Author | Luca Pacioli |
---|---|

Country | Republic of Venice |

Language | Italian |

Subjects | Mathematics, Accounting |

Publisher | Paganini (Venice) |

Publication date | 1494 |

Pages | 615 pp (first edition) |

*Summa de arithmetica, geometria, proportioni et proportionalita* (

Written in vernacular Italian, the *Summa* is the first printed work on algebra, and it contains the first published description of the double-entry bookkeeping system. It set a new standard for writing and argumentation about algebra, and its impact upon the subsequent development and standardization of professional accounting methods was so great that Pacioli is sometimes referred to as the "father of accounting".

The *Summa de arithmetica* as originally printed consists of ten chapters on a series of mathematical topics, collectively covering essentially all of Renaissance mathematics. The first seven chapters form a summary of arithmetic in 222 pages. The eighth chapter explains contemporary algebra in 78 pages. The ninth chapter discusses various topics relevant to business and trade, including barter, bills of exchange, weights and measures and bookkeeping, in 150 pages. The tenth and final chapter describes practical geometry (including basic trigonometry) in 151 pages.^{[1]}

The book's mathematical content draws heavily on the traditions of the abacus schools of contemporary northern Italy, where the children of merchants and the middle class studied arithmetic on the model established by Fibonacci's *Liber Abaci*. The emphasis of this tradition was on facility with computation, using the Hindu–Arabic numeral system, developed through exposure to numerous example problems and case studies drawn principally from business and trade.^{[2]} Pacioli's work likewise teaches through examples, but it also develops arguments for the validity of its solutions through reference to general principles, axioms and logical proof. In this way the *Summa* begins to reintegrate the logical methods of classical Greek geometry into the medieval discipline of algebra.^{[3]}

Within the chapter on business, a section entitled * Particularis de computis et scripturis* (

Pacioli explicitly states in the *Summa* that he contributed no original mathematical content to the work, but he also does not specifically attribute any of the material to other sources.^{[1]} Subsequent scholarship has found that much of the work's coverage of geometry is taken almost exactly from Piero della Francesca’s *Trattato d’abaco*, one of the algebra sections is based on the *Trattato di Fioretti* of Antonio de Mazzinghi, and a portion of the business chapter is copied from a manuscript by Giorgio Chiarini. This sort of appropriation has led some historians (notably including sixteenth-century biographer Giorgio Vasari) to accuse Pacioli of plagiarism in the *Summa* (and other works). Many of the problems and techniques included in the book are quite directly taken from these earlier works, but the *Summa* generally adds original logical arguments to justify the validity of the methods.^{[3]}

*Summa de arithmetica* was composed over a period of decades through Pacioli's work as a professor of mathematics, and was probably intended as a textbook and reference work for students of mathematics and business, especially among the mercantile middle class of northern Italy.^{[1]} It was written in vernacular Italian (rather than Latin), reflecting its target audience and its purpose as a teaching text. The work was dedicated to Guidobaldo da Montefeltro, Duke of Urbino, a patron of the arts whom Pacioli had met in Rome some years earlier.^{[4]}

It was originally published in Venice in 1494 by Paganino Paganini,^{[6]} with an identical second edition printed in 1523 in Toscolano. About a thousand copies were originally printed, of which roughly 120 are still extant.^{[7]} In June 2019 an intact first edition sold at auction for US$1,215,000.^{[4]}

While the *Summa* contained little or no original mathematical work by Pacioli, it was the most comprehensive mathematical text ever published at the time.^{[8]} Its thoroughness and clarity (and the lack of any other similar work available in print) generated strong and steady sales to the European merchants who were the text's intended audience.^{[1]} The reputation the *Summa* earned Pacioli as a mathematician and intellectual inspired Ludovico Sforza, Duke of Milan, to invite him to serve as a mathematical lecturer in the ducal court, where Pacioli befriended and collaborated with Leonardo da Vinci.^{[4]}

The *Summa* represents the first published description of many accounting techniques, including double-entry bookkeeping.^{[8]} Some of the same methods were described in other manuscripts predating the *Summa* (such as the 1458 *Della mercatura e del mercante perfetto* by Benedetto Cotrugli), but none was published before Pacioli's work, and none achieved the same wide influence. The work's role in standardizing and disseminating professional bookkeeping methods has earned Pacioli a reputation as the "father of accounting".^{[9]}

The book also marks the beginning of a movement in sixteenth-century algebra toward the use of logical argumentation and theorems in the study of algebra, following the model of classical Greek geometry established by Euclid.^{[3]} It is thought to be the first printed work on algebra,^{[4]} and it includes the first printed example of a set of plus and minus signs that were to become standard in Italian Renaissance mathematics: 'p' with a tilde above (p̄) for "plus" and 'm' with a tilde (m̄) for minus.^{[1]} Pacioli's (incorrect) assertion in the *Summa* that there was no general solution to cubic equations helped to popularize the problem among contemporary mathematicians, contributing to its subsequent solution by Niccolò Tartaglia.^{[4]}

In 1994 Italy issued a 750-lira postage stamp honoring the 500th anniversary of the *Summa*'s publication, depicting Pacioli surrounded by mathematical and geometric implements. The image on the stamp was inspired by the *Portrait of Luca Pacioli* and contains many of the same elements.^{[10]}