Sarah Dunant | |
|---|---|
| Born | 8 August 1950[1][2] London, England |
| Occupation | Writer, broadcaster, critic |
Sarah Dunant (born 8 August 1950)[3][4] is a British novelist, journalist, broadcaster, and critic.[2][1] She is married with two daughters, and lives in London and Florence.
Dunant was born in 1950 and raised in London.[5] She is the daughter of David Dunant, a former Welsh airline steward who later became a manager at British Airways,[6] and his French wife Estelle, who grew up in Bangalore, India.
She went to Godolphin and Latymer, a local girls' grammar school.[5] She then studied history at Newnham College, Cambridge,[6] where she was involved in the amateur theatrical club Footlights. After she graduated, she earned an actor's equity card and moved to Tokyo, Japan. In Tokyo, she worked as an English teacher and nightclub hostess for six months, before returning home through Southeast Asia.[6]
She worked at BBC Radio 4 for two years in London,[5] producing its then arts magazine Kaleidoscope,[6] before travelling again, this time overland through North, Central and South America, a trip that became research material for her first solo novel Snow Storms in Hot Climate (1988), a thriller about the early cocaine trade in Colombia.[7]
She went on to work extensively in radio and television, most notably as a presenter of BBC2's late night live arts programme, The Late Show in the 1990s[6] and Night Waves, BBC Radio 3's nightly cultural discussion programme.
She contributes regularly to radio, and is an occasional presenter for BBC Radio 4's opinion slot "Point of View".[8]
Dunant started writing in her late twenties, first with a friend, with whom she produced two political thrillers and a five-part BBC1 drama series – Thin Air, starring Kate Hardie, Nicky Henson and Clive Merrison, broadcast in 1988 – before going solo.[citation needed]
Her eleven subsequent novels have explored two genres: contemporary thrillers and historical fiction. What unites the two is her decision to use avowedly popular forms, characterised by compelling storytelling, as a way to explore serious subject matter and reach large audiences. This has included (though not exclusively) a passionate commitment to feminism and the role of women inside history.[citation needed]
In the 1990s, she wrote a trilogy around a British female private eye Hannah Wolfe, spotlighting issues like surrogacy, cosmetic surgery, animal rights, and violence to women. Sexual violence was also at the centre of Transgressions (based on a mysterious series of incidents happening in her house[9] which tackled what might happen if a woman woke to an intruder in her house and live to tell the tale. The resulting furore over the actions of the heroine "caused the book to become a cause celebre which triggered a debate about rape and popular culture".[10]
In 2000, an extended visit to Florence changed her working life. In what she acknowledged was something of a midlife crisis,[11] her old passion for history was reignited, and she started to research the impact of the Renaissance on the city in the 1490s. The result was The Birth of Venus,[12] the first of a trilogy of novels about women's lives in the Italian Renaissance. The commercial success of these books in America and elsewhere[13][14] allowed Dunant to devote herself full time to writing and research, concentrating on the most current work being done in Renaissance studies, most particularly concerning the lives of women.[15] The novel Sacred Hearts, a story of nuns in an enclosed convent in 16th century Ferrara, led to collaboration with the early music group, Musica Secreta: a theatrical adaptation using the music of the period and with a choir, performed in churches and at early music festivals around Britain.[citation needed]
Since then, she has been working on the history of the Borgia family, seeking to separate the colorful historical truth from the smear and gossip that built up during their lives, and in history after their deaths.[14] It has made her a passionate advocate for better historical accuracy in popular TV series like The Borgias.[16]
As a journalist she has reviewed for many UK newspapers, edited two books of essays on political correctness and millennial anxieties, and currently reviews for The New York Times.[citation needed]
Her crime novels were three times shortlisted for the CWA Golden dagger award, and in 1994 she won a silver dagger for Fatlands.[16]
In 2010 Sacred Hearts was shortlisted for the first Walter Scott Historical Fiction Prize, an award which highlighted the growing power and popularity of the form.[17][18]
She is an accredited lecturer for NADFAS the UK arts charity, which promotes education and appreciation of fine arts.[19]
In 2016, she was awarded an honorary doctorate of letters from Oxford Brookes University, where she is a guest lecturer on the Creative writing M.A. course.[20]
In her journalism and public speaking, she is a feminist, and an advocate for legalisation of marijuana.[21][22] A Catholic by birth, she has also written about the importance of religion in history and the need for Catholicism to reform itself.[13]
