Terence Hanbury "Tim" White (29 May 1906 – 17 January 1964) was an English writer. He is best known for his Arthurian novels, which were published together in 1958 as The Once and Future King. One of his most memorable is the first of the series, The Sword in the Stone, which was published as a stand-alone book in 1938.
Early life
White was born in Bombay, British India, to Garrick Hanbury White, a superintendent in the Indian police, and Constance Edith Southcote Aston.[1] White had a troubled childhood, with an alcoholic father and an emotionally cold mother, and his parents separated when he was 14.[2][3]
White then taught at Stowe School in Buckinghamshire for four years. In 1936 he published England Have My Bones, a well-received memoir about a year spent in England. The same year, he left Stowe School and lived in a workman's cottage nearby, where he wrote and "revert[ed] to a feral state", engaging in falconry, hunting, and fishing.[1][5] White also became interested in aviation, partly to conquer his fear of heights.[6]
Writing
White's novel Earth Stopped (1934) and its sequel Gone to Ground (1935) are science fiction novels about a disaster that devastates the world. Gone to Ground contains several fantasy stories told by the survivors that were later reprinted in The Maharajah and Other Stories.[7]
White wrote to a friend that, in autumn 1937, "I got desperate among my books and picked [Malory] up in lack of anything else. Then I was thrilled and astonished to find that (a) The thing was a perfect tragedy, with a beginning, a middle and an end implicit in the beginning and (b) the characters were real people with recognizable reactions which could be forecast. ... Anyway, I somehow started writing a book."[4]
The novel, which White described as "a preface to Malory",[4] was titled The Sword in the Stone and published in 1938, telling the story of the boyhood of King Arthur.[8] White was also influenced by Freudian psychology and his own lifelong involvement in natural history. The Sword in the Stone was critically well-received and was a Book of the Month Club selection in 1939.[1]
In February 1939, White moved to Doolistown in County Meath, Ireland, where he lived out the Second World War as a de factoconscientious objector.[9] In Ireland, he wrote most of what became The Once and Future King: The Witch in the Wood (later cut and rewritten as The Queen of Air and Darkness) in 1939, and The Ill-Made Knight in 1940. The version of The Sword in the Stone included in The Once and Future King differs from the earlier version; it is darker, and some critics prefer the earlier version.[10]
In the early 1950s, he published two non-fiction books. The Age of Scandal (1950) is a collection of essays about 18th-century England. The Goshawk (1951) is an account of White's attempt to train a northern goshawk using traditional rather than modern falconry techniques.[11] He wrote it at his cottage in the mid-1930s, but he did not publish it until his agent David Garnett discovered it and insisted that it be published.[11] In 1954, White translated and edited The Book of Beasts, an English translation of a medieval bestiary written in Latin.
In 1958, White completed the fourth book of The Once and Future King, The Candle in the Wind, which was first published with the other three parts and has never been published separately. White lived to see his Arthurian work adapted as the Broadway musical Camelot (1960) and the animated film The Sword in the Stone (1963).
According to Sylvia Townsend Warner's 1967 biography, White was "a homosexual and a sado-masochist."[5] He came close to marrying several times but had no enduring romantic relationships. In his diaries of Zed, a young boy, he wrote: "I have fallen in love with Zed ... the whole situation is an impossible one. All I can do is behave like a gentleman. It has been my hideous fate to be born with an infinite capacity for love and joy with no hope of using them."[5]
British broadcaster Robert Robinson published an account of a conversation with White in which White claimed to be attracted to women. Robinson concluded that this was really a cover for homosexuality. Julie Andrews wrote in her autobiography, "I believe Tim may have been an unfulfilled homosexual, and he suffered a lot because of it."[12]
However, White's long-time friend and literary agent David Higham wrote, "Tim was no homosexual, though I think at one time he had feared he was (and in his ethos fear would have been the word)." Higham gave Sylvia Townsend Warner the address of one of White's lovers "so that she could get in touch with someone so important in Tim's story. But she never, the girl told me, took that step. So she was able to present Tim in such a light that a reviewer could call him a raging homosexual. Perhaps a heterosexual affair would have made her blush."[13]
Lin Carter portrays White in Imaginary Worlds as a man who felt deeply but was unable to form close human relationships because of his unfortunate childhood. "He was a man with an enormous capacity for loving. It shows in his prodigious correspondence and in his affection for dogs, and in the bewildered and inarticulate loves his characters experience in his books; but he had few close friends, and no genuine relationship with a woman."[14]
White was agnostic[15] and a heavy drinker towards the end of his life.[2][16] Warner wrote of him, "Notably free from fearing God, he was basically afraid of the human race."[6]
Influence
Fantasy writer Michael Moorcock enjoyed White's The Once and Future King, and was especially influenced by the underpinnings of realism in his work.[17] Moorcock eventually engaged in a "wonderful correspondence" with White, and later recalled that White gave him "some very good advice on how to write".[17][18]
J. K. Rowling has said that White's writing strongly influenced the Harry Potter books; several critics have compared Rowling's character Albus Dumbledore to White's absent-minded Merlyn,[19][20] and Rowling herself has described White's Wart as "Harry's spiritual ancestor."[21] Author Neil Gaiman was asked about the similarities between Harry Potter and Gaiman's character Timothy Hunter, and he stated that he did not think Rowling had based her character on Hunter. "I said to [the reporter] that I thought we were both just stealing from T. H. White: very straightforward."[22]
Gregory Maguire was influenced by "White's ability to be intellectually broadminded, to be comic, to be poetic, and to be fantastic" in the writing of his 1995 novel Wicked,[23] and crime fiction writer Ed McBain also cited White as an influence.[24]
White features extensively in Helen Macdonald's H is for Hawk, winner of the 2014 Samuel Johnson Prize for non-fiction. One of the components of the book is a biographical account of White and also The Goshawk, an account of his own failed attempt to train a hawk.[25]
^Keenan, Hugh T. “T(erence) H(anbury) White” in British Children's Writers, 1914–1960, ed. Donald R. Hettinga and Gary D. Schmidt, Gale Research, 1996.
^ abcJameson, Conor (January 2014). "A place for the misfit". British Birds. 107 (1): 2–3. ISSN0007-0335.
^Andrews, Julie. Home: A Memoir of My Early Years, Hachette, 2008
^Higham, David. Literary Gent, Coward, McCann & Geoghegan, Inc., New York, 1979, page 213
^Carter, Lin. Imaginary Worlds: The Art of Fantasy, Ballantine Books, 1973, page 95
