Satanism and Witchcraft is a book by Jules Michelet on the history of witchcraft. Originally published in Paris as La Sorcière in 1862, the first English translation appeared in London a year later.[1] Michelet portrays the life of witches and trials held for witchcraft, and argues that medieval witchcraft was a righteous act of rebellion by the lower classes against feudalism and the Roman Catholic Church. Although his book is thought to be largely inaccurate, it is notable for being one of the first sympathetic histories of witchcraft.
According to Michelet, medieval witchcraft was an act of popular rebellion against the oppression of feudalism and the Roman Catholic Church. This rebellion took the form of a secret religion inspired by paganism and belief in fairies, organized by a woman who became its leader. The participants in the religion met regularly at witches' sabbaths and Black Masses. Michelet's account dwells on the suffering of peasants and women in the Middle Ages, and writes that history should concentrate on ‘the people, and not only its leaders or its institutions’ put him ahead of his time as a writer of micro-history.[2] Michelet was one of the first people to attempt to give a sociological explanation of the Witch Trials, and interprets the source material very literally.[3]
According to Michelet, in a note added to the end of the book:
The object of my book was purely to give, not a history of Sorcery, but a simple and impressive formula of the Sorceress's way of life, which my learned predecessors darken by the very elaboration of their scientific methods and the excess of detail. My strong point is to start, not from the devil, from an empty conception, but from a living reality, the Sorceress, a warm, breathing reality, rich in results and possibilities.[4]
The first part of the book is an imaginative reconstruction of the experience of a series of witches who led the religion from its original form of social protest into decadence. The second part is a series of episodes in the European witch trials. Today the book is regarded as being largely inaccurate, but still notable for being one of the first sympathetic histories of witchcraft, and as such it may have had an indirect influence on Wicca. He uses a very popular style of writing that makes the book all the more bearable to read. Had he done it in a more academic style it would perhaps be more widely regarded as a reputable study. The book and the stories told within are told with the energy and style that one might use when telling stories around a campfire as opposed to the air one might use in a lecture.[citation needed]
In the early 1970s, La Sorcière became the basis for Alain Robbe-Grillet's film Glissements progressifs du plaisir (starring Jean-Louis Trintignant) and the anime film Kanashimi no Belladonna, by Mushi Production.
