.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in German. (March 2023) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Sebastian Bodinus]]; see its history for attribution. You may also add the template ((Translated|de|Sebastian Bodinus)) to the talk page. For more guidance, see Wikipedia:Translation.

Sebastian Bodinus (c. 1700 – 19 March 1759) was a German composer about whom very little is known. Bodinus was born in the village of Amt Wachsenburg-Bittstädt in Saxe-Gotha and trained as a violinist. It is known that in 1718 he entered the service of the Margrave Karl III of Baden-Durlach at the court in Karlsruhe. Bodinus worked elsewhere but always returned to Karlsruhe and was concertmaster there for two periods. He left Karlsruhe in 1752, returned in a disoriented state in 1758 and was committed to an insane asylum in Pforzheim where he died.

His compositions include concertos and symphonies but there are predominantly chamber works in the late Baroque style, including not only solo and trio sonatas but also quartets, a considerable rarity at the time he composed them in the 1720s and 1730s. Of his quartets it has been said that this "minor master appears to have written first-rate music."[1]

Notes and references

  1. ^ Johan van Veen, review of the disc "Sebastian Bodinus, Divertissements", Camerata Köln, CPO 999 945-2, MusicWeb International.