Work
Cain uses a variety of materials, including traditional canvas, stretcher bars, and paint, as well as less common artifacts, including musical notations, leaves and branches.[3]
Quinn Latimer described Cain's work: "They court seemingly bad ideas—drawings sport feathers and doilies; installations feature eggs and hippy art teacher-like fabric swatches—and then transform them so deftly into serious painting that it can take a minute to understand what you’re looking at."[4] In 2011, Cain collaborated with George Herms at the Orange County Museum of Art, where the curator Sarah Bancroft wrote for the accompanying catalog that the two artists share "an interest in language and a frustration over its limits in describing abstract work".[5]
She has had solo exhibitions at Institute of Contemporary Art, Los Angeles, the Aspen Art Museum, San Diego Museum of Contemporary Art, amongst others. And has been included in collective exhibitions at Los Angeles County Museum of Art, Imperial Belvedere Palace Museum in Vienna, and the Busan Biennale. In 2019, she completed her first major permanent public work at San Francisco International Airport: a 150-foot stained glass window with 270 colors, framed in soldered zinc, which was "painstakingly arranged so that no two adjoining fragments are the same shade."[1]
Poet Bernadette Mayer in her poem "Dear Sarah", described a painting by the artist as "it's like seeing a rainbow in the middle of the forest."[6]
