Stabat Mater in G minor, D 175, is a musical setting of the Latin Stabat Mater sequence, composed by Franz Schubert in April 1815.^[1] It is scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, violin I and II, viola, and basso continuo (cello, double bass and organ).

This setting contains four stanzas of the twenty stanzas of the sequence. After a short orchestral interlude, these four stanzas are repeated with "far-reaching variation".^[2] Its structure as a single continuous movement is unusual; most of Schubert's sacred works (not including masses) were composed as one movement divided into three sections.^[3] While settings of the Stabat Mater developed into a staple of concert music by the late 19th century, it is thought that this piece would have been performed for liturgical use in the Lichtental Church.^[4]

Schubert's original manuscript indicates that he wished to score the piece with horns, rather than trombones. However, the early horn was valveless, limiting it from producing certain notes; the minor key setting made it impossible to perform the work with horns.^[2]

A year later, Schubert composed his Stabat Mater in F minor, D 383. This was a far longer work in the form of a short oratorio, and the text used was a German paraphrase of the Latin text, as written by F. G. Klopstock.