.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in French. (January 2020) Click [show] for important translation instructions.
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The symphonies are written for a string orchestra. String Symphony No. 11 also contains percussion (timpani, triangle, cymbals) in the second movement. No. 8 exists in two forms: the original for string orchestra, and an arrangement that Mendelssohn wrote that added woodwinds, brass, and timpani. The work is scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani in D and A, and strings. (A typical performance lasts half an hour).[1]
Symphonies 1 to 7 are the less "symphonic" and more relatable to the classical Divertimento (in the model of Mozart's KV 136, 137 and 138). From n.º 8 on, we find a more sophisticated writing, probably influenced by Mendelssohn's study on the organistic repertoire. The whole of Symphonies 9, 10 and 13 and some movements in n.º 8, 11 and 12 ask for two viola sections, a forgotten feature since the baroque period.
Structure
The string symphonies nos. 1-6 and 12 were composed in three movements. Nos. 7, 8 and 9 have four movements, nos. 10 and 13 have one movement, and no. 11 is in five movements.[2]
