The church is dedicated to Alfege (also spelt "Alphege"), Archbishop of Canterbury, and reputedly marks the place where he was martyred on 19 April 1012, having been taken prisoner during the sack of Canterbury by Danish raiders the previous year. The Danes took him to their camp at Greenwich and killed him when the large ransom they demanded was not forthcoming.[1]
The church was rebuilt in around 1290, and Henry VIII was baptized there in 1491.
The patronage of the church was given to the abbey at Ghent during the 13th century. Following the suppression of alien priories under Henry V, it was granted to the priory at Sheen with which it remained until transferred to the Crown by exchange under Henry VIII in 1530.[1]
During a storm in 1710 the medieval church collapsed, its foundations having been weakened by burials both inside and outside.
The present church
Following the collapse of the medieval church, the present building was constructed, funded by a grant from the Commission for Building Fifty New Churches, to the designs of Nicholas Hawksmoor, one of the Commission's two surveyors. The first church to be built by the Commissioners, it was begun in 1712 and basic construction was completed in 1714;[2] it was not, however, consecrated until 1718.[3] The church was built by Edward Strong the Younger a friend of Christopher Wren the Younger.[4]
A view of the church from the southwest
The church is rectangular in plan with a flat ceiling and a small apse serving as a chancel. The east front, towards the street, has a portico in the Tuscan order, with a central arch cutting through the entablature and pediment—a motif used in Wren's "Great Model" for St Paul's Cathedral.[3] A giant order of pilasters runs around the rest of the church, a feature Kerry Downes suggests may have been added by Thomas Archer, who, according to the minutes of the Commission, "improved" Hawksmoor's plans.[2] On the north and south sides of the churchwide projecting vestibules rise to the full height of the building, with steps leading up to the doors.[3]
Hawksmoor planned a west tower, in the position of the existing one, which had survived the collapse. However the Commission was reluctant to fund it, and the medieval tower was retained. In 1730 John James refaced it, and added a spire. Hawksmoor's design, published in an engraving in 1714, had an octagonal lantern at the top, a motif he was later to use at St George in the East.[2]
The organ was installed in 2001, having been relocated from the Lower Chapel at Eton College, with some minor changes.[5] It is an 1891 Lewis & Co instrument, with modifications in 1927 by A. Hunter & Son and 1970 by Harrison & Harrison.[6] The previous organ had a long history. Of 16th century origin, it was restored in 1706 by Thomas Swarbrick, with further restorations and modifications by Dallam (1765), George England (1770) and J. W. Walker & Sons Ltd (1840, 1853 and 1863).[7][8] It was further restored and rebuilt in 1875 by Joseph Robson and Benjamin Flight,[9] modified by Lewis & Co in 1910[10] and rebuilt by R. Spurden Rutt & Co in 1934. By this point it had grown to 47 stops.[11] It survived the bomb damage of 1941 and was rebuilt, again by R Spurden Rutt, in 1953, with 55 stops.[12] The National Pipe Organ Register does not record its present whereabouts. Additionally, there is a small, six-stop moveable organ located in the north aisle, by W & A Boggis of Diss from c 1960, with a later restoration by Mander Organs.[13]
The church had two churchyards, which were closed to burials in 1853. In 1889 they were transferred to the Greenwich District Board of Works. The later of the two churchyards was laid out as a garden and recreation ground by the landscape gardener Fanny Wilkinson, and opened in 1889. It was renamed St Alfege Park. Wilkinson planted 500 trees.[14]
The crypt served as an air-raid shelter during World War II. During the Blitz on 19 March 1941, incendiary bombs landed on the roof causing it to collapse, burning into the nave. The walls and the tower remained standing but much of the interior was gutted. The church was restored by Sir Albert Richardson in 1953. As part of the post-war restorations, stencils of Mary the Mother of Jesus and St John the Evangelist were installed either side of the Cross (forming a traditional rood) in the side chapel of St Alfege with St Peter by the tempera artist Augustus Lunn.[15]
Interior viewThe tower on the west of the church
In 2015 a fund-raising cream tea garden party for Christian Aid, held in the churchyard after the Sunday sermon, was stormed by armed police. An attendee said that the vicar's wife was “almost knocked over by a policeman with a huge machine gun”, but “people just carried on drinking their tea” in a display of typical British fortitude even though “all these armed police bursting in was like the film Hot Fuzz”. The police proceeded to the adjacent St Alfege Park, where a man was arrested and a firearm found.[16]
Sarah Barrett Moulton, the Jamaican-born schoolgirl (1783–1795) who was the subject of the celebrated painting Pinkie (shown above right), was buried in the church after dying aged twelve, just a year after her portrait had been painted. The merchant, Lloyd'sunderwriter and art collector John Julius Angerstein (died 1823), who was a churchwarden in the early 19th century, is also buried here.
In Tom McCarthy's novel C, after a Marinettiesque car crash, Serge Carrefax laughs from his position within the upturned chassis. This laughter is "a pleasant noise; reminds him of liturgical chants and whispers echoing around St. Alfege's interior."
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