教育_内容中心_新浪网|website=Edu.sina.com.cn|access-date=11 April 2022))</ref>).

However, since the debate affected a large area<ref>((Cite web|url=http://edu.sina.com.cn/interest/2000-05-09/2648.shtml|title=文化教育_内容中心_新浪网|website=Edu.sina.com.cn|access-date=11 April 2022))</ref> and at the later stage, the Chinese media fell into chaos<ref>((Cite web|url=http://edu.sina.com.cn/critique/2000-05-09/2664.shtml|title=文化教育_内容中心_新浪网|website=Edu.sina.com.cn|access-date=11 April 2022))</ref> and were out of control,<ref>((Cite web|url=http://edu.sina.com.cn/critique/2000-04-21/2106.shtml|title=文化教育_内容中心_新浪网|website=Edu.sina.com.cn))</ref> soon later the Chinese government banned 'Shanghai Baby' due to its [[pornography|pornographic]] plot.<ref>((Cite web|url=http://edu.sina.com.cn/job/2000-05-05/2586.shtml|title=文化教育_内容中心_新浪网|website=Edu.sina.com.cn))</ref> This China's official action had become a free [[propaganda]] to western media and therefore pushed this book further to be translated worldwide and became an international bestseller.

Then due to the ban in China, the concept of 'Beauty writers' faded soon after this.

==[[Lower Body Poets]]==
While the iconic figures of 'Post 80s Generation' are '[[Guo Jingming]]' and '[[Han Han]]', both are commercial popular writers and both became Forbes multi-millionaires<ref>((Cite web|url=http://ent.sina.com.cn/s/m/2012-05-04/16083622486.shtml|title=页面没有找到|website=Ent.sina.com.cn))</ref> and have millions of fans in Chinese youth, in 2006, there was a famous debate between the 'Post 70s Generation' iconic figure, the minor group 'Lower Body' poet [[Shen Haobo]] and Han Han, the latter who claimed that 'both modern poets and poems are no longer in need of existence, and the genre of modern poetry is meaningless'(现代诗歌和诗人都没有存在的必要，现代诗这种体裁也是没有意义的). This raised anger from Lower body poets. Shen Haobo wrote in his blog: 'The genuine novelists can never sell more than Han Han's rubbish work. This is the best writers and poets' own choice, and nothing to complain. However, Han Hans would still hate these all.' (真正的小说家们永远卖不过韩寒的文字垃圾。这是优秀的作家和诗人的自我选择，没什么可抱怨的。但是，韩寒们仍然会仇视这一切）Shen haobo said he wouldn't talk about human's sense to a donkey(对一头驴就不用讲人的道理) so there is nothing to talk about. Then he fought back with an impromptu writing poem: 'A Donkey/ is a donkey/ is very donkey donkey/ and if you ask/ why he is so donkey/ it's because/ he is a/ donkey for show/...and it's because/ he is a/ donkey with fans.'<ref>((cite web |url=http://news.eastday.com/eastday/node79841/node79861/node165111/u1a2368452.html |title="下半身诗人"愤起展开反攻 炮轰韩寒"驴胆包天"-韩寒-社会新闻-东方网 |website=news.eastday.com |access-date=9 August 2022 |archive-url=https://web.archive.org/web/20061017044757/http://news.eastday.com/eastday/node79841/node79861/node165111/u1a2368452.html |archive-date=17 October 2006 |url-status=dead))</ref> (驴/很驴/非常驴.../你问他/为什么这么驴/那是因为/他是一头/有粉丝的驴)

This story illustrates some of the differences between those two generations.

==The 6th Generation==
[[Jia Zhangke]] was born in 1970 and has become an iconic post 70s film director in China.<ref>((cite web |url=http://cn.tmagazine.com/film-tv/20131030/tc30jiazhangke/ |title=贾樟柯：命运本身难道是天注定？ - 纽约时报 国际生活 |website=cn.tmagazine.com |access-date=9 August 2022 |archive-url=https://web.archive.org/web/20131031073419/http://cn.tmagazine.com/film-tv/20131030/tc30jiazhangke/ |archive-date=31 October 2013 |url-status=dead))</ref> His recent film '[[A Touch of Sin]]' won the [[2013 Cannes Film Festival|66th Cannes International Film Festival]] Award for Best Original Screenplay,<ref>((cite web |url=http://news.xinhuanet.com/world/2013-05/27/c_115912778.htm |title=中国导演贾樟柯获戛纳电影节最佳剧本奖 - 新华国际 - 新华网 |website=news.xinhuanet.com |access-date=9 August 2022 |archive-url=https://web.archive.org/web/20130608025906/http://news.xinhuanet.com/world/2013-05/27/c_115912778.htm |archive-date=8 June 2013 |url-status=dead))</ref> however for some political reason, this Chinese film has released in many oversea countries<ref>((Cite web|url=https://www.chinanews.com.cn/yl/2013/10-10/5361892.shtml|title=贾樟柯新片《天注定》美国公映 票房口碑双丰收-中新网|website=Chinanews.com.cn))</ref> but China. Jia said this really disappointed him and he even once thought of giving up his film-making career.<ref>((Cite web|url=http://ent.sina.com.cn/m/c/2014-10-21/12324227640.shtml|title=《天注定》令贾樟柯沮丧 曾想放弃拍电影|website=Ent.sina.com.cn))</ref>

==References==
((Reflist))

((Generation))
[[Category:Post 70s Generation| ]]
[[Category:Cultural generations]]
[[Category:Chinese literature]]
[[Category:Literary genres]]

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