Sigappu Rojakkal was inspired by serial killer Raman Raghav's crimes, and another serial killer who was based in Bombay but hailed from Tirunelveli. It was deliberately meant to be different from Bharathiraja's earlier ventures which were set in villages. The dialogues were written by Bhagyaraj, cinematography was handled by P. S. Nivas, and the music was composed by Ilaiyaraaja. Kamal plays an anti-hero in this film.
Sigappu Rojakkal was released on 28 October 1978, three days before Diwali, and completed a 175-day in most of the theatres in Tamil Nadu. It won two Filmfare Awards in the Best Actor and Best Director categories. The film was later remade by Bharathiraja himself in Hindi as Red Rose (1980).
Plot
Dileep is an industrialist who runs a company named Minerva Exports & Imports. Despite his humble exterior, he has a dark side; he preys on nubile girls, has sex with them, and kills them. These proceedings are filmed and watched by his adoptive father and mentor, another deranged woman-hater who, as with Dileep, had a disillusioning experience with women in his past. The man stays holed up in a far corner of Dileep's mansion watching his adopted son carry out what he is too infirm to do. The victims are buried in Dileep's garden and a red rose bush grows above each of them.
Dileep meets a garment saleswoman, Sarada, and develops a romantic attraction for her. Conservative Sarada insists that Dileep must marry her if he wants to have his way with her. The romance proceeds and culminates into marriage. On their first night after marriage, Dileep rushes away to tackle a witness who had seen him taking Chitra, an employee of Minerva, to a restaurant; Chitra was subsequently killed by Dileep. After offering the witness, a waiter at the restaurant, some money, the waiter counters with a demand for more money to remain silent, and Dileep kills him.
Meanwhile, Sarada, who has been waiting for Dileep, notices several odd situations at home. Dileep's cat licks Sarada's blood after she inadvertently cuts her finger. The cat chases her, and she ends up in a secret room where the entire story of Dileep is written on a wall by him.
Dileep, born Muthu, was an orphan who was taken in by a caring family. The daughter of the family begins to get feelings for Muthu after seeing water glistening on his bare legs. She tries to seduce him, but her parents come in at an opportune moment. The girl accuses Muthu of assaulting her, causing the parents to throw him out of the house. He ends up with another couple four days later and becomes their guest. When his adoptive father leaves on a business trip, his adoptive mother drunkenly brings home another man. Muthu's adoptive father kills his wife, and Muthu has a mental breakdown, saying that all women should be killed. This only endears him to his new father.
In the present, a frightened Sarada rushes out and stumbles into the room of Dileep's adoptive father (who Dileep had told her was mentally ill and not to be disturbed) and gets shocked seeing him watching films of Dileep having sex with girls and killing them. Sarada screams, catching his attention, but manages to lock him in his room. She tries to escape, but Dileep returns.
When Dileep goes to park his car, Sarada rushes out of the house. After freeing his adoptive father and realising that his cover has been blown, Dileep chases Sarada. The chase culminates in a graveyard where Dileep accidentally gets impaled by a cross. When he continues to chase Sarada while staggering, he is caught by the police. Dileep is imprisoned but becomes mentally imbalanced. He keeps chanting and writing Sarada's name on the wall as it is the only coherent thought that remains; all other memories have been erased from his mind. Sarada, instead of remarrying, regularly visits Dileep in jail, confident that her marriage will be saved and Dileep will be released soon.
After directing two films – 16 Vayathinile (1977) and Kizhakke Pogum Rail (1978) – which were set in villages, Bharathirajaa chose to set his third film, the thrillerSigappu Rojakkal in the city to circumvent criticism that he could only make village-based films.[1][2] The film was inspired by serial killer Raman Raghav's crimes,[3] and another serial killer who was based in Bombay but hailed from Tirunelveli.[4] It was produced by J. Padmavathi under K. R. G. Productions.[5]K. Bhagyaraj worked as an assistant director.[6]
Casting
Bharathirajaa wanted actor Sivakumar to act in the lead role of Muthu / Dileep, over his assistant directors' objections. But after he narrated the story, Sivakumar rejected the offer, feeling it was not suitable for him despite liking the story. Kamal Haasan was eventually cast.[1][7] He claims to have known the story of the film six years before shooting began.[8] For his character's looks, Haasan wore "fitted suits with button-up shirts, ties" and flared bell-bottoms, in addition to "bright printed button-up shirts with enlarged collars and leather jackets".[9] Haasan's looks in the film were inspired by the American serial killers Ted Bundy and Albert DeSalvo, while his "black leather jacket" was inspired by the one worn by Alan Arkin in Wait Until Dark (1967).[10]Sridevi was cast as Sarada, collaborating with Bharathirajaa for the second time after 16 Vayathinile.[11] Bharathirajaa initially cast Goundamani as a waiter and Bhagyaraj as the manager of Dileep's export company, but the actors later switched their roles.[1] This was the feature film debut of Vadivukkarasi, who played Chitra.[12][13] Bharathirajaa got a cat from his friend R. C. Prakash to portray Dileep's cat.[14]
Filming
Haasan had told Bharathirajaa that his character, a psychopathic killer, should not be singing and dancing but Bharathiraja deflected Haasan's objection, saying that the song "Ninaivo Oru Paravai" was a dream sequence, shot from the heroine's point of view.[15] One of the shooting locations was a bungalow called Kamakoti House in T. Nagar.[16][17] Filming was completed within 30 days.[14]
Soundtrack
The music was composed by Ilaiyaraaja.[18][19] When Haasan was singing an English song at a concert, Ilaiyaraaja who witnessed this observed that he sang the higher notes well, and thus provided him to sing "Ninaivo Oru Paravai".[20][21] A remixed version of the song was later included on M. Rafi's album Aasaiyae Alaipolae.[22]
Sigappu Rojakkal was released on 28 October 1978, three days before Diwali.[23] In a review dated 19 November 1978, the Tamil magazine Ananda Vikatan rated the film 53 out of 100.[24] Sivasankari, writing for Kalki, lauded virtually every aspect of the film including the direction, editing, camerawork, music and cast performances.[25] Despite facing competition from other Diwali releases, it became a commercial success.[26] It won two Filmfare Awards in the Best Actor and Best Director categories.[27]
Remakes
Sigappu Rojakkal was remade in Hindi by Bharathiraja himself as Red Rose (1980).[28]
In November 2009, Bharathiraja's son Manoj was announced to be making his directorial debut by remaking Sigappu Rojakkal.[29] After his stint as an assistant director in S. Shankar's Enthiran in early 2010, Manoj continued fine tuning the script and stated it was not a full remake and only drew inspiration from the original. He also revealed that director Ram had also helped on work with the script.[30] In October 2014, the film was confirmed to be on the verge of starting shoot with Manoj confirmed as director, while Bharathiraja announced that he would produce the venture. G. V. Prakash Kumar was signed on as the music composer, while Rajesh Yadav and Pazhanivel were picked as the project's cinematographer and editor.[31] The film began production in Chennai during November 2014, with a publicity poster revealing that debutant actor Vishagan Vanangamudi would portray the lead role.[32] Bharathiraja revealed that he would play himself during the film's first half and stated that filming would take place in India and abroad in Switzerland.[33] He also revealed that the film would not be a sequel, but would tell the story of a youngster who is affected to commit crimes after watching the original film.[34] In January 2016, Manoj stated that work on the film had been postponed.[35] Prior to the release of his directorial debut Margazhi Thingal in October 2023, Manoj noted that the remake was dropped and that "it felt like someone had cursed the project".[36]
Legacy
The success of Sigappu Rojakkal inspired more films in Tamil about psychopathic killers such as Moodu Pani (1980), Kaadhal Kondein (2003), Manmadhan (2004) and Nadunisi Naaygal (2011).[37][38] Footage from Sigappu Rojakkal was also used in Yugam (2012).[39] The line "Kuththunka esamaan Kuththunka, Intha Ponnunkale Ippadithaan Kuthunka" from the song "Ivaluka Imsai Thaanka Mudiyala" in Kalakalappu (2012) was named after the dialogue of the same name in Sigappu Rojakkal.[40]
