Robert Hichens | |
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Born | 14 November 1864 Speldhurst, Kent, England |
Died | 20 July 1950 (aged 85) Zurich, Switzerland |
Occupation | Writer, journalist, music critic |
Alma mater |
Robert Hichens (Robert Smythe Hichens, 14 November 1864 – 20 July 1950) was an English journalist, novelist, music lyricist, short story writer, music critic and collaborated on successful plays. He is best remembered as a satirist of the "Naughty Nineties".[1][2]
Hichens was born in Speldhurst in Kent, the eldest son of the Rev. Frederick Harrison Hichens, and his wife Abigail Elizabeth Smythe.[3][4] He was educated at Clifton College,[5] the Royal College of Music and early on had a desire to be a musician.[1] Later in life he would become music critic on The World, taking the place of George Bernard Shaw.[1] He studied at the London School of Journalism. Hichens was a great traveller. Egypt was one of his favourite destinations – he first went there in the early 1890s for his health.[1] For most of his later life he lived outside England, in Switzerland and the Riviera.[1] Hichens was a homosexual;[6] he never married.[1]
Hichens first novel, The Coastguard's Secret (1886), was written when he was only seventeen. He first became well known among the reading public with The Green Carnation (1894), a satire of Hichens's friends Oscar Wilde and Lord Alfred Douglas; since the work made clear Wilde was homosexual it was withdrawn from publication in 1895,[1] but not before helping set the stage for Wilde's public disgrace and downfall.[1][6]
Hichens was also friends with several other writers, including E. F. Benson and Reggie Turner,[6] as well as the composer Maude Valérie White.[7]
Hichens's first big success was An Imaginative Man (1895); set in the city of Cairo, Egypt, a place which fascinated Hichens, it is a study of insanity, in which the hero becomes dangerously obsessed with the Great Sphinx.[1] Other early fiction includes The Folly of Eustace (1896), a collection of stories including some supernatural;[1] Flames (1897), a story resembling Dr Jekyll and Mr Hyde;[1] The Londoners (1898), a satire about decadent London;[1] The Slave (1899), a fantasy about an amazing emerald;[1] Tongues of Conscience (1900), a collection of five horror stories including "How Love Came to Professor Guildea" (this story is about a supernatural visitation and is thought by some to be Hichens's best fiction – it is frequently anthologised).[1][2] "How Love Came to Professor Guildea" was not initially well-received, with Frederic Taber Cooper calling the story "a hideous bit of morbidity"[8] and Edmund Wilson dismissing the story as "trash".[8] Later reviews of the story were more positive; J. A. Cuddon called it "outstanding" and compared it with "The Horla" by Guy de Maupassant and "The Beckoning Fair One" by Oliver Onions.[9] Brian Stableford described the story as an "authentic masterpiece of horror fiction",[2] and Jason Colavito called it "possibly one of the greatest stories of its age".[8]
Hichens's Felix (1902), is an early fictional treatment of hypodermic morphine addiction, while The Garden of Allah (1904) sold well internationally,[1] and was made into a film three times.
Hichens published his memoirs in 1947, Yesterday.
Novels
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Nonfiction
Anthologies containing stories by Hichens
Short stories