This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (November 2013) (Learn how and when to remove this template message)
Stephen Parrish
Stephen Parrish's etching "November," 1880.
Born
Also known as Stephen Windsor Parrish, Stephen M. Parrish and Stephen Maxfield Parrish

(1846-07-09)July 9, 1846
Philadelphia, Pennsylvania
DiedMay 15, 1938(1938-05-15) (aged 91)
Cornish, New Hampshire
NationalityAmerican
Known forPrintmaker, painter, illustrator
SpouseElizabeth Bancroft
ChildrenArtist Maxfield Parrish

Stephen Parrish (1846 – 1938) was an American painter and etcher who became one of the 19th century's most celebrated printmakers during the "American Etching Revival."[1][2] Privately trained by painter and animal etcher Peter Moran, Parrish was best known for his landscape etching of "Eastern North America, particularly the harbors and villages of New England and Canada," and as the father of painter and illustrator Maxfield Parrish.[1][3][4]

Career

See also: Etching and Etching revival

Parrish was engaged in mercantile pursuits until he was 30, when he applied himself to art, studying for a year with a local teacher.[1]

In 1878, he attended the Pennsylvania Academy in Philadelphia, and in 1879 at the National Academy in New York City. He soon turned his attention also to etching, and in December 1879, produced his first plate. After that he applied himself to both branches of art, exhibiting in New York City, Boston, Philadelphia, London, Liverpool, Paris, Munich, Dresden, and Vienna.

Memberships

Personal life

Born to a Philadelphia Quaker family, Parrish married in 1869, and his only child, artist Frederick Maxfield Parrish was born in 1870.[1]

Etchings

Parrish's etchings include: Northern Moorland and Low Tide — Bay of Fundy (1882); Coast of New Brunswick, Winter Evening — Windsor, Nova Scotia, and Bethlehem (1884); London Bridge and On the Thames (1886); and A Gloucestar Wharf (1887). Among his paintings are November (1880); In Winter Quarters (1884); Low Tide — Evening (1885); On the Rance, Brittany (1886); and The Road to Perry's Peak. He also frequently made etchings out of earlier sketches and drawings.[1]

References

  1. ^ a b c d e "Stephen Parrish: Rediscovered American Etcher". www.tfaoi.com. Retrieved 2021-11-27.
  2. ^ "Twenty Original American Etchings". Hunter Museum of American Art. Retrieved 2021-11-27.
  3. ^ "Cape Ann Museum". Cape Ann Museum. Retrieved 2021-11-27.
  4. ^ "Peter Moran | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2021-11-27.

External links

Wikimedia Commons has media related to Stephen Parrish.


Authority control databases
Categories