There is a single surviving manuscript of the whole Song (fr. 25425 in the Bibliothèque nationale), written in or around Toulouse about 1275.
Contents
First part
The first was written by William of Tudela (he names himself as "maestre W." in laisses 1 and 9).
The author also names the date of the beginning of the composition, as 1210 (laisse 9).
It comprises the first 2749 lines, in 130 laisses (rhymed stanzas of varying length), and takes the story to the beginning of 1213.
It is strongly partisan, in favour of the Crusaders and against their opponents, the Cathars and southerners in general. The text has the earliest use of the term crusade (as crozada).[3]
Second part
The second part comprises the remaining 6811 lines of the poem, in laisses 131 to 214. The author's identity is not certain, although the name of Gui de Cavalhon has been recently proposed. This second part covers events from 1213 onwards and takes the opposite point of view, critical of the Crusaders and strongly in favour of the southerners (though not of Catharism). To historians the Song is important for this whole period because it is the only major narrative source that takes the southern viewpoint; it is especially important from April 1216 to June 1219, because the prose narrative by Pierre des Vaux-de-Cernay becomes more sketchy and incomplete from 1216 onwards.
The author was apparently an educated man, displaying some knowledge of theology and law, and belonged to the diocese of Toulouse (since he calls bishop Folquet de Marselha "our bishop"). Michel Zink suggests that he was with Raymond VII of Toulouse in Rome and Provence during the years 1215 and 1216.[4] The poet mentions the death of Guy of Montfort, which actually took place in 1228;[5] it is questionable whether the whole of part 2 was written after that date, or whether the reference to Guy's death was a later insertion.
Saverio Guida has proposed that Gui de Cavalhon may be the author. Gui, besides being a troubadour, was also a noble, and one of the most faithful allies of Raymond VI of Toulouse.
Editions and translations
The text was first edited by Claude Charles Fauriel in 1837.
The first critical edition was published with a French translation, as Chanson de la croisade contre les albigeois, by Paul Meyer in two volumes (1875–1879).
Eugène Martin-Chabot published another multi-volume edition and French translation under the title Chanson de la croisade albigeoise (1931–1961).
Gougaud (1992) published a new single-volume French translation.
An English translation was published by Shirley (1996).
References
^Original title, in Old Occitan: Canso de la crozada, modern Occitan: Cançon de la Crosada, known in French as: Chanson de la croisade albigeoise, 'Fauriel (1837) supplied the title Aiso es la cansos de la crozada contr els ereges d albeges, a (faulty) reconstruction of Old Occitan by the editor himself (Meyer 1875, p. ii)
^Saverio Guida, "L'autore della seconda parte della Canso de la crotzada", in Cultura Neolatina, LXIII, 2003, pp. 255–282.
^
The term croiserie "the act of making the sign of the cross; a crusade" is attested for the late 12th century.
A Middle Latin term for the oriental crusades was negotium crucis "affair of the cross".
The Occitan crozada was adopted into French as croisade by the 15th century, and from there into English by the late 16th century.
Eliza Miruna Ghil, "Crozada: Avatars of a Religious Term in Thirteenth Century Occitan Poetry", Tenso 10.2 (Spring 1995), 99–109, doi:10.1353/ten.1995.0009.
^M. Zink, "Introduction" (Gougaud 1992, pp. 20–22).
