"Remember (Walking in the Sand)", also known as "Remember", is a song written by George "Shadow" Morton. It originally was recorded by the girl groupthe Shangri-Las, who had a top five hit with it in 1964. A remake by Aerosmith in 1979 was a minor hit. There have been many other versions of the song as well.
The Shangri-Las' version
Background
Morton was looking to break into the music business, and went to the Brill Building in New York City to see an old girlfriend, Ellie Greenwich, who had become a successful pop songwriter. Morton and Greenwich's writing partner Jeff Barry took a dislike to one another. Asked what he did for a living, Morton replied "I write songs", although he had never written one. When Barry asked him what kind, Morton retorted, "Hit songs!" Barry said he would love to hear one of Morton's tunes, and invited him to come back the following week with something.
Morton hired the Shangri-Las, a teenage group from Queens, New York to sing. Realizing that he did not have a song yet, he immediately wrote "Remember (Walking in the Sand)". There are several stories as to how it was written. One is that immediately upon his realization of not having a song, he parked next to a beach on Long Island and there wrote the song.[citation needed] The song contains recurring seagulls-and-surf sound effects.[3] He used the Shangri-Las on the demo, which he produced. (A not-yet-famous Billy Joel is said by Morton to have played the piano chords that open the song.) Jeff Barry was impressed and Red Bird Records picked up the song for release and signed Morton and the Shangri-Las to contracts. According to some accounts, the original version was nearly seven minutes long. In order to fit the AM radio format of the time, the song had to be cut in length, but rather than edit it, Morton simply faded it out after 2:10. In another version Morton presents the demo to various Red Bird staffers, Jeff Barry, Ellie Greenwich, Artie Butler[4] and others and they and some session musicians took the demo into the studio where it became, "a whole other record."[5]
Reception
The song was released as the third single by the Shangri-Las, their first on Red Bird Records, and became a number five hit on the Billboard Hot 100,[6] and number nine on the Cashbox R&B chart.[7] It hit number 14 on the UK Singles Chart and became more successful in the UK when reissued on several occasions in the 1970s.
Cash Box described it as "a hauntingly plaintive pop-r&b romancer with an off-beat rapidly-changing, hard-shufìiin' beat."[8]
In the early 1970s, Buddah Records released a "Radio Active Gold" oldies 45 containing an undubbed version of the demo (no echo or sound effects). This version is timed at 2:17, and the intro is the "Remember..." chorus without Mary Weiss' lead vocal. This version (the technical term for it is an underdub) first appeared on a 1969 Buddah compilation album titled Incense and Oldies, along with an alternate version of "Give Him a Great Big Kiss".
Aerosmith released a rock-oriented version of the song, featuring uncredited backing vocals by Mary Weiss of the Shangri-Las as a single in 1979. Released on Columbia Records it was taken from the group's sixth studio album Night in the Ruts and was also included on their Greatest Hits album. Aerosmith's cover was co-produced by Gary Lyons. It charted on the Billboard Hot 100 at number 67. It also peaked at number 29 on the Canadian RPM singles chart in March 1980.[18]
Louise Goffin version
In 1979, Louise Goffin released a remake of the song on her debut album Kid Blue. That version reached #43 on the Billboard Hot 100.[19]
In popular culture
The bridge of The Beatles' 1995 single "Free as a Bird", with its similar lyric "Whatever happened to the life we once knew?", pays homage to the song.[20]
In 2005, American rapper Capone sampled the song and pitched it up 5 semitones for "Streets Favorite" (often mislabeled with the song title "Oh No"), a track from his 2005 album Pain, Time, & Glory. In 2020, the instrumental to "Streets Favorite" became an Internet meme on TikTok, typically being played when an accident is shown.[21][22]
^Musician Billy Joel played piano on Morton's demo recording of the song, and Morton later suggested that part of Joel's piano contribution was retained on the opening of the final recording.[10] Zak instead attributes the instrument to an unidentified studio musician.[2]
^Williams, R. (2003), Phil Spector: Out of His Head, Music Sales Group, ISBN978-0-711-99864-3, p.125
^Artie Butler reference in: Visconti, Tony. The Autobiography: Bowie, Bolan and the Brooklyn Boy. New York: HarperCollins, 2007. ISBN978-0-00-722944-4. pp31.
^Emerson, Ken, ‘’Always Magic In the Air: The Bomp and Brilliance of the Brill Building Era’’, Viking Press, Penguin Group, NY, 2005 p. 226
^"Billboard Hot 100 Charts – The Sixties/The Seventies", Record Research Inc, 1990
^Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 520.
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