Subway in the Sky
British quad poster
Directed by	Muriel Box
Written by	Jack Andrews
Based on	the book by Bruce Birch and the play by Ian Main
Produced by	Sydney Box Patrick Filmer-Sankey John Temple-Smith
Starring	Van Johnson Hildegard Knef
Cinematography	Wilkie Cooper
Edited by	Jean Barker
Music by	Mario Nascimbene
Production company	Orbit Films
Distributed by	British Lion Films
Release date	22 February 1959 (1959-02-22)
Running time	87 minutes
Country	United Kingdom
Language	English

Subway in the Sky is a 1959 British crime film directed by Muriel Box and starring Van Johnson, Hildegard Knef and Albert Lieven.^[1] Hildegard Knef, who changed career in the 1960s to become a cabaret singer and songwriter, sings one song in the film, "It Isn't Love."^[2] It was shot at Shepperton Studios near London. The film's sets were designed by the art director George Provis.

Plot

Baxter Grant, an American soldier in West Berlin, deserts and goes on the run when faced with false drug trafficking and murder charges. He takes shelter with cabaret singer Lilli Hoffman, who he manages to persuade to help prove his innocence.

Cast

• Van Johnson as Major Baxter Grant
• Hildegard Knef as Lilli Hoffman
• Albert Lieven as Carl
• Cec Linder as Carson
• Katherine Kath as Anna Grant
• Vivian Matalon as Stefan Grant
• Carl Jaffe as German Detective
• Chuck Keyser as Sergeant Harwell
• Gaylord Cavallaro as Switchboard Operator
• Michael Bell as G.I.
• E. Kerrigan Prescott as Sentry
• James Maxwell as Officer
• Gerda Larsen as Air Stewardess
• Tom Watson as Corporal
• Edward Judd as Molloy
• Brian Wilde as Military Policeman

Critical reception

Leonard Maltin gave the film one and a half out of four stars, calling it a "flabby caper," regarding it a "terrible waste of (Hildegard) Neff's talents".^[3] Tony Sloman gave it three out of five stars in the Radio Times, calling it, "a film that wasn't highly regarded on its release, but thanks to its cast, subject matter and director bears re-evaluation today. (It) features two particularly watchable stars, both of whom have done better work than this. Ageing bobby-sox idol Van Johnson is a better actor than is generally acknowledged; he had a propensity for worried, introverted heroes...The director is Muriel Box, one of the few English women directors to have had a successful screen career, though here she struggles to keep the stage origins of the material hidden. Wilkie Cooper's stark black-and-white photography is excellent."^[4]