Career
From 1991 to 1995, Dougan was a producer and remix artist. In 1994, his remixes started charting in the United Kingdom. He also released his first single, "Hard Times".
In 1995, his hit single "Clubbed to Death" gave him a recognised name in the UK dance club scene. He produced half a dozen remixes of it, including the "Kurayamino Variation". His label Mo' Wax Records was pleased and commissioned the follow-up, "Clubbed to Death 2" (later the bonus track on the album). CTD2 was never released as a single, but appeared on the James Lavelle disc of the 1996 DJ mix compilation album, Cream Live 2. During this time, he's said to have contributed music to Impossible Princess, the studio album of fellow Australian, Kylie Minogue.[4]
"Furious Angels" was not released on Mo' Wax, but Dougan eventually released it as a single in 1998 on Rollo's label Cheeky Records. Dougan worked for the following six years, doing remixes and licensing his tracks, in order to self-produce the album, which was backed by a full orchestra and a full choir.[verification needed] "Furious Angels" also featured as the musical score accompanying the introduction sequence for the 2000 racing simulation game Grand Prix 3.
In 1999, his exposure increased dramatically when his "Clubbed to Death (Kurayamino Variation)" was featured on the soundtrack of The Matrix. He contributed two more tracks to the soundtrack of 2003's The Matrix Reloaded, "Château" and "Kung Fu" (a shortened version of "Furious Angels" made for The Matrix Reloaded). Some of the orchestral material for these tracks was recorded at 20th Century Fox Newman Scoring Stage where Star Wars had been scored.[5] "I'm Not Driving Anymore (instrumental)" was also used for the trailer of the film and as background music for the DVD menu. The song was also featured in the 2001 racing movie Driven with vocals. He credits this career breakthrough to support of American DJ Jason Bentley.[5]
In 2002 in the UK, and 2003 in the rest of the world, Dougan released his debut album Furious Angels, which was met with "Generally favorable" reviews from critics.[6] Later in 2003, a two-disc re-release of Furious Angels featured all-instrumental versions on the second disc.[citation needed]
In 2006, Dougan was reportedly writing "a couple of songs" for Sugababes (for whom he produced the single "Too Lost in You"), and working on two albums of his own — one original, one classical.[7]
A short film made for jewelry designer Solange Azagury-Partridge, The Letter, directed by Laurence Dunmore and starring Thandie Newton and Jason Isaacs features new music by Rob Dougan; the short film, however, does not mention the title of the song.[8]
In May 2015, Dougan released The 22nd Sunday in Ordinary Time Sessions on his official site.[9] The EP, recorded at London's Air Lyndhurst Studios with a 84-piece orchestra and 50-voice choir, consists of five instrumental songs and a 20-minute film of the sessions.[5]
In October 2016, Dougan released Misc. Sessions EP on his official site.[9] The EP, recorded at Abbey Road Studios with a 10-piece and 50-piece string section, consists of five tracks, with orchestra and instrumental mixes and an 18-minute film.
In 2018 Dougan compiled and released Films: Past and Future his first solely instrumental release, comprising 21 tracks available for the first time on vinyl, CD and digital download. The album was released via direct-to-fan company PledgeMusic just at the time that the organisation announced it was experiencing issues and had failed to pay many artistes the monies that had been pledged to them.[citation needed] In a personal project update posted on 18 February, Rob confirmed that he had been affected by the issues but, having already released the album digitally, had met the costs of physical releases himself, with the CD, vinyl and accompanying book due for release on 4 March 2019.[citation needed]
In February 2019, Dougan released The Life of the World to Come, a brand new four track EP which includes "The Life of the World to Come", "Beautiful Things", "Quasimodo's Dream" and "And Then I Think of You". Each song was released with an accompanying instrumental version and two of the tracks were cover versions - "Beautiful Things" written by Leslie Bricusse and "Quasimodo's Dream" by The Reels. The EP is published by Engard Ltd and was released by Dougan himself via Gumroad.[citation needed]
Dougan's vocal style has been compared to Tom Waits and Leonard Cohen, his composition approach to that of film score composers John Barry (composer) and Barry Adamson.[10][5] He frequently uses orchestral elements in his music, notably Elgar's Enigma Variations in "Clubbed to Death (The First Mix)."[11] Though placed in the camp of dance and techno, in an interview with the Guardian early in his career, Dougan distanced himself from the genre, identifying more strongly with Classical music:
"I'm associated with dance music, with electronica, which makes me feel ill. I only learnt all the boring computer crap as a means to an end. Virtually all musicians these days use computers, but if you write a book on a computer, nobody calls it electronic writing... I know it's not a fashionable attitude, but there is a musical hierarchy, and writing a song is not the same as writing a symphony. Classical music is a lot harder to do: it's richer, and it will leave you with more."[1]
