Robert Fuest | |
|---|---|
 | |
| Born | 30 September 1927 |
| Died | 21 March 2012 (aged 84) |
| Occupation(s) | Film director, screenwriter, production designer |
Robert Fuest (30 September 1927 – 21 March 2012) was an English film director, screenwriter, and production designer who worked mostly in the horror, fantasy and suspense genres.
Born in London, Fuest served his national service in post-war Germany with the Royal Air Force, air-lifting coal over the Berlin Wall, after which he attended Wimbledon and Hornsey Schools of Art. For a period, he lectured at Southampton College of Art. Fuest also spent time as a drummer in a warm-up band for Chris Barber and George Melly.[citation needed]
In the early sixties, he designed sets for television programmes such as ITV Play of the Week and Armchair Theatre. It was whilst working on the first season of The Avengers for director Peter Hammond that Fuest developed an enthusiasm for directing. Fuest later admitted (on a DVD commentary for the Avengers episode "Game") that Hammond's visual style proved a major influence, and opened him up to the stylistic possibilities of film and TV.[1]
In 1965, he contributed material to the Peter Cook and Dudley Moore comedy sketch show Not Only... But Also.
His first film was Just Like a Woman (1967), which he also wrote, starring Wendy Craig. His work on the film brought him to the attention of Avengers producer Albert Fennell, who offered him the chance to direct episodes; returning to the show, he directed seven episodes in total: "My Wildest Dream", "Game", "They Keep Killing Steed", "The Rotters", "Take Me to Your Leader", "Pandora" and "Take Over". When the series was later revived as The New Avengers, Fuest was invited back to direct two more episodes, namely "The Midas Touch" and "The Tale of the Big Why".
In further television work, Fuest handled productions on both sides of the Atlantic, including Revenge of the Stepford Wives, ABC Weekend Special, ABC Afterschool Specials, The Doombolt Chase, C.A.T.S. Eyes, Worlds Beyond and The Optimist
Fuest's later films feature strong black comedy elements, including cult favorites The Abominable Dr. Phibes (1971), Dr. Phibes Rises Again (1972) (which he co-wrote), and The Final Programme (also known as The Last Days of Man on Earth; 1973). In addition to directing The Final Programme, he also wrote the screenplay and designed the sets.
His other films include And Soon the Darkness (1970), a suspense thriller written by Avengers writers Brian Clemens and Terry Nation, and The Devil's Rain (1975), a horror film shot in Mexico. The latter movie received such scathing reviews[2] it may have ended his career,[3] as Fuest immediately thereafter found himself relegated to directing fairly anonymous television work. His only subsequent theatrical release was Aphrodite (1982), a softcore sex movie filmed in Greece.
During his retirement, he focused on his passion for painting (he had exhibited at the Royal Academy since 1951) and also lectured at the London International Film School.
