Two sets of identical twins are accidentally switched at birth. One pair, Phillipe and Pierre DeSisi, are aristocratic and haughty, while the other, Charles and Claude Coupé, are poor and dim-witted. On the eve of the French Revolution, both sets find themselves entangled in palace intrigue.
Vincent Canby of The New York Times panned the film, writing: "The performances are desperate, without being in any way memorable, thus matching the wit of the screenplay."[1]
Arthur D. Murphy of Variety called the film "disappointing," finding that "[t]he final mix never jells, despite some occasional, and genuine, hilarity ... There is a sluggishness and heaviness to some of the direction when the script is in good shape; and when the direction has lightness and zest, the script is in a slump."[2]
Gene Siskel gave the film three-and-a-half stars out of four and declared it "a terribly funny parody of the over-stuffed 18th century costume dramas that crowd the vaults of many a major studio."[3]
Charles Champlin of the Los Angeles Times praised the film as "an absolutely georgeous piece of costume kookery, a dazzling and sustained farce which is also a mad, affectionate tribute to every epee epic, every sabre-and-sex, bodice-and-bodkin historical melodrama anybody ever saw."[4]
Gary Arnold of The Washington Post wrote that the film "is not without some oafish and wrong-headed touches, but on the whole it's a witty and engaging picture, an affectionate and competent revival of traditional farce."[5]
Richard Combs of The Monthly Film Bulletin thought that Sutherland and Wilder "carry off an assortment of roles in lively fashion," but "the pacing of the film as a whole is unpleasantly jarring."[6]
Awards
The film's screenwriters Fred Freeman and Lawrence J. Cohen were nominated for a WGA award for Best Comedy Written Directly for the Screen in 1971.
Billie Whitelaw and Hugh Griffith as the king and queen of France
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