1958 film
Separate Tables is a 1958 American drama film starring Rita Hayworth, Deborah Kerr, David Niven, Burt Lancaster, and Wendy Hiller, based on two one-act plays by Terence Rattigan that were collectively known by this name. Niven and Hiller won Academy Awards for Best Actor and Best Supporting Actress respectively for their performances. The picture was directed by Delbert Mann and adapted for the screen by Rattigan, John Gay and an uncredited John Michael Hayes. Mary Grant and Edith Head designed the film's costumes.
Plot
The film is set in the Hotel Beauregard in Bournemouth on the south coast of England. Major David Angus Pollock (David Niven) tries but fails to hide an article about himself in the West Hampshire Weekly News. His attempt to keep the article from the eyes of the other guests at the residential hotel only succeeds in heightening their awareness of it, particularly the strict Mrs Railton-Bell (Gladys Cooper) and the more relaxed and compassionate Lady Matheson (Cathleen Nesbitt). The two women read in the paper that Major Pollock has pled guilty to sexually harassing several young women in a theatre. However the filed complaints are, in themselves, questionable. Mrs Railton-Bell wants Major Pollock expelled from the hotel and holds a meeting with other long-term residents to decide the issue before presenting it to the manager, Miss Pat Cooper (Wendy Hiller). Mrs Railton-Bell leads the meeting arguing for the Major's expulsion, and despite the opposing views of the other residents, she informs Miss Cooper that the Major must leave.
Anne (Rita Hayworth) and John (Burt Lancaster), who were formerly married to one another, meet outside. Anne coolly teases John, informing him that she is engaged; John tells her he is engaged as well, but does not disclose that he is engaged to Miss Cooper. John claims that though Anne could have married other men who were wealthier and more important, she chose him, a man in a lower economic class, in order to manipulate and degrade him fully. Despite this, John and Anne admit they are still attracted to each other. She asks him to come to her room.
As they walk into the hotel, Miss Cooper tells Anne she has a phone call. Miss Cooper asks John, knowing Anne is his ex-wife, to consider the real reason for Anne's visit. John defends Anne at first, claiming that all his misfortunes are his own fault, but changes his mind when Miss Cooper tells him that Anne is talking on the phone to his publisher, the only person who knows that John and Miss Cooper are engaged. John confronts Anne in her bedroom. When she attempts to seduce him, he cruelly tells her that, in the light, he can see that she has aged and without her physical beauty it will be impossible for her to continue to manipulate people. She begs him to stay, but he runs out of the hotel after striking her. Anne has an emotional breakdown, and Miss Cooper comforts her. Anne reveals that she is not really engaged and has been abusing sleeping pills to ease her pain, even during the day.
The next morning, Mrs Railton-Bell's downtrodden daughter Sibyl (Deborah Kerr) tells Major Pollock that she knows what he did. He explains that he always has been fearful of people and that it is easier for him to attempt to be familiar with strangers. Major Pollock tells Sibyl that he and she get along well with each other because they are both afraid of life. As he returns to his room to pack, Sibyl worries he will not find a new home.
When John returns in the morning, Miss Cooper tells him that Anne is emotionally unwell, and asks him to see her before she checks out of the hotel. After John leaves, Miss Cooper attempts to persuade Major Pollock to stay, but he refuses.
When Major Pollock enters the dining room, there is an awkward silence until John greets him. The others do the same and cheerfully converse with him. Mrs Railton-Bell is angered by this and demands Sibyl leave with her. Sibyl refuses to obey her mother's command for the first time ever, and insists on remaining to finish her breakfast. After her mother leaves, she starts to talk to Major Pollock, who decides to stay on at the hotel. As the hotel residents each eat their breakfast at separate tables, John and Anne appear to reconcile, but they do not know if they can ever be happy, together or apart.
Production
The film took the two plays and opened them to create a screenplay that introduced some new parts, and stars Rita Hayworth, Deborah Kerr, David Niven, Wendy Hiller, Burt Lancaster, and May Hallatt, who already played Miss Meacham on stage. Variety wrote "Rattigan and John Gay have masterfully blended the two playlets into one literate and absorbing full-length film."[3] The film was nominated for seven Oscars, Best Picture, Best Actress (Kerr), Best Writing, Adapted Screenplay, Best Cinematography (Black and White), and Best Dramatic or Comedy Score, and won two (Niven for Best Actor and Hiller for Best Supporting Actress).[4]
Top billing was divided between Deborah Kerr and Rita Hayworth: Hayworth was billed above Kerr in the posters while Kerr was billed above Hayworth in the film itself, a practice followed by James Stewart and John Wayne four years later for The Man Who Shot Liberty Valance and later by Robert Redford and Dustin Hoffman in All the President's Men (1976).
Burt Lancaster was also co-producer (Clifton Productions, a subsidiary of Hecht-Hill-Lancaster Productions). Rita Hayworth was married to James Hill at the time.[5]
Rod Taylor agreed to play a small part in the film because of the quality of the production.[6]
Reception
Critical reception
Separate Tables encountered a complex reception upon its release. Despite the allure of its star-studded cast, the film faced uncertainty regarding its commercial success due to the narrative's downbeat nature and its divergence from the conventional notions of escapist entertainment.[7] Margaret Hinxman of Picturegoer called the film "a four-star crusade against type-casting." She wrote: "It's almost as if in Separate Tables David Niven, Deborah Kerr, Burt Lancaster, Rita Hayworth are deliberately setting out to pillory the "types" that made them famous."[8] She praised the film as "an absorbing study of human relationships."[8] Jack Moffit of The Hollywood Reporter claimed it would require an audience with a "finer, more selective" taste since "the film qualifies itself to the exacting literary requirements of important tragedy." He added: "It may be hard to sell this to the moviegoing public, but it is eminently worth selling."[7] Variety claimed the story was "bolstered by some of the best performances of the year" and praised the film's producers as deserving credit "for undertaking a story that does not meet the conception of what is generally considered sure-fire material in today's market."[9]
Awards and nominations
David Niven won the Academy Award for Best Actor for his role, setting the current record for the shortest performance to win the award.[10]
