Spas Wenkoff
Born(1928-09-23)23 September 1928
Veliko Tarnovo, Bulgaria
Died12 August 2013(2013-08-12) (aged 84)
Bad Ischl, Austria
OccupationOperatic heldentenor
OrganizationBerlin State Opera
AwardsKammersänger

Spas Wenkoff (Спас Венков) (23 September 1928 – 12 August 2013) was a Bulgarian-Austrian operatic tenor. He was known internationally for mastering the heldentenor roles by Wagner, such as Tristan and Tannhäuser. He appeared in his signature role Tristan first in 1975 at the Staatsoper Dresden, followed by the centenary Bayreuth Festival in 1976, and the Metropolitan Opera in 1981, among many others. He was a member of the Berlin State Opera from 1976 to 1984, and then appeared freelance at major opera houses. He was awarded the title Kammersänger in both Berlin and Vienna.

Career

Born in Veliko Tarnovo, Wenkoff initially studied law and worked for several years as a lawyer. He also studied singing, first in Tarnovo and Ruse, later in Dresden with Johannes Kemter.[1] He worked as legal advisor, and was also second concertmaster in an amateur operetta theatre in his hometown.[2] In 1954, he made his stage debut in the operetta Keto and Kote by Viktor Dolidze. Until 1963, he was full-time operetta tenor at the theatre, performing around 1000 times.[2] He then moved to Ruse, Bulgaria's second largest opera house.[2] Besides operetta, he appeared as Don Ottavio in Mozart's Don Giovanni, Almaviva in Rossini's The Barber of Seville, Alfredo in Verdi's La traviata and as Gounod's Faust.[2] He sang there until 1965.[3]

In 1965 he moved to East Germany, and worked at first a member of the Stadttheater Döbeln [de] in Saxony,[3] where he appeared in the title role of Weber's Der Freischütz, as Riccardo in Verdi's Un ballo in maschera and in the title role of Otello, among others.[4] He moved in 1968 to the Theater Magdeburg, and appeared from 1971 to 1976 at the Halle Opera House.[2][3]

On 12 October 1975, after a successful audition with stage director Harry Kupfer in Dresden, he sang the title role in Tristan und Isolde for the first time, which became his signature role. The performance was conducted by Marek Janowski, and he sang alongside Ingeborg Zobel as Isolde and Theo Adam as Marke.[2] He appeared as Tristan a total of 226 times during his career. He appeared as Tristan at the Bayreuth Festival in the centenary year 1976, alongside Catarina Ligendza as Isolde, staged by August Everding and conducted by Carlos Kleiber.[2] After that success, he was a member of the ensemble of the Berlin State Opera from 1976 to 1984.[1] The Tristan production in Bayreuth was repeated in 1977, 1982 and 1983. He also performed there the title role in Götz Friedrich's new staging of Tannhäuser in 1978,[1] alongside Gwyneth Jones as both Venus and Elisabeth, conducted by Colin Davis, and filmed live. A reviewer noted his assured singing and acting, giving the character both authority and anguish.[5]

In 1981, Wenkoff made his debut at the Metropolitan Opera, again as Tristan.[1] The New York Times' review compared him to Ludwig Suthaus and Ramón Vinay, and noted his "solid lower register", "care for declamation and a sensitivity to the drama", with a focus on the character's introspection, with the "finest impact during the legato of the Act II love duet".[6] In March 1982, Wenkoff appeared at the (West German) Frankfurt Opera as Otello. In the following years, he sang mainly at the Deutsche Oper Berlin, the Vienna State Opera, the Bavarian State Opera in Munich and the Cologne Opera.[1]

On 16 October 1982, at the Vienna State Opera, Wenkoff stepped in for the suddenly indisposed Reiner Goldberg in the middle of the first act of Tannhäuser.[1][7] He appeared in other Wagner roles such as Stolzing, Parsifal, Siegmund and Siegfried.[1][8]

Wenkoff retired from the stage in 1993. He received Austrian citizenship in 1984 and spent his retirement in Bad Ischl where he died after a long illness at the age of 84. He is buried in the Bad Ischl Cemetery.[2][9][10]

Awards

Wenkoff was a Kammersänger of both the Berlin State Opera and the Vienna State Opera.[2] He was an honorary citizen of his hometown Veliko Tarnovo and honorary member of several Wagner associations.[2] A biography was written on the occasion of his 80th birthday by Peter M. Schneider, titled Heldentenor Spas Wenkoff: alles war Zufall.

Recordings

Literature

References

  1. ^ a b c d e f g "Spas Wenkoff" (in German). Bayreuth Festival. Retrieved 31 January 2019.
  2. ^ a b c d e f g h i j k Schneider, Peter M. (2013). "Kammersänger Spas Wenkoff am 12. August 2013 verstorben" (PDF) (in German). Richard-Wagner-Verband. Retrieved 6 February 2019.
  3. ^ a b c Kutsch, Karl J.; Riemens, Leo, eds. (2004). "Wenkoff, Spas". Großes Sängerlexikon (in German) (4 ed.). Walter de Gruyter. pp. 5015–5016. ISBN 978-3-59-844088-5.
  4. ^ "Stadttheater Döbeln – Inszenierungen Spielzeit 1967–1968" (in German). Döbeln. Retrieved 6 February 2019.
  5. ^ a b Thompson, Simon (September 2008). "Richard Wagner (1813–1883) / Tannhäuser (Paris Version)". musicweb-international.com. Retrieved 6 February 2019.
  6. ^ Rockwell, John (18 February 1981). "Critic's Notebook: Spas Wenkoff Sings A Subtle Tristan". The New York Times. Retrieved 6 February 2019.
  7. ^ Fritz Walden: "Tannhäuser-Neuinszenierung in der Staatsoper: Die Volksoper und das Bacchanal", Arbeiter-Zeitung. Vienna, 18 October 1982, p. 13[dead link]
  8. ^ "Vorstellungen mit Spas Wenkoff" (in German). Vienna State Opera. Retrieved 6 February 2019.
  9. ^ Schneider, Peter M. (13 August 2013). "Am 12. August 2013 verstarb nach langer schwerer Erkrankung Kammersänger Spas Wenkoff in Bad Ischl (Österreich) im 85. Lebensjahr". Der Neue Merker (in German). Archived from the original on 13 August 2013. Retrieved 6 February 2019.
  10. ^ s.n. (2019). "Friedhof Bad Ischl". Friedhofsführer. Ischler Heimatverein. Retrieved 22 July 2019 (in German).
  11. ^ "Spas Wenkoff". Pera Depot. Retrieved 6 February 2019.
  12. ^ a b Steiger, Karsten (2011). Opern-Diskographie: Verzeichnis aller Audio- und Video-Gesamtaufnahmen (in German). Walter de Gruyter. pp. 587, 694. ISBN 978-3-11-095596-5.

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