 Title page of the first edition, 1861 | |
| Author | George Eliot |
|---|---|
| Country | United Kingdom |
| Language | English |
| Publisher | William Blackwood and Sons |
Publication date | 1861 |
| Preceded by | The Mill on the Floss |
| Followed by | Romola |
Silas Marner: The Weaver of Raveloe is the third novel by English author George Eliot. It was published in 1861. An outwardly simple tale of a linen weaver, the novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.
The novel is set in the early years of the 19th century. Silas Marner, a weaver, is a member of a small Calvinist congregation in Lantern Yard, a slum street in Northern England. He is falsely accused of stealing the congregation's funds while watching over the very ill deacon. Two pieces of evidence implicate Silas: a pocket knife, and the discovery of the bag formerly containing the money in his own house. There is the strong suggestion that Silas's best friend, William Dane, has framed him, since Silas had lent his pocket knife to William shortly before the crime was committed. Lots are drawn in the belief – also shared by Silas – that God will direct the process and establish the truth, but they indicate that Silas is guilty. The woman Silas was to marry breaks their engagement and marries William instead. With his life shattered, his trust in God lost, and his heart broken, Silas leaves Lantern Yard and the city for a rural area where he is unknown.
Silas travels south to the Midlands and settles near the rural village of Raveloe in Warwickshire where he lives isolated and alone, choosing to have only minimal contact with the residents beyond his work as a linen weaver. He devotes himself wholeheartedly to his craft and comes to adore the gold coins he earns and hoards from his weaving.
One foggy night, Silas's two bags of gold are stolen by Dunstan ("Dunsey") Cass, a dissolute younger son of Squire Cass, the town's leading landowner. On discovering the theft, Silas sinks into a deep depression despite the villagers' attempts to aid him. Dunsey immediately disappears, but the community makes little of this disappearance since he has vanished several times before.
Godfrey Cass, Dunsey's elder brother, also harbours a secret past. He is married to, but estranged from, Molly Farren, an opium-addicted working-class woman living in another town. This secret prevents Godfrey from marrying Nancy Lammeter, a young middle-class woman. On a winter's night, Molly tries to make her way to Squire Cass's New Year's Eve party with her two-year-old girl to announce that she is Godfrey's wife. On the way, she collapses in the snow and loses consciousness. The child wanders into Silas's house. Silas follows the child's tracks in the snow and discovers the woman dead. When he goes to the party for help, Godfrey heads outdoors to the scene of the accident, but resolves to tell no one that Molly was his wife. Molly's death, conveniently for Godfrey and Nancy, puts an end to the marriage.
Silas keeps the child and names her Eppie, after his deceased mother and sister, both named Hephzibah. Eppie changes Silas's life completely. Silas has been robbed of his material gold, but thinks that he has it returned to him symbolically in the form of the golden-haired child. Godfrey Cass is now free to marry Nancy, but continues to conceal the fact of his previous marriage—and child—from her. However, he aids Marner in caring for Eppie with occasional financial gifts. More practical help and support in bringing up the child is provided by Dolly Winthrop, Marner's kindly neighbour. Dolly's help and advice assist Marner not only in bringing up Eppie, but also in integrating them into village society.
Sixteen years pass, and Eppie grows up to be the pride of the village. She has a strong bond with Silas, who through her has found a place in the rural society and a purpose in life. Meanwhile, Godfrey and Nancy mourn their own childless state, after the death of their baby. Eventually, the skeleton of Dunstan Cass—still clutching Silas's gold—is found at the bottom of the stone quarry near Silas's home, and the money is duly returned to Silas. Shocked by this revelation, and coming to the realisation of his own conscience, Godfrey confesses to Nancy that Molly was his first wife and that Eppie is his child. They offer to raise her as a gentleman's daughter, but this would mean Eppie would have to forsake living with Silas. Eppie politely but firmly refuses, saying, "I can't think o' no happiness without him."
Silas revisits Lantern Yard, but his old neighbourhood has been "swept away" in the intervening years; the place is now replaced by a large factory. No one seems to know what happened to Lantern Yard's inhabitants. However, Silas contentedly resigns himself to the fact that he will never know and now leads a happy existence among his self-made family and friends. In the end, Eppie marries a local boy she has grown up with, Dolly's son Aaron, and they move into Silas's house, which has been newly improved courtesy of Godfrey. Silas's actions through the years in caring for Eppie have apparently provided joy for everyone, and the extended family celebrates its happiness.
Lawrence Jay Dessner has drawn connections between the biographical circumstances of Eliot's life in relation to events in the novel.[1] Bruce K. Martin has discussed Eliot's use of Godfrey Cass as "both parallel and foil" to Silas Marner in the structure of the novel.[2] Fred C. Thomson has examined the multiple levels of the idea of alienation in the novel.[3] Joseph Wiesenfarth has noted undercurrents of myth and legend, incorporated into a 'realistic' context, along with contrasts of responsible and irresponsible behaviour in the contrasting fates of Silas Marner and the Cass brothers.[4] David Sonstroem has studied ideas of chance and Darwinian thinking in the context of the plot and character fates in the novel.[5] Susan Stewart has looked at the influence of folktales and ideology related to 'work' vs 'labour' in the novel.[6] Ian Milner has examined two overarching themes of Silas Marner's 'loss and recovery of his humanity', and of a conflict between stated moral values and the social realities juxtaposed with them.[7] Robert H. Dunham has analysed the influence of the ideas and philosophy of William Wordsworth on the novel.[8] Brian Swann has examined mythic and religious undertones in the novel.[9] Jeff Nunokawa analyses ideas about physical touch, with respect to Silas Marner's handling of his gold compared to his raising of Eppie, and connects them to sexual and sensual themes.[10] Kate E. Brown has discussed overarching themes of time and temporality, with respect to the interlocked stories of Godfrey Cass and Silas Marner.[11]
