The Raghunāthābhyudayam (or Raghunāthā-bhyudayam, Raghunāthābhyudaya, Ragunatha Abhyudaya) by Rāmabhadrāmbā, one of the wives of the Thanjavur Nayak king Raghunatha Nayak (r. 1600-34), is a Sanskrit mahākāvya in twelve cantos. It was designed to valorise Raghunatha, situating his career as a type of the life of epic Rāma-Viṣṇu-Kṛṣṇa.[1]
The first few cantos of the poem invoke Raghunatha, seeking his patronage and assistance, and praise his generosity, piety, and intellect. Canto 4 presents Raghunatha's ancestry and the subsequent cantos discuss his early life and military successes. He succeeds his father Achuthappa Nayak in canto 8 and continues with his military exploits. The last two cantos focus on the cultural activities and artistic achievements of his court, with a colophon in which Rāmabhadrāmbā emphasises her own merits.
The poem was first brought to scholarly attention by S. Krishnaswami Ayyangar in 1919, after he found it in November 1916.[2] The poem was fiercely criticised by an early reviewer of the first scholarly edition, who claimed that Rāmabhadrāmbā 'had thoroughly assimilated the art of composing a poem of surpassing tediousness and consisting of the most abject flattery of her royal patron' and did not think the poem would have any interest to historians.[3] But it has since been identified as a significant source for the cultural history of seventeenth-century south India.[4]
Rāmabhadrāmbā's Sanskrit Raghunāthābhyudayam is not to be confused with the identically named Telugu poem the Raghunāthābhyudayam and the similarly named Raghunāthanāyakabhyudayamu, both composed by Raghunatha's eldest son and successor, Vijayarāghava Nāyaka.[5]