.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in German. (February 2009) Click [show] for important translation instructions.
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Fischer was born in Liptau-Sankt-Nikolaus/Liptószentmiklós (now Liptovský Mikuláš), northern Hungary. After training as a bookseller in Vienna; Fisher moved to Berlin where he joined the bookseller and publisher Hugo Steinitz. Fischer took on increasing responsibility for new publishing endeavours and launched his own firm in 1886, the S. Fischer Verlag.
The Fischer publishing house first became known by introducing the works of Ibsen to German stages and by supporting the naturalist circle in Berlin. Samuel Fischer founded the theatre society Freie Bühne with Otto Brahm to avoid censorship.
Art collector
Fischer collected artworks, including Pissarro's La Quai Malaquai, Printemps,[1] Cézanne's Still Life with Commode,[2] Max Liebermann's Two Riders on the Beach to the left[3] and El Greco's "Veil of Veronica".
Nazi persecution
When the Nazis came to power in Germany in 1933, Fischer and his family were persecuted because of their Jewish heritage. The S. Fischer Verlag was "Aryanized", that is, transferred to non-Jews.[4]
Fischer died in Berlin, Germany in 1934. He was survived by his wife Hedwig, and his children. His granddaughter was the actress Gisela Fischer. Restitution claims for property seized by the Nazis or lost through forced or duress sales were filed by his heirs.[5]
^"Nazi Art Theft: Pissarro's "Le Quai Malaquais, Printemps"". www.lootedart.com. Retrieved 2023-10-25. The tale of the recovered Pissarro begins with Samuel Fischer, a prolific art collector and founder of the renowned German publishing house S. Fischer Verlag – which counted Thomas Mann and Herman Hesse among its most famous authors – who purchased the painting in 1907.