1953 film by Terence Fisher
Spaceways is a 1953 science fiction drama film directed by Terence Fisher and starring Howard Duff, Eva Bartok and Alan Wheatley. It was produced by Michael Carreras for Hammer Film Productions Ltd. and Lippert Productions Inc., with Robert L. Lippert as uncredited co-producer. The screenplay was written by Paul Tabori and Richard Landau, based on a radio play by Charles Eric Maine. The film was distributed in the UK by Exclusive Films Ltd. and in the United States by Lippert Pictures.
Plot
Engineer Dr Stephen Mitchell is part of a British space programme that plans to launch a satellite that will permanently orbit Earth. At a cocktail party, it is announced to the programme's staff that the satellite project has been approved by the defence council. Mitchell's wife Vanessa is not enthusiastic about the new project, nor with having to live at its high security base. She sneaks away with Dr Philip Crenshaw, with whom she is having an affair. Dr Mitchell leaves the party with Lisa Frank, a mathematician on the project, who is in love with him. When Mitchell returns home, he has an argument with Vanessa; he had been made aware of her having passionately kissed Crenshaw after she left with him.
The satellite rocket soon launches, but it does not reach its maximum altitude. Afterward, it is discovered that Crenshaw and Vanessa have disappeared. Dr Smith secretly investigates their disappearance and comes to the conclusion that not only were the two murdered, but that they were murdered by Dr Mitchell, after which he hid their bodies in the spacecraft's fuel tanks. Smith approaches Mitchell with the accusation, while also telling him about Crenshaw being a spy, who had concealed having a degree from a German university.
Mitchell decides to go into space on the second rocket being launched, in order to try to prove his innocence. Smith discovers that there was a new team member added just prior to the disappearance, and that a security guard had died in an accident a week earlier. Soon after, Smith and the police discover that Crenshaw and Vanessa are actually at a seaside cottage. Crenshaw has been planning to head to the east instead of going to America, as he previously had said. During a violent scuffle between Crenshaw and Smith, Vanessa is accidentally killed.
After the rocket ship launches into space, Mitchell is surprised to see that Lisa is on board; she had previously convinced Toby to let her go on the flight instead of him. Despite the revelation that the bodies of Crenshaw and Vanessa are not on board, Mitchell and Frank attempt to jettison the spaceship's second stage, resulting in an explosion, causing their spacecraft to go out of control. Mitchell, however, releases the fail-safe, saving them from destruction and allowing the spaceship to return safely to Earth.
Production
Principal photography took place at Ray Studios, Windsor, England from mid-November 1952 to early January 1953.[1] Some of the scenes of the spaceship taking off were special effects shots taken from the Lippert film, Rocketship X-M (1950)[2] Some filming also occurred at Bray Studios in Berkshire.[3]
Critical reception
Monthly Film Bulletin said: "The first British science-fiction picture is a dull and shoddy affair. Too much footage is wasted on a kind of poor man's version of The Net, and the gadgetry and adventures when they do come are ludicrous and unexciting. Eva Bartok's mathematician may please the connoisseurs."[4]
Kine Weekly said: "Interplanetary melodrama, artfully coloured by pseudo-scientific jargon and detail. ... There is not a great deal of action during the first half, but the shrewd deployment of interesting and widely assorted types rivets the attention until the space-ship finally comes into its own. ... One of many, but better than most '"aerial extravaganzas," it'll entertain youngsters of all ages."[5]
Variety wrote: "Terence Fisher's direction is extremely methodical, as is the playing, and script constantly betrays its radio play origin by running to long sides of static dialog. Very little excitement is whipped up, although the finale rocket flight and danger to the hero and heroine, has a fair amount of suspense. ... Picture needs considerable editorial tightening."[6]
Boxoffice said: "The offering is believably plotted and capably enacted, while from the production standpoint the values of the piece are considerably bolstered by the injection of what appear to be authentic clips of rocket takeoff and flight. ...To appeal to feminine audiences, a logical romantic thread has been woven into the story."[7]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as “mediocre” and wrote: "Pretty lame British entry into science-fiction."[8]
The Radio Times Guide to Films gave the film 1/5 stars, writing: "Why did anybody who read the radio play on which this is based think it was worth doing anything with it other than hurl it across the room? The plot has leads Howard Duff and Eva Bartok blasting off in pursuit of a satellite to prove Duff's innocence following an accusation of double murder. Terence Fisher's funereal pace kills this cheaply-made picture stone dead long before the dénouement."[9]
Glenn Erickson, writing in DVD Savant, noted: "The disappointment of Spaceways is finding out that it is really a lukewarm murder mystery in a science fiction setting".[2]
